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Roland Barthes, lo fílmico versus el cine. El sentido suspendido como definición de la modernidad cinematográfica 罗兰·巴特，电影与电影。作为电影现代性定义的悬浮意义
IF 0.2
Escritura e Imagen Pub Date : 2021-11-24 DOI: 10.5209/esim.78941
Lourdes Monterrubio Ibáñez
{"title":"Roland Barthes, lo fílmico versus el cine. El sentido suspendido como definición de la modernidad cinematográfica","authors":"Lourdes Monterrubio Ibáñez","doi":"10.5209/esim.78941","DOIUrl":"https://doi.org/10.5209/esim.78941","url":null,"abstract":"El presente artículo pretende analizar los textos de Roland Barthes sobre la práctica cinematográfica. Su resistencia al cine, vinculada a su escritura autobiográfica, se revela como la imposibilidad de fetichizar la imagen en movimiento, que debe entonces ser reducida a lo fotográfico, definiendo así un sentido obtuso que opone lo fílmico al cine. Sin embargo, a través de la concepción del sentido suspendido, Barthes detectó el surgimiento de una modernidad cinematográfica que era capaz, precisamente, de superar ese límite; a saber, destruir la imagen-acción y su temporalidad sin detener el movimiento. La elección de obras de Buñuel, Bergman, Resnais, Pasolini y Antonioni configura una concepción del sentido suspendido vinculada a la suspensión de la temporalidad y el extrañamiento que prefiguran la imagen-tiempo deleuziana. Barthes halla en la modernidad cinematográfica el punto ciego de su capacidad analítica, la de una imagen que suspende el sentido sin detener su movimiento.","PeriodicalId":40849,"journal":{"name":"Escritura e Imagen","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48825200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Las palabras de Barthes 巴特的话
IF 0.2
Escritura e Imagen Pub Date : 2021-11-24 DOI: 10.5209/esim.78943
J. Marínas
{"title":"Las palabras de Barthes","authors":"J. Marínas","doi":"10.5209/esim.78943","DOIUrl":"https://doi.org/10.5209/esim.78943","url":null,"abstract":"Este artículo hace un recorrido por los principales motivos y conceptos de la trayectoria intelectual de Roland Barthes. Frente a la lectura más clásica y habitual de los mismos, el trabajo detecta en ellas un método de descubrimiento que está hecho de desplazamientos y de abandonos de lo convencional que van mucho más lejos que cualquier enfoque “estructuralista”.","PeriodicalId":40849,"journal":{"name":"Escritura e Imagen","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42193408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La nao de los desaparecidos 设计中心
IF 0.2
Escritura e Imagen Pub Date : 2021-11-24 DOI: 10.5209/esim.78937
Leonardo Pinto de Almeida
{"title":"La nao de los desaparecidos","authors":"Leonardo Pinto de Almeida","doi":"10.5209/esim.78937","DOIUrl":"https://doi.org/10.5209/esim.78937","url":null,"abstract":"La presente investigación gira en torno a tres obras que abordan el período republicano de Perú y se centran en el episodio de la violencia fujimorista y senderista. Se trata de La barca (E.J. Huarag, 2007), La hora azul (A. Cueto, 2005) y Rosa Cuchillo (O. Colchado, 1997). Lejos de las pretensiones científicas de la historia, la literatura pone el foco en hechos en los que se manifiestan afectos. En el caso que nos ocupa, la cuestión de la violencia, tal y como es tratada en esas novelas, permite que se haga presente lo que está ausente a través de la figura del desaparecido. ¿Es posible hacer una novela de aquellos que no están? En este artículo se intenta pensar el acontecimiento de la desaparición y sus relaciones tanto con la violencia como con la producción de la subjetividad. Así como la historia trabaja con los hechos para producir un relato que los explique, en el caso de la literatura lo que se persigue es crear una “experiencia” que propicie espacios de transformación/incomodidad.","PeriodicalId":40849,"journal":{"name":"Escritura e Imagen","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42246286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Un pájaro de sueño sobre los campos de batalla: Valle-Inclán y Walter Benjamin frente a la crisis de la narración 战场上的梦鸟：山谷-伊克兰和沃尔特·本杰明面临叙事危机
IF 0.2
Escritura e Imagen Pub Date : 2020-12-16 DOI: 10.5209/esim.73026
Vanesa Ledesma
{"title":"Un pájaro de sueño sobre los campos de batalla: Valle-Inclán y Walter Benjamin frente a la crisis de la narración","authors":"Vanesa Ledesma","doi":"10.5209/esim.73026","DOIUrl":"https://doi.org/10.5209/esim.73026","url":null,"abstract":"Un pájaro de sueño sobre los campos de batalla: Valle-Inclán y Walter Benjamin frente a la crisis de la narración","PeriodicalId":40849,"journal":{"name":"Escritura e Imagen","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47564534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Gewalt”: representaciones de la violencia en el expresionismo literario alemán a partir de Kierkegaard y Benjamin “Gewalt”:克尔凯郭尔和本雅明的德国文学表现主义中的暴力表现
IF 0.2
Escritura e Imagen Pub Date : 2020-12-16 DOI: 10.5209/esim.73029
Carmen Isabel Gómez García
{"title":"“Gewalt”: representaciones de la violencia en el expresionismo literario alemán a partir de Kierkegaard y Benjamin","authors":"Carmen Isabel Gómez García","doi":"10.5209/esim.73029","DOIUrl":"https://doi.org/10.5209/esim.73029","url":null,"abstract":"A partir de Temor y temblor, de Søren Kierkegaard, el presente artículo supone una muestra de las diferentes representaciones expresionistas de la violencia en función de sus tres diferentes significados en alemán (Gewalt: violencia, poder, fuerza), desconocidos en lengua española, inglesa o francesa. No obstante, son varios los pensadores que, como Arendt, Benjamin, Derrida o Weber, han reflexionado sobre la violencia, un motivo esencial de la literatura expresionista alemana, por lo que en las siguientes páginas se procederá a reinterpretar las imágenes de la violencia del expresionismo literario alemán (en particular en textos de Georg Heym y de Franz Kafka) por primera vez atendiendo a su relación con el término original alemán y a sus diferentes aplicaciones.","PeriodicalId":40849,"journal":{"name":"Escritura e Imagen","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70690570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Testimonio, ética y arte en la filosofía de Giorgio Agamben: en torno al concepto de “lo inapropiable 乔治·阿甘本哲学中的见证、伦理和艺术：围绕“不合适”的概念
IF 0.2
Escritura e Imagen Pub Date : 2020-12-16 DOI: 10.5209/esim.73027
Luis Periáñez
{"title":"Testimonio, ética y arte en la filosofía de Giorgio Agamben: en torno al concepto de “lo inapropiable","authors":"Luis Periáñez","doi":"10.5209/esim.73027","DOIUrl":"https://doi.org/10.5209/esim.73027","url":null,"abstract":"Testimonio, ética y arte en la filosofía de Giorgio Agamben: en torno al concepto de “lo inapropiable","PeriodicalId":40849,"journal":{"name":"Escritura e Imagen","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41867440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Cuaderno de imágenes. Aurore Valade 图像笔记本。Aurore Valade
IF 0.2
Escritura e Imagen Pub Date : 2020-12-16 DOI: 10.5209/esim.73035
Daniel Lesmes
{"title":"Cuaderno de imágenes. Aurore Valade","authors":"Daniel Lesmes","doi":"10.5209/esim.73035","DOIUrl":"https://doi.org/10.5209/esim.73035","url":null,"abstract":"","PeriodicalId":40849,"journal":{"name":"Escritura e Imagen","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44474861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The beauty in the beast and the beast in the beauty. The voyeur’s view 野兽中有美，野兽中有美。偷窥者的视角
IF 0.2
Escritura e Imagen Pub Date : 2020-12-16 DOI: 10.5209/esim.73025
M. Partearroyo
{"title":"The beauty in the beast and the beast in the beauty. The voyeur’s view","authors":"M. Partearroyo","doi":"10.5209/esim.73025","DOIUrl":"https://doi.org/10.5209/esim.73025","url":null,"abstract":"This paper would like to analyse two films, The Elephant Man (David Lynch, 1981) and Blow up (Michelangelo Antonioni, 1966) and one classic myth, Mary Shelley’s Frankenstein, through the very poignant figure of the voyeur. We will investigate this observer of the unnamable focusing on two characters, two eyewitnesses: the scientist who discovers John Merrick and the photographer who becomes obsessed with finding a corpse in an amplified picture. Both these voyeurs seem to be in search of the bewitching and sublime darkness that lies within, a search that in a way is inaugurated by the Promethean doctor at the break of Modernity. The corporeal distance between monster and voyeur creates the unbearable morbidity that devours our gaze. And at that exact point, the figures are reversed and the voyeur becomes the actual monster. Soon enough, we discover that their perspective as voyeurs becomes ours, because through the cinematic experience the spectator becomes witness of the crime, part of the freak show, morbid viewer of the abject. Lynch and Antonioni, together with Shelley’s creature and creator, put the question of the body through a microscope and dare us spectators to look inside, to find the morbidity of truth and the limits of art.","PeriodicalId":40849,"journal":{"name":"Escritura e Imagen","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46232078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Textor Dei, textor hominum. Suturas y traumas en el Libro de la onto-teo-logía cristiana Textor Dei，Textor Hominum。《基督教本体论》中的缝合和创伤
IF 0.2
Escritura e Imagen Pub Date : 2020-12-16 DOI: 10.5209/esim.73033
G. Prósperi
{"title":"Textor Dei, textor hominum. Suturas y traumas en el Libro de la onto-teo-logía cristiana","authors":"G. Prósperi","doi":"10.5209/esim.73033","DOIUrl":"https://doi.org/10.5209/esim.73033","url":null,"abstract":"Textor Dei, textor hominum. Suturas y traumas en el Libro de la onto-teo-logía cristiana","PeriodicalId":40849,"journal":{"name":"Escritura e Imagen","volume":"132 3","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41303593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Staying with the Crisis: A Feminist Politics of Care for Living with an Infected Planet 与危机同行:与受感染的星球生活在一起的女权主义政治关怀
IF 0.2
Escritura e Imagen Pub Date : 2020-12-16 DOI: 10.5209/esim.73040
Elke Krasny
{"title":"Staying with the Crisis: A Feminist Politics of Care for Living with an Infected Planet","authors":"Elke Krasny","doi":"10.5209/esim.73040","DOIUrl":"https://doi.org/10.5209/esim.73040","url":null,"abstract":"This essay is written in response to the COVID-19 outbreak. Proposing to stay with the crisis, this essay starts from the centrality of care under the pandemic conditions. Radical despair and radical hope are the entry points for analyzing the terms orienting the response to the crisis. War and care have emerged as key terms mobilizing powerful imaginaries. The efficacy of martial propaganda based on war-talk with its ideology of death poses a threat. Care, in particular care feminism, rooted in the ontological vulnerability of life and the recognition of the interconnectedness of the ties that bind us, inspires possibilities to imagining care taking and healing as a way of continued living with an infected planet. The infected planet refers to the current pandemic and to the much older disease of colonial racist patriarchy. Care feminism counteracts capitalist destruction and toxic human exceptionalism. Rooted in mutual interdependence and pandemic solidarity, care feminism presents a hopeful perspective for collaborative survival.","PeriodicalId":40849,"journal":{"name":"Escritura e Imagen","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42582372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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