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Escritura e Imagen最新文献

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MacCarthy, Fiona, Walter Gropius, Madrid, Turner, 2019 麦卡锡，菲奥娜，沃尔特·格罗皮乌斯，马德里，特纳，2019
IF 0.2
Escritura e Imagen Pub Date : 2021-11-24 DOI: 10.5209/esim.78952
Jimena Martinicorena Zaratiegui
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引用次数: 0
The Photographic Metaphor: Heartfield, Brecht, Sebald 摄影隐喻：Heartfield，Brecht，Sebald
IF 0.2
Escritura e Imagen Pub Date : 2021-11-24 DOI: 10.5209/esim.78934
Ana Laguna Martínez
{"title":"The Photographic Metaphor: Heartfield, Brecht, Sebald","authors":"Ana Laguna Martínez","doi":"10.5209/esim.78934","DOIUrl":"https://doi.org/10.5209/esim.78934","url":null,"abstract":"From a semiotic point of view, photography is still considered a different kind of sign. Then, how can imagetext works be studied, formed by photography and word? This article argues that fictional texts expose the semiotic nature of photographs, showing that photographs are signs, different from their referents. The fictional, intermedial texts studied here are John Heartfield’s, Bertolt Brecht’s, and W.G. Sebald’s: three authors linked by German history. In the light of Umberto Eco’s semiotics, photographs can also be considered metaphors, enable to provide a new kind of iconicity and to overcome their realistic weight.","PeriodicalId":40849,"journal":{"name":"Escritura e Imagen","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47751754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El palacio de plata (1954) El palacio de plata（1954）
IF 0.2
Escritura e Imagen Pub Date : 2021-11-24 DOI: 10.5209/esim.78950
J. Cirlot
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引用次数: 0
Santayana, George, El carácter y la opinión en Estados Unidos, Oviedo, KRK Ediciones, 2020. 桑塔亚纳，乔治，《美国的性格和观点》，奥维耶多，KRK版，2020年。
IF 0.2
Escritura e Imagen Pub Date : 2021-11-24 DOI: 10.5209/esim.78953
Amparo Zacarés Pamblanco
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引用次数: 0
Barthes, una obra filosófica 巴特尔，一个亲欧布拉
IF 0.2
Escritura e Imagen Pub Date : 2021-11-24 DOI: 10.5209/esim.78942
Luís García Soto
{"title":"Barthes, una obra filosófica","authors":"Luís García Soto","doi":"10.5209/esim.78942","DOIUrl":"https://doi.org/10.5209/esim.78942","url":null,"abstract":"En este trabajo, presentamos y desarrollamos una hipótesis de lectura e interpretación, en clave filosófica de la obra de Roland Barthes. Nuestro punto de partida consiste en examinar el signo, en sus diferentes manifestaciones (concretamente, palabras e imágenes y sus combinaciones) y dimensiones (signo, significante, significado, referente), en sus relaciones con lo real, i.e., como apariencia y/o aparición de lo real, tal y como aparece en los textos de Barthes. En nuestra opinión, en su obra, es posible señalar cuatro líneas de trabajo (la crítica, la ciencia, la estética, la ética), vinculadas por el común denominador de la filosofía. En suma, sin excluir otras interpretaciones, intentamos defender la plausibilidad de ver a Barthes como filósofo y leer su obra como filosofía.","PeriodicalId":40849,"journal":{"name":"Escritura e Imagen","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41811255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dreams, the Female Gaze, and the City of Paris: Urban Landscapes through the Writings of the Surrealist Movement 梦、女性凝视和巴黎城：超现实主义运动作品中的城市景观
IF 0.2
Escritura e Imagen Pub Date : 2021-11-24 DOI: 10.5209/esim.78935
Bárbara Barreiro León
{"title":"Dreams, the Female Gaze, and the City of Paris: Urban Landscapes through the Writings of the Surrealist Movement","authors":"Bárbara Barreiro León","doi":"10.5209/esim.78935","DOIUrl":"https://doi.org/10.5209/esim.78935","url":null,"abstract":"From the time of the Renaissance, treaties on architecture, odes to the arts, and the study of their canons through written sources, have served to defend, emphasise, or proclaim the validity of different artistic forms and styles. In this way, programmes and manifestos have reinforced the character of organisations and movements through their fundamental ideas. The artistic Avantgardes have thus used this literary resource to lay the theoretical foundations for their future artistic contributions, being able to justify without any qualifications their most extravagant occurrences. The Avant-garde manifesto shall therefore be considered a literary contribution written in the first place for the subsequent development of the artistic and creative activity of the group or school. The Surrealist Movement generated a lot of written work because the founders, André Breton, Louis Aragon, and Philippe Soupault, were writers. Some of these texts included the Movement’s two manifestos, periodicals such as Le Surréalisme au service de la révolution, Littérature, or Minotaure, and individual writings that were penned by Breton and Aragon. This study will relate the Surrealist written work with the Movement’s idea of the city and its urban imaginary.","PeriodicalId":40849,"journal":{"name":"Escritura e Imagen","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47592683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Presentación 演示
IF 0.2
Escritura e Imagen Pub Date : 2021-11-24 DOI: 10.5209/esim.78940
Escritura E Imagen
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引用次数: 0
Personas / Juan Eduardo Cirlot 人物角色/胡安·爱德华多·西罗特
IF 0.2
Escritura e Imagen Pub Date : 2021-11-24 DOI: 10.5209/esim.78951
Luis Bodelón
{"title":"Personas / Juan Eduardo Cirlot","authors":"Luis Bodelón","doi":"10.5209/esim.78951","DOIUrl":"https://doi.org/10.5209/esim.78951","url":null,"abstract":"","PeriodicalId":40849,"journal":{"name":"Escritura e Imagen","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45597972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Suchon, Gabrielle, Tratado sobre la debilidad, la ligereza y la inconstancia que sin fundamento se atribuye a las mujeres (ed. María Luisa Guerrero), Madrid, Guillermo Escolar Editor, 136 pp., ISBN 978-84-18093-17-3 Suchon, Gabrielle, traite sur la弱点，la ligereza y la inbasement se归因于女性(编辑maria Luisa Guerrero)，马德里，Guillermo Escolar编辑，136页，ISBN 978-84- 10993 -17-3
IF 0.2
Escritura e Imagen Pub Date : 2021-11-24 DOI: 10.5209/esim.78954
Rebeca Moreno Balaguer
{"title":"Suchon, Gabrielle, Tratado sobre la debilidad, la ligereza y la inconstancia que sin fundamento se atribuye a las mujeres (ed. María Luisa Guerrero), Madrid, Guillermo Escolar Editor, 136 pp., ISBN 978-84-18093-17-3","authors":"Rebeca Moreno Balaguer","doi":"10.5209/esim.78954","DOIUrl":"https://doi.org/10.5209/esim.78954","url":null,"abstract":"","PeriodicalId":40849,"journal":{"name":"Escritura e Imagen","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49137026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El problema de la objetividad en las imágenes de la naturaleza: Von Humboldt y Goethe 自然意象中的客观性问题:洪堡与歌德
IF 0.2
Escritura e Imagen Pub Date : 2021-11-24 DOI: 10.5209/esim.78933
Rosa Gutiérrez García
{"title":"El problema de la objetividad en las imágenes de la naturaleza: Von Humboldt y Goethe","authors":"Rosa Gutiérrez García","doi":"10.5209/esim.78933","DOIUrl":"https://doi.org/10.5209/esim.78933","url":null,"abstract":"El presente estudio quiere problematizar la noción de objetividad en las imágenes de la naturaleza a través de Von Humbold y Goethe, en el debate de la representación científica y a través de la relación ciencia-arte. Para ello, el presente ensayo se ha dividido en dos partes diferenciadas. En la primera se expone un estado de la cuestión sobre los párametros manejados en torno a la idea de objetividad, tanto en el contexto científico como en el filosófico, exponiendo los antecedentes pictóricos que darán paso a la segunda parte de este ensayo, y el modo en que éstas ideas se dilucidan en los casos particulares de von Humboldt y Goethe.","PeriodicalId":40849,"journal":{"name":"Escritura e Imagen","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70690205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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