Studies in Russian and Soviet Cinema最新文献_第10页

‘If I forget anything at all, it’s unlikely the stars will accept us … ’: sci-fi fan communities, post-Soviet nostalgia and contemporary cinematic experience “如果我忘记了什么，明星们不太可能接受我们……”：科幻迷群体、后苏联怀旧和当代电影体验

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Studies in Russian and Soviet Cinema Pub Date : 2021-01-02 DOI: 10.1080/17503132.2020.1871191

B. Stepanov

引用次数: 3

Notes toward an untimely Soviet comedy: Eisenstein’s MMM 不合时宜的苏联喜剧:爱森斯坦的《MMM》

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Studies in Russian and Soviet Cinema Pub Date : 2021-01-02 DOI: 10.1080/17503132.2020.1870284

D. Condren

{"title":"Notes toward an untimely Soviet comedy: Eisenstein’s MMM","authors":"D. Condren","doi":"10.1080/17503132.2020.1870284","DOIUrl":"https://doi.org/10.1080/17503132.2020.1870284","url":null,"abstract":"ABSTRACT Between 1932 and 1933, in the context of a new mandate for cheerfulness in Soviet cinema, Sergei Eisenstein, recently returned from a frustrating sojourn abroad, undertook an exercise in genre: the beguilingly titled comedy MMM. The project, which was never completed, has been almost completely overlooked in studies of the director’s works. Against this tendency of Eisenstein scholarship, this paper presents MMM as a serious and highly developed experiment in genre, using archival material – including notes, screenplays, director’s scripts and drawings – to read the work as an expression of Eisenstein’s cinematic process at its most formally inventive and ideologically intricate. The script, composed entirely in verse, is the director’s only fully-conceived attempt at film comedy. It follows a sprawling series of incongruous historical encounters as visitors from medieval Rus’ materialise in contemporary Moscow. The absurd fantasia that ensues is not only Eisenstein’s attempt to probe an increasingly ideologically unstable Soviet reality, but is also his occasion to explore, through self-reflexive comedic techniques, the nature and limits of the cinematic medium, as well as the theoretical question of the mutability of static form and the implications of this conundrum for character, narrative and genre.","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"15 1","pages":"2 - 22"},"PeriodicalIF":0.1,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17503132.2020.1870284","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48276510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

‘Superior to Disney’: colour animation at Lenfilm, 1936-41 “超越迪士尼”:1936- 1941年Lenfilm的彩色动画

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Studies in Russian and Soviet Cinema Pub Date : 2020-12-05 DOI: 10.1080/17503132.2020.1865614

P. Cavendish

引用次数: 0

Studies in Russian and Soviet Cinema 俄罗斯和苏联电影研究

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Studies in Russian and Soviet Cinema Pub Date : 2020-09-01 DOI: 10.1080/17503132.2020.1814564

B. Beumers

引用次数: 1

Armenian cinema in the late Soviet years: desexualisation as a narrative convention 苏联后期的亚美尼亚电影:作为叙事惯例的去性别化

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Studies in Russian and Soviet Cinema Pub Date : 2020-08-24 DOI: 10.1080/17503132.2020.1808754

S. Azatyan

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引用次数: 0

This thing of darkness: Eisenstein’s Ivan the terrible in Stalin’s Russia 黑暗的东西：爱森斯坦笔下的伊凡斯大林笔下的俄罗斯

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Studies in Russian and Soviet Cinema Pub Date : 2020-08-20 DOI: 10.1080/17503132.2020.1808273

S. Norris

引用次数: 2

Kote Mikaberidze Kote Mikaberidze

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Studies in Russian and Soviet Cinema Pub Date : 2020-08-20 DOI: 10.1080/17503132.2020.1808272

Oksana Sarkisova

引用次数: 0

What is that song? Aleksej Balabanov’s ‘Brother’ and rock as film music in Russian cinema 那是什么歌?阿列克谢·巴拉巴诺夫(Aleksej Balabanov)的《兄弟》和摇滚在俄罗斯电影中的电影音乐

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Studies in Russian and Soviet Cinema Pub Date : 2020-08-20 DOI: 10.1080/17503132.2020.1808270

Rita Safariants

引用次数: 0

Beyond Eastern Noir: reimagining Russia and Eastern Europe in Nordic cinemas 超越东方黑色:在北欧电影院重新想象俄罗斯和东欧

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Studies in Russian and Soviet Cinema Pub Date : 2020-08-20 DOI: 10.1080/17503132.2020.1808271

Åsne Ø. Høgetveit

引用次数: 1

Caught in-between: intermediality in contemporary Eastern European and Russian cinema 夹在中间:当代东欧和俄罗斯电影的中间性

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Studies in Russian and Soviet Cinema Pub Date : 2020-08-20 DOI: 10.1080/17503132.2020.1808274

O. Klimova

引用次数: 0