{"title":"伪造 \"可接受的车臣人\"：戴维-弗朗西斯科的《欢迎来到车臣》中的东方主义形式和民族主义世界观","authors":"Misha Irek (Yakovlev)","doi":"10.1080/17503132.2024.2301784","DOIUrl":null,"url":null,"abstract":"This article provides an interventionist critique of David France’s documentary Welcome to Chechnya (2020), from a queer decolonial perspective. This film claims to expose the brutal violence again...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"34 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Deepfaking the ‘Acceptable Chechen’: Orientalist form and homonationalist worlding in David France’s Welcome to Chechnya\",\"authors\":\"Misha Irek (Yakovlev)\",\"doi\":\"10.1080/17503132.2024.2301784\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article provides an interventionist critique of David France’s documentary Welcome to Chechnya (2020), from a queer decolonial perspective. This film claims to expose the brutal violence again...\",\"PeriodicalId\":41168,\"journal\":{\"name\":\"Studies in Russian and Soviet Cinema\",\"volume\":\"34 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-03-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Russian and Soviet Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17503132.2024.2301784\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Russian and Soviet Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17503132.2024.2301784","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Deepfaking the ‘Acceptable Chechen’: Orientalist form and homonationalist worlding in David France’s Welcome to Chechnya
This article provides an interventionist critique of David France’s documentary Welcome to Chechnya (2020), from a queer decolonial perspective. This film claims to expose the brutal violence again...
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
