Estudios Romanicos最新文献

{"title":"intensificación en los cuentos populares occitanos","authors":"Louise Esher","doi":"10.6018/er.471091","DOIUrl":"https://doi.org/10.6018/er.471091","url":null,"abstract":"Este estudio plantea un análisis preliminar de las estrategias de intensificación constatadas en un corpus escrito de 162 cuentos populares occitanos (variedades languedocianas nororientales y sudoccidentales). Aunque, en términos generales, el acervo de recursos disponibles se corresponde con el uso corriente del occitano, la utilización de esos recursos también refleja las circunstancias específicas que condicionan la narración y transmisión (cultural) de los cuentos. La intensificación se utiliza para reforzar tanto la inmersión del público en la narración como la cohesión cultural y social de la comunidad donde se relatan los cuentos.\u0000 This study offers an initial exploration of the intensification strategies attested in a written corpus of 162 Occitan folktales (north-east and south-west Lengadocian varieties). Although, overall, the pool of available resources corresponds to ordinary Occitan usage, the deployment of the strategies also reflects the particular conditions surrounding the storytelling and (cultural) transmission of folktales. Intensification is used to strengthen both the audience’s immersion in the narrative, and the cultural and social cohesion of the community in which the stories are told.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44301069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"viaje narrativo y el libro de viaje medievales","authors":"Fernando Carmona Fernández","doi":"10.6018/er.466941","DOIUrl":"https://doi.org/10.6018/er.466941","url":null,"abstract":"El artículo señala la importancia del viaje en el relato literario medieval que responde al despertar sociocultural del siglo xii y caracteriza la llamada novela realista de los siglos xiii y xiv. En particular, al Escoufle de Jehan Renart, a la Manekine de Philippe de Remy y al Roman du comte d’Anjou de Jean Maillart. Novelas coetáneas a la expansión de los libros de viaje y ligadas a estos en la concepción del viaje.\u0000 This article points out the importance of travel books in the medieval literary story that responds to the sociocultural awakening of the 12th century and characterizes the realist novel of the 13th and 14th centuries. Particularly noteworthy are Jehan Renart's Escoufle, Philippe de Beaumanoir's Manekine and Jean Maillart's Roman du comte d'Anjou. These novels are contemporary to the expansion of travel books and are connected to the concept of travel.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48148552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ORAGE MYSTIQUE DE FRANÇOIS DE CUREL : MISE EN QUESTION DE LA « PIÈCE BIEN FAITE »","authors":"T. Kaczmarek","doi":"10.6018/er.469861","DOIUrl":"https://doi.org/10.6018/er.469861","url":null,"abstract":"François de Curel, dont le théâtre est tombé quelque peu dans l’oubli, est considéré comme un représentant de « pièces à thèses ». Pourtant, malgré un certain attachement de l’auteur à la tradition classique, on lui reprochait de saborder les fondements mêmes de l’art dramatique. De fait, en étudiant Orage mystique, force nous est de constater qu’il tourne résolument le dos aux principes régulateurs de la fable, principes hérités des conceptions aristotéliciennes. Si le premier acte du drame semble obtempérer aux contraintes formelles d’une « pièce bien faite », dès le deuxième, l’écrivain brise le déroulement de l’action linéaire pour se focaliser non sur la dynamique des événements, mais sur la vie psychique du protagoniste. Ce faisant, Curel semble proposer le nouveau paradigme dramatique, où, au lieu de conflits interpersonnels censés pousser l’action en avant, nous assistons à des affrontements intrasubjectifs se déroulant dans la psyché du personnage central.\u0000 François de Curelis considered a representative of “problem plays”, though his theatre has fallen into oblivion. However, despite the author’s attachment to the classical tradition, he was criticized for scuttling the very fundamental dramatic art. In fact, when studying Orage mystique (Mystical Storm), it is clear that he disregards the regulatory principles of the fable, principles inherited from Aristotelian conceptions. If the first act of the drama seems to comply with the formal constraints of a “well-made play”, in the second, the writer breaks the course of the linear action to focus not on the dynamics of events, but on psychic life of the protagonist. In this way, Curel proposes a new dramatic paradigm, in which intra-subjective confrontations develop within the psyche of the central character, instead of interpersonal conflicts meant to push the action forward.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48632900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Comment \"surintensifier\" les expressions d’intensité ? L’exemple des collocations ADJ /V comme SN et ADJ / N à faire Vinf","authors":"Małgorzata Izert, Ewa Pilecka","doi":"10.6018/er.471871","DOIUrl":"https://doi.org/10.6018/er.471871","url":null,"abstract":"In this article we present some syntactic characteristics, and then some productive semantic mechanisms of the intensification of the collocations selected for this study, namely Adj comme SN ou V comme SN et Adj à (faire) Vinf ou N à faire Vinf. All of them already mark a strong, indeterminate intensity, that means, they express a standard lexical function \"intensity\" (henceforth Intens, inspired by the simple function Magn of the Mel'čuk’s model, 1996) reflecting the syntagmatic relation between a base (argument) and a collocative intensifier (predicate). These collocations are combined by overlapping or embedding with other collocators or other collocations. By these combinatorial operations, one obtains over intensified expressions which are the result of either occasional modification (hapax) without the chance for lexicalisation, or spontaneous motivated modifications which may one day become lexicalized. All of them can be productive themselves under the new patterns, e.g. bête à faire pleurer un âne or fumer comme une vieille locomotive à vapeur, etc.\u0000 Dans cet article nous présentons quelques caractéristiques syntaxiques, puis quelques mécanismes sémantiques productifs de l’intensification des collocations sélectionnées pour cette étude, à savoir Adj comme SN ou V comme SN et Adj à (faire) Vinf ou N à faire Vinf. Toutes, elles marquent déjà une forte intensité indéterminée, c’est-à-dire elles expriment une fonction lexicale standard « intensité » (dorénavant Intens, inspirée de la fonction simple Magn du modèle mel’čukien, 1996) rendant compte des liens syntagmatiques entre une base (argument) et un collocatif intensifieur (prédicat). Ces collocations se combinent par superposition ou enchâssement avec d’autres collocatifs ou d’autres collocations. Par ces opérations de combinatoire on obtient des expressions surintensifiées qui sont les résultats ou bien des modifications de circonstance (hapax) sans chance de se lexicaliser ou bien des modifications spontanées motivées pouvant, un jour, être sujettes à se lexicaliser. Toutes, elles peuvent elles-mêmes être productives sous de nouveaux schémas, comme bête à faire pleurer un âne ou fumer comme une vieille locomotive à vapeur, etc.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42062344","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Bernal de Bonaval, Fremosas, a Deus grad’, é tan bon dia comigo (B1135/V726)","authors":"Fabio Barberini","doi":"10.6018/er.470001","DOIUrl":"https://doi.org/10.6018/er.470001","url":null,"abstract":"Il contributo presenta una nuova edizione critica della cantiga di Bernal de Bonaval, Fremosas, a Deus grad’, è tan bon dia comigo (B1135/V726). A partire dall’edizione di José Joaquim Nunes, pubblicata nel 1926, tutti gli editori sono intervenuti, senza però addurre perspicue motivazioni, sulle lezioni manoscritte dei vv. 1, 3 e 4. Il risultato è un testo la cui struttura metrica, grazie alla presenza sistematica di rime interne, può essere analizzata in almeno due modi: formula sillabica interamente a versi brevi, oppure formula sillabica interamente a versi lunghi. Sviluppando un suggerimento di Manuel Ferreiro (2016), l’articolo cerca di dimostrare che non sussistono ragioni valide per respingere ed emendare le lezioni manoscritte dei vv. 1, 3 e 4 e che, pertanto, la cantiga ammette solo ed esclusivamente formula sillabica a versi lunnghi.\u0000 This paper set up a new critical edition of Bernal de Bonaval’s cantiga Fremosas, a Deus grad’, é tan bon dia comigo (B1135/V726). Since the edition published by José Joaquim Nunes in 1926, all scholars have always modified, without providing solid arguments, the manuscript lessons of vv. 1, 3, and 4. The result was a text whose metrical structure, as stated by the systematic presence of internal rhymes, could be analyzed in at least two ways: syllabic pattern with short verses or syllabic pattern with long verses. By developing a suggestion of Manuel Ferreiro (2016), this paper proves that there is no reason to reject the manuscript lessons of vv. 1, 3 and 4 and that, consequently, the cantiga admits only syllabic pattern with long verses.\u0000 Il contributo presenta una nuova edizione critica della cantiga di Bernal de Bonaval, Fremosas, a Deus grad’, è tan bon dia comigo (B1135/V726). A partire dall’edizione di José Joaquim Nunes, pubblicata nel 1926, tutti gli editori sono intervenuti, senza però addurre perspicue motivazioni, sulle lezioni manoscritte dei vv. 1, 3 e 4. Il risultato è un testo la cui struttura metrica, grazie alla presenza sistematica di rime interne, può essere analizzata in almeno due modi: formula sillabica interamente a versi brevi, oppure formula sillabica interamente a versi lunghi. Sviluppando un suggerimento di Manuel Ferreiro (2016), l’articolo cerca di dimostrare che non sussistono ragioni valide per respingere ed emendare le lezioni manoscritte dei vv. 1, 3 e 4 e che, pertanto, la cantiga ammette solo ed esclusivamente formula sillabica a versi lunghi.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44048992","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ciclo de la “Volombrella” y los límites de la temática napolitana en el Cansonero del Conde De Popoli","authors":"Francisco José Rodríguez Mesa","doi":"10.6018/er.471851","DOIUrl":"https://doi.org/10.6018/er.471851","url":null,"abstract":"El Cansonero encargado por Giovanni Cantelmo, Conde de Popoli, es considerado el máximo exponente de la denominada “lírica de koiné”, surgida en Nápoles durante el dominio aragonés. Por sus características, se podría decir que esta vertiente oscila entre la poesía culta o cortesana y el filón popular de inspiración meridional. Una de las pioneras en el estudio de esta obra, Maria Corti, afirmó que, temáticamente, “l’elemento indigeno vive in promiscuità con cose e immagini che nel ‘400 erano ormai di dominio nazionale nella letteratura popolareggiante riflessa” (1956: XXVI), inaugurando así una corriente de pensamiento crítico que ha sido aceptada sin discusión alguna por la mayoría de los estudiosos posteriores. En este estudio pretendemos comprobar la validez de las opiniones de Corti tomando como base uno de los grupos de composiciones más conocidos del Cansonero, el denominado ciclo de la “volombrella”.\u0000 The Cansonero, whose compilation was ordered by Giovanni Cantelmo, Count of Popoli, is considered as the main testimony of the so-called “koine poetry”, that emerges in Naples during the Aragonese period. According to its features, it could be said that this trend fluctuates between the courtesan poetry and the popular and Meridional one. Maria Corti, one of the pioneers in the study of this anthology, stated: “l’elemento indigeno vive in promiscuità con cose e immagini che nel ‘400 erano ormai di dominio nazionale nella letteratura popolareggiante riflessa” (1956: XXVI). With these words she inaugurated a critical tendency which has been followed without any revision by most of scholars. This study intends to prove the validity of Corti’s opinions on the basis of one of the most popular group of compositions in the Cansonero, the so-called “volombrella” cycle.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44156628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La emoción del paisaje en el joven Azorín","authors":"José Manuel Vidal Ortuño","doi":"10.6018/er.427031","DOIUrl":"https://doi.org/10.6018/er.427031","url":null,"abstract":"Se estudia en este artículo el paisaje como materia literaria en el joven Azorín, el de finales del siglo XIX y principios del XX, renovador de viejos tópicos literarios como el beatus ille y el locus amoenus. A este tiempo nuevo le correspondería, qué duda cabe, una nueva estética (que quedará expresada en dos cuentos de Bohemia, 1897), cuyos postulados, sin duda innovadores, serán llevados a la práctica en Charivari (también de 1897), mediante una magnífica descripción del Collado de Salinas, lugar de huida y refugio para  J. Martínez Ruiz. Una descripción que, como tema con variaciones, aparecerá luego en otras obras del autor. \u0000 This article studies the landscape in regard to literary works in the young Azorín, the one from the end of the 19th century and the beginning of the 20th century, which renewed old literary clichés such as beatus ille and locus amoenus. In this new era, there is no question that, a new aesthetic (which will be expressed in two stories from Bohemia, 1897), whose postulates, undoubtedly innovative, will be put into practice in Charivari (also from 1897), through an excellent description of the Collado de Salinas, a place of refuge and flight for J. Martínez Ruiz. Such description, with variations on a theme, will be found later in other works of the writer.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49657373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La emergencia de la pulsión incestuosa en \"Casa tomada\": de la voz al ruido y del ello al yo","authors":"Cristina Fernández Lacueva","doi":"10.6018/er/373631","DOIUrl":"https://doi.org/10.6018/er/373631","url":null,"abstract":"La indiscutible relevancia del espacio en «Casa tomada» de Julio Cortázar proviene, fundamentalmente, de su naturaleza a la vez física y psíquica. En realidad, la casa es un correlato de la psique del narrador, hasta el punto de que los ruidos invasores encarnan su pulsión incestuosa. Este artículo recoge la correspondencia entre las partes de la casa y las partes de la psique según las dos tópicas freudianas y ofrece una propuesta inadvertida por la crítica: la sección trasera pertenece al superyó, la sección delantera al ego, y la habitación de Irene al ello. Esta nueva interpretación se apoya en el análisis cuatro aspectos obviados por la bibliografía existente: (1) los mecanismos defensivos del narrador, (2) el origen de los ruidos invasores, (3) el significado de los gritos nocturnos de Irene y (4) las diferencias entre los dos personajes en cuanto a la voz narrativa. Un análisis espacial que tenga en cuenta todos estos elementos resuelve en gran medida la ambigüedad del cuento.\u0000 The undeniable relevance of space in Julio Cortázar’s «Casa tomada» stems, fundamentally, from its nature both physical and psychic. The house is, in fact, a correlative of the narrator’s psyche in so far as the invading noises embody his incestuous drive. This paper draws on the correspondence between the parts of the house and the parts of the psyche according to Freudian topographical systems and provides a new proposal not signaled by previous critics: the back section belongs to the superego, the front section to the ego and Irene’s room to the id. This interpretation explores four aspects disregarded by the existing bibliography: (1) the narrator’s defence mechanisms, (2) the origin of the invading noises, (3) the meaning of Irene’s night screams, and (4) the differences between the two characters in terms of narrative voice. A spatial analysis which takes all those elements into account could help to solve the story’s ambiguity.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45452065","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La recepción de Cervantes en los siglos XX y XXI: itinerarios del mito del Quijote en distintas artes","authors":"Carmen María López López","doi":"10.6018/er/348371","DOIUrl":"https://doi.org/10.6018/er/348371","url":null,"abstract":"La condición de aquello que, en términos literarios o artísticos llamamos clásico, se mide en virtud de su inagotabilidad y legado perpetuo, moldeable a distintas formas, estilos y modos de decir una misma semilla originaria. Cervantes y su criatura literaria -el Quijote- se avienen a esta estirpe de creaciones inagotables, tal como revela el volumen titulado Cervantes en los siglos XX y XXI. La recepción actual del mito del Quijote, editado por Paloma Ortiz de Urbina Sobrino y publicado por la prestigiosa editorial Peter Lang en la colección “Perspectivas hispánicas”. La obra que nos ocupa tiene la virtud de cristalizar miradas muy diversas en torno a la figura del Quijote, analizando su relieve en áreas de conocimiento tan plurales como la literatura, la historia, la filosofía, la música o los medios audiovisuales como el cine o las series de televisión. Resultado del congreso internacional “La recepción de Cervantes en los siglos XX y XXI. Mitos y leyendas” celebrado los días 5, 6 y 7 de octubre de 2016 en el Rectorado de la Universidad de Alcalá de Henares, bajo la coordinación de Paloma Ortiz de Urbina, directora del grupo RECEPTION, Estudios de Recepción, es esta selección tan exquisita que compendia los estudios de mayor calidad literaria presentados a dicho simposio.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46675328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Stratégies, audience et lectorat de la littérature diasporique ouest-africaine","authors":"Fatoumata Toure Cisse","doi":"10.6018/er/346671","DOIUrl":"https://doi.org/10.6018/er/346671","url":null,"abstract":"\u0000 \u0000 \u0000L’on distingue dans la littérature africaine francophone deux catégories ; il existe d’une part, les littératures exclusivement publiées dans les pays excentrés, et d’autre part, les littératures en lien étroit avec la littérature française. Les premières définies comme les littératures de l’exigüité par François Paré, se cantonnent à leur zone de production ; leurs instances de légitimité ne leur conférant qu’une vague visibilité à l’échelle mondiale. Le second groupe aspire à voir le jour en France, à être sacré par le champ littéraire franco-parisien et à intégrer la littérature mondiale. \u0000Pour ce faire, les écrivains africains de la diaspora mettent en place des stratégies de valorisation pour leur acceptation dans le système littéraire francophone. L’article analyse ces stratégies et ces postures de valorisation auctoriales et esthétiques pour accéder à la République des Lettres. \u0000 \u0000 \u0000","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2018-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.6018/er/346671","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71331153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}