Eixo e a Roda-Revista de Literatura Brasileira最新文献

{"title":"Em defesa da literatura brasileira em Portugal: Adolfo Casais Monteiro e Arnaldo Saraiva / In Defense of Brazilian Literature in Portugal: Adolfo Casais Monteiro and Arnaldo Saraiva","authors":"Lilian Maria Barbosa Ferrari, J. Siqueira","doi":"10.17851/2358-9787.29.3.164-187","DOIUrl":"https://doi.org/10.17851/2358-9787.29.3.164-187","url":null,"abstract":"Resumo: O artigo tem por objetivo discutir trabalhos de Adolfo Casais Monteiro e Arnaldo Saraiva realizados em prol da literatura brasileira e da manutenção das relações culturais entre Brasil e Portugal. Considerou-se a biografia de ambos tendo em conta suas inserções em contextos sociais e históricos específicos. Buscou-se demonstrar a intervenção desses intelectuais em favor da literatura e cultura brasileiras. Realizou-se também um breve levantamento de textos importantes que trataram da contribuição desses intelectuais portugueses para a cultura local. Adolfo Casais Monteiro foi pioneiro no trabalho comparativo entre o Modernismo Brasileiro e o Modernismo Português, o qual, posteriormente, foi desenvolvido por Arnaldo Saraiva, cujo objetivo era o de demonstrar o diálogo mantido entre os autores modernistas brasileiros e portugueses. Destaca-se, por fim, o empenho desses estudiosos, os quais contribuíram para a história da cultura mesmo em momentos difíceis de autoritarismo e de crise das humanidades.Palavras-chave: literatura brasileira em Portugal; relação Brasil-Portugal; Adolfo Casais Monteiro; Arnaldo Saraiva.Abstract: The goal of this paper is to discuss the works of Adolfo Casais Monteiro and Arnaldo Saraiva, dealing especially with those done in support of Brazilian literature and of maintenance of cultural relationship between Brazil and Portugal. Their biographies have been taken into account, regarding their specific social and historical contexts, with the objective of demonstrating these intellectuals’ intervention on behalf of Brazilian literature and culture. A brief survey of relevant texts regarding these Portuguese intellectuals’ contribution to the local culture was also conducted. Adolfo Casais Monteiro paved the way for the comparative work concerning Brazilian Modernism and Portuguese Modernism, which was further explored by Arnaldo Saraiva, with the objective of highlighting the dialogue between Brazilian and Portuguese modernist authors. Lastly, we emphasize the effort of these scholars, who have much contributed to the culture’s history, even amidst difficult moments such as authoritarianism and crisis in the humanities’ field.Keywords: Brazilian literature in Portugal; Brazil/Portugal relationship; Adolfo Casais Monteiro; Arnaldo Saraiva.","PeriodicalId":40902,"journal":{"name":"Eixo e a Roda-Revista de Literatura Brasileira","volume":"29 1","pages":"164"},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42140826","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Impressões (des)arquiviolíticas homo-bio-ficcionais da exterioridade: Silviano Santiago e suas/nossas Mil rosas roubadas / (Un)Archiviolitical Impressions Homo-Bio-Ficcional of Exteriority: Silviano Santiago and His/Ours Mil rosas roubadas","authors":"P. H. A. Medeiros, E. Nolasco","doi":"10.17851/2358-9787.29.3.227-243","DOIUrl":"https://doi.org/10.17851/2358-9787.29.3.227-243","url":null,"abstract":"Our research is based on the South-frontier, biolócus geoistórico and mainly epistemological, where we think and erect our thinking trespassed through our frontier bodies and our biographic/local sensibilities as researches located in a subaltern locus. Our research is based on a biographical-critical theorization (NOLASCO, 2015), and in Eixo Roda, Belo Horizonte, v. 29, n. 3, p. 227-243, 2020 eISSN: 2358-9787 | DOI: 10.17851/2358-9787.29.3.227-243 228 Eixo Roda, Belo Horizonte, v. 29, n. 3, p. 227-243, 2020 a bibliographical methodology. As from that, we will (un)archive the homo-bio-ficcional exteriority project of Silviano Santiago, a Brazilian intellectual from Minas Gerais, especially with which is related to his escrevivente novel Mil rosas roubadas (2014). In this way, we willwork with the archive of the evil/of Silviano’s exteriority impression (NOLASCO, 2018a), trying to open it, to (un)archive it. When we do it, our own histories and sensitivities are (un)archived. Based on the essayistic biographical-critical frontier speech while writing and theorizing about this homo-bio-fictional project, (un)archiving it, we expose ourselves, we suffer from the evilness. Therefore, the biographical space in which our reflections are based is of the affection order, of the sensitivities and of the sobrevida, but it is also back up for the distance, place reserved to the critics and the politicized friendship (NOLASCO 2010).","PeriodicalId":40902,"journal":{"name":"Eixo e a Roda-Revista de Literatura Brasileira","volume":"29 1","pages":"227"},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44587741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A entrada de João Cabral em Portugal / João Cabral’s Entrance in Portugal","authors":"A. Saraiva","doi":"10.17851/2358-9787.29.3.9-18","DOIUrl":"https://doi.org/10.17851/2358-9787.29.3.9-18","url":null,"abstract":"Resumo: Reflexões sobre a receção da poesia e sobre as relações pessoais e literárias de João Cabral de Melo Neto com Portugal.Palavras-chave: João Cabral; poesia; Portugal.Abstract: Reflections on the reception of poetry and on João Cabral de Melo Neto’s personal and literary relations with Portugal.Keywords: João Cabral; poetry; Portugal..","PeriodicalId":40902,"journal":{"name":"Eixo e a Roda-Revista de Literatura Brasileira","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46750307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Gilberto Freyre, leitor de Luís de Camões / Gilberto Freyre, Reader of Luís de Camões","authors":"Anco Márcio Tenório Vieira","doi":"10.17851/2358-9787.29.3.36-55","DOIUrl":"https://doi.org/10.17851/2358-9787.29.3.36-55","url":null,"abstract":"Resumo: Este trabalho aborda o modo como Gilberto Freyre, a partir do seu olhar expressionista, emulou Luís de Camões. Rompendo as fronteiras entre o homem Luís de Camões e a sua obra, Freyre diluiu os limites que separam o autor do narrador, rompendo também as fronteiras entre o sujeito e o seu objeto de estudo. Desse modo, Freyre inscreve Camões e a sua obra em sua gramática sociológica e antropológica e, principalmente, o eleva ao panteão de um dos percussores do Lusotropicalismo.Palavras-chave: Gilberto Freyre; Luís de Camões; Lusotropicalismo; emulação.Abstract: This work discusses the way Gilberto Freyre, from his expressionist gaze, emulated Luís de Camões. Breaking the boundaries between Luís de Camões as a man and his work, Freyre diluted the boundaries that separate the narrator from the author, also breaking the boundaries between the subject and his object of study. Thereby, Freyre inscribes Camões and his work in his sociological and anthropological grammar and, mainly, elevates him to the pantheon of one of the Lusotropicalism pioneers.Keywords: Gilberto Freyre; Luís de Camões; Lusotropicalism; emulation.","PeriodicalId":40902,"journal":{"name":"Eixo e a Roda-Revista de Literatura Brasileira","volume":"29 1","pages":"36"},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43952806","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Fernando Pessoa em periódicos brasileiros e o “flerte” de nossa crítica modernista / Fernando Pessoa in Brazilian Periodicals and Our Modernist Criticism “Flirt”","authors":"R. Xavier","doi":"10.17851/2358-9787.29.3.75-110","DOIUrl":"https://doi.org/10.17851/2358-9787.29.3.75-110","url":null,"abstract":"Resumo: A recepcao de Fernando Pessoa nos jornais brasileiros se deu majoritariamente apos a morte do poeta, em 1935. Essa recepcao, em especial, raramente apresenta ao publico os textos do poeta, caracterizando-se, especialmente, por ensaios criticos que supoem o conhecimento dos leitores sobre a obra do escritor portugues. Durante sua vida (1888-1935), a ocorrencia de publicacoes de textos de Pessoa em jornais brasileiros e ainda mais escassa, e ainda demanda um esforco concentrado dos investigadores dada a dificuldade de localizacao dos acervos que nao estao disponiveis em meio digital. Apresentamos aqui a redescoberta de tres textos do poeta, publicados ainda durante sua vida, nos jornais cariocas: Leitura para todos (1926), O Tico-tico: Jornal das criancas (1931) e Diario de Noticias (1935). Apresenta-se tambem o “flerte” do critico e escritor modernista brasileiro, Teixeira Soares, com a obra de Fernando Pessoa. Palavras-chave: Fernando Pessoa; recepcao, publicacoes periodicas brasileiras; “Mar Portuguez”; “O avo e o neto”; “Linda florinha”; “D. Diniz”; “Terceiro”; Teixeira Soares. Abstract: Fernando Pessoa’s journalistic reception in Brazil took place mostly after the poet’s death in 1935. This reception rarely presents the poet’s texts to the public and is characterized especially by critical essays that assume the Brazilian readers’ knowledge on the work of the Portuguese writer. During his lifetime (1888-1935), publications of Pessoa’s texts in Brazilian newspapers are even scarcer and still demand a concentrated effort from researchers given the difficulty of locating archives not available in digital media. Here we present the rediscovery of three texts by the poet, published during his lifetime, in the Carioca newspapers: Leitura para todos (1926), O Tico-tico: Jornal das criancas (1931), and Diario de Noticias (1935). The “flirting” of the Brazilian modernist critic and writer Teixeira Soares with the work of Fernando Pessoa is briefly presented. Keywords: Fernando Pessoa; reception; Brazilian periodic publications; “Portuguese Sea”; “Grandfather and grandson”; “Pretty flower”; “King Diniz”; “Third one”; Teixeira Soares.","PeriodicalId":40902,"journal":{"name":"Eixo e a Roda-Revista de Literatura Brasileira","volume":"29 1","pages":"75-110"},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49172869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Entre negritude e pertencimento: a escrita insurgente de Carolina Maria de Jesus em Diário de Bitita / Between Blackness and Belonging: The Insurgent Writing of Carolina Maria de Jesus in Diário de Bitita","authors":"Leidiana Da Silva Lima Freitas, Maria Suely de Oliveira Lopes","doi":"10.17851/2358-9787.29.3.244-259","DOIUrl":"https://doi.org/10.17851/2358-9787.29.3.244-259","url":null,"abstract":"The presence of blacks in the Brazilian literary scene has become more visible in recent decades. Although in the past this main role was more timid, especially when it comes to black women, this presence today is quite expressive. Carolina Maria de Jesus, despite of prejudice and discrimination, is one of the many Afro-descendant writers who had achieved prominence in the literary medium. Through her writing, she showed the situation of poverty, misery and exclusion she suffered during her life. Thus, this article aims to analyze the work Diário de Bitita (Bitita’s Diary, 1986), focusing on aspects such as blackness and belonging. More specifically, we sought to understand how the racial issue and the idea of belonging are addressed in the referred work, in addition to discussing how the author dealt with these issues in her childhood and adolescence. Therefore, support was sought in the theoretical contributions of Cixous (2017), Fanon (2008), Hall (2005), among others. It was observed that Carolina Maria de Jesus uses her writing as an instrument to denounce the situation of poor and, especially of black people, in the face of a society dominated by an Eurocentric conception that privileges whites over blacks. Facing the prejudice, discrimination and exclusion experienced by Bitita, she often wished to have white skin to enjoy the same rights as white people.","PeriodicalId":40902,"journal":{"name":"Eixo e a Roda-Revista de Literatura Brasileira","volume":"29 1","pages":"244"},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41899484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Teatralizações femininas. Cecília Meireles e Sophia de Mello Breyner Andresen: tradutoras / Female Theatrical Performances. Cecília Meireles and Sophia de Mello Breyner Andresen: Translators","authors":"S. Scramim","doi":"10.17851/2358-9787.29.3.56-74","DOIUrl":"https://doi.org/10.17851/2358-9787.29.3.56-74","url":null,"abstract":"Resumo: O objetivo desta reflexão é comparar as práticas de escrita de duas poetas, a saber, Sophia de Mello Breyner Andresen e Cecília Meireles, com as traduções que fizeram, respectivamente, de Hamlet, Shakespeare, em 1987, e Orlando, Virgínia Woolf, em 1948. A partir da análise dessas traduções, comparadas a alguns poemas de ambas as poetas, pretende-se desenvolver a afirmação de Giorgio Agamben (2007) de que o poeta moderno elabora sua subjetividade sem deixar que esta fique marcada por um “lugar” ao qual ela devesse “retornar” em nome de uma originalidade primordial de sua palavra lírica. O sujeito decorrente desse processo está livre para viver esse momento presente no qual ele se encontra com sua incompletude e compreende que é feito de uma angústia analisável. Contemplar a linguagem é o modo de produzir subjetividades não essenciais. A tradução é um dos modos mais eficientes de se pensar a palavra. Sendo operada por deslocamentos incessantes, a prática da tradução é um interrogar-se sem cessar – e angustiadamente – pelo sentido da materialidade mesma da estrutura da palavra sem alcançar o sentido pleno do que é traduzido. A tradução faz surgir de um ato objetivo uma potência subjetiva, pois de seu vazio de conteúdo pode ser dito algo de novo.Palavras-chave: Sophia de Mello Breyner Andresen; Cecília Meireles; poesia brasileira; poesia portuguesa; tradução.Abstract: The purpose of this reflection is to compare the writing practices of the two poets, Sophia de Mello Breyner Andresen and Cecília Meireles, with the translations they made of Hamlet, Shakespeare, Breyner in 1987, and Orlando, Virginia Woolf, by Meireles in 1948. From the analysis of these translations, compared to some poems of both poets, it is intended to develop Giorgio Agamben’s (2007) claim that the modern poets elaborate their subjectivity without allowing it to be marked by a “place” to which they owe “return” in the name of a primordial originality of their lyrical word. The subject resulting from this process is free to live in this present moment in which they find themselves with their incompleteness and understand that they are made of an analyzable anguish. Contemplating language is the way to produce non-essential subjectivities. Translation is one of the most efficient ways of thinking about the word. Being operated by incessant displacements, translating is to constantly interrogate and distress oneself for the meaning of the very materiality of the word structure without reaching the full meaning of what is translated. Translation gives rise to subjective power from an objective act, because something new can be said of its content void.Keywords: Sophia de Mello Breyner Andresen; Cecília Meireles; Brazilian poetry; Portuguese poetry; translation.","PeriodicalId":40902,"journal":{"name":"Eixo e a Roda-Revista de Literatura Brasileira","volume":"29 1","pages":"56"},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48826052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Carlos Drummond de Andrade e José Osório de Oliveira: a divulgação da poesia drummondiana na revista luso-brasileira Atlântico / Carlos Drummond de Andrade and José Osório de Oliveira: The Disclosure of Drummond’s Poetry in the Luso-Brazilian Magazine Atlântico","authors":"Thiago Mio Salla","doi":"10.17851/2358-9787.29.3.111-137","DOIUrl":"https://doi.org/10.17851/2358-9787.29.3.111-137","url":null,"abstract":"Resumo: Tomando como objeto os dois poemas publicados por Carlos Drummond de Andrade na revista luso-brasileira Atlântico (“O voo sobre as igrejas” e “Versos à boca da noite”), o presente artigo visa a apresentar estudo sobre os efeitos de sentido produzidos por tal colaboração, considerando a materialidade do veículo em questão e a ambiência discursiva por ele conferida aos textos. Nesse processo, de início, procura-se recuperar as correspondências inéditas enviadas ao poeta mineiro por José Osório de Oliveira, secretário da publicação e reconhecido homem de letras português dedicado à literatura brasileira. Em seguida, apresentam-se a estrutura, as particularidades e as diretrizes da política editorial do periódico, uma espécie de álbum luxuoso considerado o mais importante elo editorial do intercâmbio literário e intelectual pactuado pelas ditaduras de Salazar e Vargas a partir do Acordo Cultural de 1941. Por fim, examina-se o direcionamento interpretativo de ambos os poemas operado pelo suporte, quer no sentido de valorizar uma figura mítica da dita “civilização lusíada”, algo caro à proposta de recuperação interessada do passado efetuada pela revista, quer de circunscrever e atenuar o lirismo crítico do autor de Sentimento do mundo.Palavras-chave: Carlos Drummond de Andrade; José Osório de Oliveira; Atlântico: Revista Luso-Brasileira; Estado Novo brasileiro e português.Abstract: Considering two poems published by Carlos Drummond de Andrade in the Portuguese-Brazilian magazine Atlântico (“O voo sobre as igrejas” e “Versos à boca da noite”), this article aims to present the results of an investigation into the effects of meaning produced by such collaboration, considering the materiality of the publication in question and the discursive ambience impacting on those texts. Firstly, we seek to recover the unpublished letters sent to Drummond by José Osório de Oliveira, secretary of the publication and recognized Portuguese intellectual devoted to the Brazilian literature. Then, the structure and guidelines of the journal’s editorial policy are presented. More specifically, Atlântico was a kind of luxurious album which was considered the most important editorial link in the literary and intellectual exchange agreed upon by the Salazar and Vargas dictatorships since the signing of the Cultural Agreement in 1941. Finally, we examine the interpretative framework of both poems operated by the support, which, in the first text, values a mythical figure of the so-called “Portuguese civilization”, something dear to the magazine’s interested proposal to recover the past, and in the second it intends to circumscribe and attenuate the critical lyricism of the author of Sentimento do mundo.Keywords: Carlos Drummond de Andrade; José Osório de Oliveira; Atlântico: Revista Luso-Brasileira; Brazilian and Portuguese Estado Novo.","PeriodicalId":40902,"journal":{"name":"Eixo e a Roda-Revista de Literatura Brasileira","volume":"29 1","pages":"111"},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44279467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"O sol na cabeça, de Geovani Martins: a literatura do morro / Geovani Martins’s The Sun on My Head: The Slum’s Literature","authors":"David Pimentel","doi":"10.17851/2358-9787.29.2.252-273","DOIUrl":"https://doi.org/10.17851/2358-9787.29.2.252-273","url":null,"abstract":"Resumo: Este artigo analisa o livro O sol na cabeca , de Geovani Martins, a partir da renovada perspectiva tematica sobre o morro – a favela – efetuada pelo escritor ao abandonar a visao estereotipada do favelado que por muito tempo esteve presente na literatura brasileira. Em seu projeto de escrita, Martins se apropria da oralidade dos moradores do morro para desconstruir e descentrar a palavra literaria, inserindo-a em uma nova sintaxe, unica e inaugural, que, consequentemente, exige do leitor um novo pacto de leitura, mais agressivo e participativo. Com base nesse pacto de leitura, este artigo sera dividido em tres momentos: o estudo do descentramento da palavra literaria, a diferenca entre sociedade e comunidade e, por ultimo, a questao do outro enquanto diferenca, e nao semelhanca. Palavras-chave: literatura do morro; sociedade periferica; Geovani Martins. Abstract: This paper analyzes Geovani Martins’s work The sun on my head , from a renewed thematic perspective on the slum – the so called favela – performed by the writer when leaving aside a stereotyped view of the slum-dweller that for a long time has been part of Brazilian literature. On his writing project, Martins takes possession of the slum-dweller’s speech in order to break down and decentralize the literary word, inserting it in a new syntax, unique and inaugural, that, consequently, demands a new reading pact from the reader. A more aggressive and participative pact. Based on this reading pact, the paper is divided into three moments: the study of the literary word decentralization, the difference between society and community and, at last, the issue of the other as difference, not as similarity. Keywords: slum’s literature; peripheral society; Geovani Martins.","PeriodicalId":40902,"journal":{"name":"Eixo e a Roda-Revista de Literatura Brasileira","volume":"29 1","pages":"252-273"},"PeriodicalIF":0.0,"publicationDate":"2020-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43282985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"O afeto nostálgico em Angústia, de Graciliano Ramos / The Nostalgic Affect on Graciliano Ramos’ Novel Anguish","authors":"Pedro Barbosa Rudge Furtado, M. Leonel","doi":"10.17851/2358-9787.29.2.210-234","DOIUrl":"https://doi.org/10.17851/2358-9787.29.2.210-234","url":null,"abstract":"Resumo: Tencionamos, neste artigo, demonstrar que o afeto nostalgico e basilar na composicao da forma/conteudo de Angustia (2011), de Graciliano Ramos. A fim de examinarmos a edificacao de tal sentimento no romance em questao, investigamos como a forma/conteudo de Angustia constroi tensoes ontologicas provenientes dos afetos da profunda tristeza. Para isso, fazemos uso tanto de textos criticos sobre essa narrativa, como os de Luis Bueno (2015), Rui Mourao (1971), Lucia Helena Carvalho (1983) etc, quanto de estudos que embasam historicamente a construcao do afeto nostalgico, e suas relacoes com a melancolia, por meio, especialmente, d’ A tinta da melancolia (2015), de Jean Starobinki, A politica da nostalgia , de Marcos Piason Natali (2006) e “A potencia estetica da nostalgia”, de Andre Antonio Barbosa (2019). A nossa exegese mostrou que a figuracao da inadaptabilidade de Luis da Silva, erigida, entre outros recursos, pelo incessante vai-e-vem temporal do discurso, nao e fruto tao somente de conflitos historicos; ela deriva, tambem, da representacao dos conflitos psicologicos, altamente subjetivos, alimentados pelo grave sentimento nostalgico, alicercando o tragico mal-estar do protagonista. Palavras-chave: Angustia ; Graciliano Ramos; narrativa; nostalgia; inadaptabilidade. Abstract:  We aim, in this article, to demonstrate that the nostalgic affect is fundamental on the form/content construction of Graciliano Ramos’ novel called Anguish . In order to examine the edification of this feeling on this book, we have investigated how the form/content of Anguish constructs ontological tensions originated from the affects of deep sadness. In order to achieve this objective, we have used critical essays about this narrative, such as the ones written by Luis Bueno (2015), Rui Mourao (1971), Lucia Helena Carvalho (1983) etc, and studies that lay the historical foundation on the nostalgic affect, and its relations with the melancholy, via, especially, A tinta da melancholia (2015), by Jean Starobinski, A politica da nostalgia , by Marcos Piason Natali (2006) and “A potencia estetica da nostalgia”, by Andre Antonio Barbosa (2019). Our exegesis has showed that the figuration Luis da Silva’s sense of unbelonging, constructed through an incessant temporal movement of the speech, is not only the outcome of historical conflicts; it also derives from the representation of psychological conflicts, highly subjectives, powered by a major nostalgic feeling, building the tragical malaise of the protagonist. Keywords: Anguish ; Graciliano Ramos; narrative; nostalgia; unbelonging.","PeriodicalId":40902,"journal":{"name":"Eixo e a Roda-Revista de Literatura Brasileira","volume":"29 1","pages":"210-234"},"PeriodicalIF":0.0,"publicationDate":"2020-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45060623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}