{"title":"Deepfaking the ‘Acceptable Chechen’: Orientalist form and homonationalist worlding in David France’s Welcome to Chechnya","authors":"Misha Irek (Yakovlev)","doi":"10.1080/17503132.2024.2301784","DOIUrl":null,"url":null,"abstract":"This article provides an interventionist critique of David France’s documentary Welcome to Chechnya (2020), from a queer decolonial perspective. This film claims to expose the brutal violence again...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"34 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Russian and Soviet Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17503132.2024.2301784","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
This article provides an interventionist critique of David France’s documentary Welcome to Chechnya (2020), from a queer decolonial perspective. This film claims to expose the brutal violence again...