Alisa Seleznёva, a girl alone in outer space: rethinking gender, family and state in late-Soviet children’s science fiction and animation

IF 0.1 0 FILM, RADIO, TELEVISION
Aleksandra Shubina
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引用次数: 0

Abstract

ABSTRACT This article investigates the potential of children’s literature and animation in late-Soviet Russia to subtly reflect the ways in which state ideology and public attitudes towards societal development and social institutions transform, merge with, mimic and come into conflict with one another. The article focuses on a comparative analysis of two Soviet children’s science-fiction texts about the character Alisa Seleznёva, otherwise known as ‘the girl from the future’. These texts are Kir Bulychёv’s novella Alisa’s Journey (1974) and Roman Kachanov’s animated adaptation of this same tale, The Mystery of the Third Planet (1981). The article argues that the emphasis on the experience of a female character, underrepresented in male-dominated Soviet culture, and the choice of a child protagonist is an expression of scepticism towards the normative social roles found within nuclear families, professional and school environments, and the gender behaviours promulgated by the Soviet master discourse.
Alisa Seleznёva,一个独自在外太空的女孩:在苏联后期的儿童科幻小说和动画中重新思考性别、家庭和国家
摘要本文探讨了苏联晚期儿童文学和动画的潜力,以巧妙地反映国家意识形态和公众对社会发展和社会制度的态度如何相互转变、融合、模仿和冲突。这篇文章的重点是对两部苏联儿童科幻小说文本的比较分析,这两部小说都是关于Alisa Seleznõva这个角色的,也被称为“来自未来的女孩”。这些文本是Kir Bulichõv的中篇小说《Alisa的旅程》(1974年)和Roman Kachanov根据同一故事改编的动画《第三行星之谜》(1981年)。文章认为,强调女性角色的经历,在男性主导的苏联文化中代表性不足,以及选择儿童主角,是对核心家庭、职业和学校环境中的规范性社会角色以及苏联主流话语所颁布的性别行为的怀疑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studies in Russian and Soviet Cinema
Studies in Russian and Soviet Cinema FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
0.00%
发文量
22
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