{"title":"Mykola Shpykovskyi 和晚期 VUFKU 电影的视觉风格","authors":"Vincent Bohlinger","doi":"10.1080/17503132.2024.2392331","DOIUrl":null,"url":null,"abstract":"This essay focuses on an editing strategy repeatedly found in Mykola Shpykovskyi’s films The Self-Seeker (Shkurnyk, 1929) and Bread (Khlib, 1929) that relies on limited camera set-ups and axial cut...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"4 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Mykola Shpykovskyi and the visual style of late VUFKU films\",\"authors\":\"Vincent Bohlinger\",\"doi\":\"10.1080/17503132.2024.2392331\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay focuses on an editing strategy repeatedly found in Mykola Shpykovskyi’s films The Self-Seeker (Shkurnyk, 1929) and Bread (Khlib, 1929) that relies on limited camera set-ups and axial cut...\",\"PeriodicalId\":41168,\"journal\":{\"name\":\"Studies in Russian and Soviet Cinema\",\"volume\":\"4 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-08-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Russian and Soviet Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17503132.2024.2392331\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Russian and Soviet Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17503132.2024.2392331","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Mykola Shpykovskyi and the visual style of late VUFKU films
This essay focuses on an editing strategy repeatedly found in Mykola Shpykovskyi’s films The Self-Seeker (Shkurnyk, 1929) and Bread (Khlib, 1929) that relies on limited camera set-ups and axial cut...
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