{"title":"乌克兰在马克-东斯科伊的《彩虹》中的地位","authors":"Jeremy Hicks","doi":"10.1080/17503132.2024.2392337","DOIUrl":null,"url":null,"abstract":"This article argues that Mark Donskoi’s 1944 film The Rainbow, made at the evacuated Kyiv film studios in Turkmenistan, gains an enormous amount when seen as a Ukrainian film. While the Odesa-born ...","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"9 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The place of Ukraine in Mark Donskoi’s The Rainbow\",\"authors\":\"Jeremy Hicks\",\"doi\":\"10.1080/17503132.2024.2392337\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article argues that Mark Donskoi’s 1944 film The Rainbow, made at the evacuated Kyiv film studios in Turkmenistan, gains an enormous amount when seen as a Ukrainian film. While the Odesa-born ...\",\"PeriodicalId\":41168,\"journal\":{\"name\":\"Studies in Russian and Soviet Cinema\",\"volume\":\"9 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-08-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Russian and Soviet Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17503132.2024.2392337\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Russian and Soviet Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17503132.2024.2392337","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
The place of Ukraine in Mark Donskoi’s The Rainbow
This article argues that Mark Donskoi’s 1944 film The Rainbow, made at the evacuated Kyiv film studios in Turkmenistan, gains an enormous amount when seen as a Ukrainian film. While the Odesa-born ...
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