Studies in Russian and Soviet Cinema最新文献_第7页

Sergei Tret’iakov, Mikhail Kalatozov and The Blind Girl Sergei Tret’iakov: The Blind Girl. A Script. Translated by Albert Newberry 谢尔盖·Tret 'iakov，米哈伊尔·卡拉托佐夫和盲女。一个脚本。Albert Newberry翻译

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Studies in Russian and Soviet Cinema Pub Date : 2022-01-02 DOI: 10.1080/17503132.2021.2024421

A. Anemone

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Editorial 社论

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Studies in Russian and Soviet Cinema Pub Date : 2022-01-02 DOI: 10.1080/17503132.2022.2031764

B. Beumers

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The transformation of ‘divisive’ daughters-in-law in Central Asian cinema 中亚电影中“分裂”儿媳的转变

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Studies in Russian and Soviet Cinema Pub Date : 2022-01-02 DOI: 10.1080/17503132.2021.2024039

Jamile Satybaldiyeva

引用次数: 0

The phenomenon of Partisan Cinema: alternative film production in Kazakhstan (Appendix: A Manifesto) 党派电影现象:哈萨克斯坦的另类电影制作(附录:宣言)

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Studies in Russian and Soviet Cinema Pub Date : 2022-01-02 DOI: 10.1080/17503132.2022.2028257

S. Abishev, E. Lumpov, Inna Smailova

引用次数: 0

Psychomotor aesthetics: movement and affect in modern literature and film 精神运动美学:现代文学与电影中的运动与情感

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Studies in Russian and Soviet Cinema Pub Date : 2022-01-02 DOI: 10.1080/17503132.2022.2031762

A. Toropova

引用次数: 1

Soviet films of the 1970s and early 1980s: conformity and non-conformity amidst stagnation decay 20世纪70年代和80年代初的苏联电影:停滞衰退中的一致性和不一致性

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Studies in Russian and Soviet Cinema Pub Date : 2022-01-02 DOI: 10.1080/17503132.2022.2026153

J. Henry

引用次数: 0

‘One foot in the grave’: pregnancy and folk culture in recent Russian films “一只脚在坟墓里”:最近俄罗斯电影中的怀孕和民间文化

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Studies in Russian and Soviet Cinema Pub Date : 2022-01-02 DOI: 10.1080/17503132.2022.2026160

Jenny Kaminer

{"title":"‘One foot in the grave’: pregnancy and folk culture in recent Russian films","authors":"Jenny Kaminer","doi":"10.1080/17503132.2022.2026160","DOIUrl":"https://doi.org/10.1080/17503132.2022.2026160","url":null,"abstract":"ABSTRACT This article focuses on two recent Russian films – Vasilii Sigarev’s Living (2012) and Natasha Merkulova and Aleksei Chupov’s The Man who Surprised Everyone (2018) – that exploit the multivalent potential of the pregnant body. Both films enlist the symbolism with which Russian traditional culture has infused that body to create complex, nuanced cinematic depictions of the porousness between the realm of the living and that of the dead. The folk symbolism of pregnancy facilitates the directors’ subtle critiques of contemporary Russian society, including its cynicism; casual, ubiquitous violence; and rigid gender hierarchies. These films highlight the pregnant woman’s destabilising potential, one that challenges the Russian state’s increasingly fervent incursion into the intimate realm separating life and death. They also prompt us to recall that feminist thinkers have turned to the pregnant body as a source of insight. With her challenge to the notion of a singular, unified body, the pregnant woman points to new philosophical models of the self – possibilities that have yet to be explored fully on screen, but towards which the two contemporary Russian films discussed in this essay may point.","PeriodicalId":41168,"journal":{"name":"Studies in Russian and Soviet Cinema","volume":"16 1","pages":"25 - 43"},"PeriodicalIF":0.1,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46956540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Cinemasaurus: Russian film in contemporary context 电影龙:当代背景下的俄罗斯电影

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Studies in Russian and Soviet Cinema Pub Date : 2022-01-02 DOI: 10.1080/17503132.2022.2031761

R. Morley

引用次数: 0

Faster, higher, stronger, comrades! Sports, art, and ideology in late Russian and early Soviet culture 更快、更高、更强，同志们!俄罗斯晚期和苏联早期文化中的体育、艺术和意识形态

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Studies in Russian and Soviet Cinema Pub Date : 2022-01-02 DOI: 10.1080/17503132.2022.2026156

Stephen M. Norris

引用次数: 0

She animates: Soviet female subjectivity in Russian animation 她动画化：俄罗斯动画中的苏联女性主体性