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Painting with words. Some considerations on the picture of women from The Child of Pleasure to The Virgins of the Rocks by Gabriele D’Annunzio 用文字作画。从《快乐的孩子》到《岩石上的处女》对女性形象的几点思考
IF 0.2
Estudios Romanicos Pub Date : 2021-07-29 DOI: 10.6018/er.456141
Linda Garosi
{"title":"Painting with words. Some considerations on the picture of women from The Child of Pleasure to The Virgins of the Rocks by Gabriele D’Annunzio","authors":"Linda Garosi","doi":"10.6018/er.456141","DOIUrl":"https://doi.org/10.6018/er.456141","url":null,"abstract":"Il saggio si occupa di un aspetto fondamentale della ricerca compiuta da D’Annunzio che è la fusione di scrittura e arte figurativa, e della sua declinazione secondo i dettami dell’estetismo finisecolare. Lo studio intende mettere in luce non solo le modalità stilistiche e compositive, ma anche la finalità poetica e le valenze ideologiche, della sperimentazione ecfrastica realizzata nel passaggio tra il romanzo di debutto (Il piacere) e il romanzo del superomismo (Le vergini delle rocce). L’analisi testuale prenderà in esame come i ritratti dei personaggi femminili, costruiti attraverso la comparazione con oggetti d’arte, poggino altresì sulla narrazione dell’effetto prodotto sull’io del protagonista che sceglie e guarda tali opere d’arte. La visione viene cristallizzata nelle immagini verbali che ornano le pagine del libro, il quale, a sua volta, diventa museo e si offre allo sguardo del lettore del tempo proponendogli un nuovo canone estetico di Bellezza.\u0000 The essay deals with a fundamental aspect of D'Annunzio’s research which is the fusion of writing and figurative art, and its declination according to the dictates of end-century aesthetics. The study intends to highlight the stylistic and compositional modalities, in addition to the poetic purpose and ideological values, of the ecphrastic experimentation carried out in the transition between the debut novel (The Child of Pleasure) and the novel of superomismo (The Virgins of the Rocks). The textual analysis will examine how the portraits of female characters, constructed through the comparison with objects of art, rest at the same time on the narration of the effect produced on the Self of the protagonist who chooses and looks at these works of art. The vision turns out to be crystallized in verbal images which adorn the pages of the book which in turn becomes a museum and offers itself to the eye of the reader of the time, proposing a new aesthetic canon of Beauty.\u0000 Il saggio si occupa di un aspetto fondamentale della ricerca compiuta da d’Annunzio che è la fusione di scrittura e arte figurativa, e della sua declinazione secondo i dettami dell’estetismo finisecolare. Lo studio intende mettere in luce le modalità stilistiche e compositive, oltre alla finalità poetica e le valenze ideologiche, della sperimentazione ecfrastica realizzata nel passaggio tra il romanzo di debutto (Il piacere) e il romanzo del superomismo (Le vergini delle rocce). L’analisi testuale prenderà in esame come i ritratti dei personaggi femminili, costruiti attraverso la comparazione con oggetti d’arte, poggino al tempo stesso sulla narrazione dell’effetto prodotto sull’io del protagonista che sceglie e guarda tali opere d’arte. La visione viene cristallizzata nelle immagini verbali che ornano le pagine del libro, il quale, a sua volta, diventa museo e si offre allo sguardo del lettore del tempo proponendogli un nuovo canone estetico di Bellezza.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42158033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
INTENSITATEA ÎN PUBLICITATEA AUDIOVIZUALĂ ROMÂNEASCĂ. DE LA ANALIZA LINGVISTICĂ LA ANALIZA MULTIMODALĂ
IF 0.2
Estudios Romanicos Pub Date : 2021-07-29 DOI: 10.6018/er.477581
Iulia Nica, Andreea Teletin
{"title":"INTENSITATEA ÎN PUBLICITATEA AUDIOVIZUALĂ ROMÂNEASCĂ. DE LA ANALIZA LINGVISTICĂ LA ANALIZA MULTIMODALĂ","authors":"Iulia Nica, Andreea Teletin","doi":"10.6018/er.477581","DOIUrl":"https://doi.org/10.6018/er.477581","url":null,"abstract":"El presente análisis de la intensidad en la publicidad audiovisual de Rumanía se abre desde la perspectiva lingüística hacia la perspectiva multimodal. El interés es doble: por una parte, comparar las observaciones con los estudios previos sobre la lengua rumana actual y, por otra, comprobar la contribución que las fuentes extralingüísticas de la intensidad pueden aportar. Analizamos de paso algunos efectos humorísticos de la intensidad.\u0000 The present analysis of intensity in Romanian audiovisual advertising relies both on a linguistic and a multimodal approach. Our interest is double: confronting findings with various studies on contemporary Romanian language and verifying the contribution of extralinguistic sources to linguistic intensity. Some of the humoristic effects of intensity are also presented.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43036754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
arte entremesil de Jerónimo de Cáncer y Velasco 艺术融合jeronimo de cancer和Velasco
IF 0.2
Estudios Romanicos Pub Date : 2021-07-29 DOI: 10.6018/er.471911
J. C. González Maya
{"title":"arte entremesil de Jerónimo de Cáncer y Velasco","authors":"J. C. González Maya","doi":"10.6018/er.471911","DOIUrl":"https://doi.org/10.6018/er.471911","url":null,"abstract":"Don Jerónimo de Cáncer y Velasco, comediante de la primera mitad del siglo xvii, es uno de esos ingenios que en las monografías, antologías o tratados de teatro breve siempre se destaca por sus habilidades, pero, en cambio, ha sufrido escasa fortuna en las prensas modernas. Motivo por el cual nos ha llegado solo parcial e insuficientemente editado. En el presente artículo se intenta, precisamente por ello, un acercamiento a su arte entremesil a través de una mirada crítica a sus piezas más recónditas o inéditas en honor a sus merecimientos, a partir de la publicación de la primera antología de su teatro breve.\u0000 Jerónimo de Cáncer y Velasco, a comedian from the first half of the seventeenth century, is one those witty geniuses that in monographs, anthologies or short theatrical treatises shine for their abilities, though on the contrary he has had little fortune in modern publications. For this reason, he has only reached the public partially or has been insufficiently published. The present article tries, precisely for this reason, to bring to light his work in theatre interlude performances by taking a critical look at his most unexplored or unpublished works, starting with the publication of his first anthology of theatrical pieces.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45225711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Da etimologia à harmonização neo-latina: motivações gráficas na escritura de a mais encantadora mulher (1903) do romancista brasileiro Gonzaga Filho 从词源学到新拉丁语的和谐:巴西小说家贡扎加·菲略《最迷人的女人》(1903)创作中的图形动机
IF 0.2
Estudios Romanicos Pub Date : 2021-07-29 DOI: 10.6018/er.461171
Hozanete Lima
{"title":"Da etimologia à harmonização neo-latina: motivações gráficas na escritura de a mais encantadora mulher (1903) do romancista brasileiro Gonzaga Filho","authors":"Hozanete Lima","doi":"10.6018/er.461171","DOIUrl":"https://doi.org/10.6018/er.461171","url":null,"abstract":"Neste trabalho, refletimos sobre a natureza das motivações defendidas pelo romancista brasileiro Gonzaga Filho em sua obra “A Mais Encantadora Mulher”, publicada em 1903. Além das proposições etimológicas, fonéticas e prosódicas, o autor faz uso de uma proposição muito particular, que ele nomeia de harmonia neo-natina. Para o autor, não havia, até a data de publicação de seu romance, no mundo lusófono, nenhum léxico que se impusesse como autoridade a ser seguida. Através da obra de Gonzaga Filho, observamos o comportamento do movimento metaortográfico que se desvelou, no início do século XX, para a constituição ortográfica da língua portuguesa em sincronias passadas e sua importância no processo de estandardização da grafia.\u0000 In this work, we reflect on the nature of the motivations defended by the Brazilian novelist Gonzaga Filho in his work “A Mais Encantadora Mulher”, published in 1903. In addition to the etymological, phonetic and prosodic propositions, the author makes use of a very particular proposition, which he names neo-natin harmonization. For the author, there was not, until the date of publication of his novel, in the Portuguese-speaking world, no single lexicon that would impose itself as an authority to be followed. Through the work of Gonzaga Filho, we observe the behavior of the metaorthographic movement that was unveiled, at the beginning of the 20th century, for the orthographic constitution of the Portuguese language in past synchronisms and its importance in the standardization process of spelling","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44028805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
intensificación en controversias en líneas en español 西班牙语在线争议加剧
IF 0.2
Estudios Romanicos Pub Date : 2021-07-29 DOI: 10.6018/er.471771
Laetitia Aulit
{"title":"intensificación en controversias en líneas en español","authors":"Laetitia Aulit","doi":"10.6018/er.471771","DOIUrl":"https://doi.org/10.6018/er.471771","url":null,"abstract":"Esta investigación presenta un análisis de la intensificación en un corpus de comentarios en español a artículos de prensa digitales sobre la fiesta de Moros y Cristianos, una tradición controvertida en España por el tratamiento de ciertos grupos sociales. Basándose en Albelda y Briz (2020), definimos la intensificación como una estrategia retórico-pragmática de argumentación por la que el hablante refuerza lo dicho y/o su intención para lograr más eficazmente sus metas conversacionales en el discurso. Por eso, este artículo se interesa por las estrategias lingüísticas de intensificación empleadas para posicionarse en estas controversias, tomando en cuenta los contextos comunicativos en los que aparecen, así como las funciones que desempeñan respecto a la argumentación y la imagen. A partir de una metodología adaptada de la metodología desarrollada por Albelda et al. (2014), los resultados muestran que la intensificación aparece principalmente en intervenciones que reaccionan a lo dicho anteriormente de forma general para reforzar la expresión de la postura personal del hablante.\u0000 This article presents an analysis of intensification in a corpus of comments in Spanish to digital press articles about the Moors and Christians festival, a tradition that led to controversies in Spain due to its treatment of certain social groups. Based on Albelda and Briz (2020), intensification is defined as a rhetorical and pragmatic strategy of argumentation whereby the speaker strengthens what he says and/or his intention to achieve more efficiently his conversational goals. Therefore, this paper looks into the linguistic strategies of intensification, taking into consideration the specific interactional contexts in which they appear and the functions they carry out regarding argumentation and face. Based on the methodology developed by Albelda and al. (2014), the results show that intensification appears mainly in moves that respond to the entire discussion in order to strengthen the expression of the personal perspective of the speaker.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49593662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
L’EXPRESSION DE L’EXTRÊME. FORMES ET FONCTIONS DE L’INTENSITÉ DANS MANON LESCAUT 极端的表达。《玛侬·莱斯科》中强度的形式和功能
IF 0.2
Estudios Romanicos Pub Date : 2021-07-29 DOI: 10.6018/er.471211
Àngels Catena
{"title":"L’EXPRESSION DE L’EXTRÊME. FORMES ET FONCTIONS DE L’INTENSITÉ DANS MANON LESCAUT","authors":"Àngels Catena","doi":"10.6018/er.471211","DOIUrl":"https://doi.org/10.6018/er.471211","url":null,"abstract":"Nous prenons comme point de départ l’extraordinaire profusion des marques d’intensité insérées dans L’histoire de Manon Lescaut et du chevalier des Grieux afin d’analyser leurs différentes fonctions communicatives en tenant compte de leur inscription dans un contexte discursif déterminé pour étudier ensuite leur rôle dans quelques stratégies narratives spécifiques. Nous nous intéressons d’abord à la relation entre l’intensité et le registre pathétique qui traverse les genres littéraires au XVIII siècle, puis aux valeurs sémantico-pragmatiques de la construction consécutive intensive et aux effets de généricité signalés par Adam (2011) pour d’autres genres de discours. Finalement, nous analysons les stratégies d’intensification mis en œuvre dans le roman afin de capter l’intérêt du lecteur et de générer des situations plutôt humoristiques.\u0000 Based on the extraordinary profusion of marks of intensity in L’histoire de Manon Lescaut et du chevalier des Grieux, we will analyse the different communicative functions of intensification in Prévost’s novel based on its inscription in a specific discursive context, so as to end the relationship between such linguistic operation and several, more specific narrative strategies. Thus, it will be examined the relationship with the register of the pathetic that crosses the XVIII century literary genres, as well as the semantic-pragmatic values of the intensive consecutive construction and the effects of “genericity” noted by Adam (2011) in relation to other discursive genres. To conclude, it will be analysed the intensification strategies in the novel, destined to capture the interest of the reader and to generate humorous situations.\u0000 Nous prenons comme point de départ l’extraordinaire profusion des marques d’intensité insérées dans L’histoire de Manon Lescaut et du chevalier des Grieux afin d’analyser leurs différentes fonctions communicatives en tenant compte de leur inscription dans un contexte discursif déterminé pour étudier ensuite leur rôle dans quelques stratégies narratives spécifiques. Nous nous intéressons d’abord à la relation entre l’intensité et le registre pathétique qui traverse les genres littéraires au XVIII siècle, puis aux valeurs sémantico-pragmatiques de la construction consécutive intensive et aux effets de généricité signalés par Adam (2011) pour d’autres genres de discours. Finalement, nous analysons les stratégies d’intensification mis en œuvre dans le roman afin de capter l’intérêt du lecteur et de générer des situations plutôt humoristiques.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48803278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"Fuite" et écriture du bien-être en roman africain : analyse des Soleils des indépendances d'Ahmadou Kourouma 非洲小说中的“逃离”和幸福写作:艾哈迈杜·库鲁马独立的太阳分析
IF 0.2
Estudios Romanicos Pub Date : 2021-07-29 DOI: 10.6018/er.438861
Cyprien Bodo
{"title":"\"Fuite\" et écriture du bien-être en roman africain : analyse des Soleils des indépendances d'Ahmadou Kourouma","authors":"Cyprien Bodo","doi":"10.6018/er.438861","DOIUrl":"https://doi.org/10.6018/er.438861","url":null,"abstract":"« La fuite » dont il est question s’inscrit dans l’optique d’Henri Laborit. Il s’agit de fuir dans le monde de l’imaginaire dans lequel on peut se tailler un vaste territoire gratifiant dans un contexte anxiogène. La fuite dans l’imaginaire apparaît par conséquent comme un mécanisme heureux d’évitement de l’aliénation environnementale, sociologique. Le lien que Laborit établit entre la fuite et le bien-être est manifeste dans Les Soleils des indépendances d’Ahmadou Kourouma. Cette œuvre, à l’étude, illustre cette théorie. Elle est le lieu de l’expression de « l’éloge de la fuite » à l’examen de la posture de deux personnages : Salimata et Fama à travers le déploiement de ce que nous appelons « l’imaginé-tranquillisant » que cette réflexion explicite.\u0000 The “escape” in question is in line with Henri Laborit’s point of view. It’s about escaping into the world of the imagination in which one can carve out a vast and rewarding territory in an anxiety-provoking context. Escaping into the imaginary world therefore appears to be a happy mechanism for avoiding environment and sociological alienation. The link that Laborit establishes between escape and well-being is manifested in Les Soleils des indépendances of Ahmadou Kourouma. This novel, under study, illustrates this theory. It’s the place for the expression of the “eulogy of escape” to the analysis of the posture of two characters: Salimata and Fama through the deployment of what we call the “imagined-tranquilizing” that makes this reflection explicit .\u0000 « La fuite » dont il est question s’inscrit dans l’optique d’Henri Laborit. Il s’agit de fuir dans le monde de l’imaginaire dans lequel on peut se tailler un vaste territoire gratifiant dans un contexte anxiogène. La fuite dans l’imaginaire apparaît par conséquent comme un mécanisme heureux d’évitement de l’aliénation environnementale, sociologique. Le lien que Laborit établit entre la fuite et le bien-être est manifeste dans Les soleils des indépendancesd’Ahmadou Kourouma. Cette œuvre, à l’étude, illustre cette théorie. Elle est le lieu de l’expression de « l’éloge de la fuite » à l’examen de la posture de deux personnages : Salimata et Fama à travers le déploiement de ce que nous appelons « l’imaginé-tranquillisant » que cette réflexion explicite.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42690314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Más tontos que el novio de la Chelo. La intensificación de la estulticia en foros y chats por medio de comparaciones creativas: una aproximación desde la Gramática de Construcciones. 比大提琴的男朋友更愚蠢。通过创造性的比较强化论坛和聊天中的愚蠢:一种来自结构语法的方法。
IF 0.2
Estudios Romanicos Pub Date : 2021-07-29 DOI: 10.6018/er.471241
Pedro Ivorra Ordines, Carmen Mellado Blanco
{"title":"Más tontos que el novio de la Chelo. La intensificación de la estulticia en foros y chats por medio de comparaciones creativas: una aproximación desde la Gramática de Construcciones.","authors":"Pedro Ivorra Ordines, Carmen Mellado Blanco","doi":"10.6018/er.471241","DOIUrl":"https://doi.org/10.6018/er.471241","url":null,"abstract":"El objetivo principal de este trabajo consiste en describir por medio de corpus, con una metodología inductiva, la construcción comparativa intensificadora [ser más tonto que X]: ‘ser tonto en grado sumo’, para lo que se tomará como marco teórico la Gramática de Construcciones. En este sentido se realizará un estudio cuantitativo y cualitativo de las actualizaciones léxicas del slot X con el fin de determinar la fijación cognitiva y la productividad de la construcción, así como descubrir posibles rasgos recurrentes en su creatividad. Con esta investigación intentamos demostrar cuán fina es la línea que separa las unidades lexicalizadas de las creativas, con un predominio claro de estas últimas.\u0000 Adopting a corpus-based approach, the main aim of this study is to inductively describe the intensifying comparative construction [ser más tonto que X]: ‘be foolish in its highest degree’. Therefore, it will be applied the Construction Grammar approach. In this sense, lexical fillers of the slot X will be quantitatively and qualitatively analysed in order to determine the entrenchment and productivity of the construction, as well as to find out potential recurrent traits of its creativity. This study aims to show the fine line between lexicalised and creative units, , the latter being the most predominant.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43251669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
intensificação em português europeu - Algumas configurações linguísticas em comentários em linha 欧洲葡萄牙语强化-在线评论中的一些语言配置
IF 0.2
Estudios Romanicos Pub Date : 2021-07-29 DOI: 10.6018/er.471941
H. Valentim, Matilde Gonçalves
{"title":"intensificação em português europeu - Algumas configurações linguísticas em comentários em linha","authors":"H. Valentim, Matilde Gonçalves","doi":"10.6018/er.471941","DOIUrl":"https://doi.org/10.6018/er.471941","url":null,"abstract":"No estudo aqui proposto sobre a intensificação em português europeu, pretende-se identificar e descrever algumas configurações linguísticas em comentários em linha, que, em articulação com as características discursivo-textuais, convergem para a caracterização deste género. Nesta perspetiva, a intensificação é abordada enquanto fenómeno discursivo-textual, com um enfoque na relevância que as formas e construções linguísticas têm enquanto marcadoras de valores traduzíveis num grau elevado de uma propriedade ou de um efeito de sentido a par com a forte manifestação do sujeito, uma característica do género comentário.\u0000 This study focuses on intensification in European Portuguese. Its aim is to identify and describe some linguistic configurations in online comments, which, in conjunction with the discursive-textual characteristics, converge for the characterization of this textual genre. In this perspective, the intensification is approached here as a discursive-textual phenomenon, with a focus on the relevance that linguistic forms and constructions have as markers of values of a high degree of a property or of an effect of meaning along with the strong manifestation of the subject, which is, in itself, a characteristic of the commentary genre.\u0000 La présente étude sur l'intensification en portugais européen porte sur l'identification et la description de certaines configurations linguistiques dans les commentaires en ligne, qui, en conjonction avec les caractéristiques discursives-textuelles, convergent vers la caractérisation de cette pratique textuelle. Dans cette perspective, l'intensification est abordée comme un phénomène discursif-textuel, avec un accent sur la pertinence que les formes et constructions linguistiques ont comme marqueurs de valeurs traduisibles à un degré élevé d'une propriété ou d'un effet de sens avec le fort manifestation du sujet, caractéristique du genre du commentaire. Le choix pour l'analyse d'un corpus de commentaires se doit au cadre de la recherche menée au sein du Groupe Gramática & Texto, qui, dans la première phase du projet, a réuni un corpus de commentaires en ligne, G&T.Comenta, d'où provient le corpus ici analysé.\u0000 En el estudio que aquí se propone sobre la intensificación en portugués europeo, se pretende identificar y describir algunas configuraciones lingüísticas en los comentarios online, que, en conjunto con las características discursivo-textuales, convergen en la caracterización de este género. En esta perspectiva, la intensificación se aborda como un fenómeno discursivo-textual, con un enfoque en la relevancia que tienen las formas y construcciones lingüísticas como marcadores de valores traducibles en un alto grado de una propiedad o efecto de significado junto con la fuerte manifestación del sujeto, una característica del género del comentario. La elección para el análisis de un corpus de comentarios se debe al encuadre de este estudio en el ámbito de la investigación realizada dentro del Grupo Gramáti","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46050902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La claridad (2020), de Marcelo Luján: una lectura como ciclo de cuentos 《清晰》(2020),马塞洛lujan:作为故事循环的阅读
IF 0.2
Estudios Romanicos Pub Date : 2021-07-29 DOI: 10.6018/er.460631
Sandra Mendoza Vera
{"title":"La claridad (2020), de Marcelo Luján: una lectura como ciclo de cuentos","authors":"Sandra Mendoza Vera","doi":"10.6018/er.460631","DOIUrl":"https://doi.org/10.6018/er.460631","url":null,"abstract":"Partiendo de un somero recorrido por las distintas aportaciones teórico-críticas del siglo XX en torno al denominado ciclo de cuentos, se defiende tal estatuto genérico para La claridad, libro de cuentos de Marcelo Luján publicado en 2020. Dado que esta obra reúne seis cuentos que son autónomos y a la vez están interrelacionados gracias a una serie de elementos narrativos, cumple los requisitos para ser considerada un ciclo. Se realizó una entrevista con Luján, reproducida en este trabajo, con el propósito de entender el proceso creativo detrás de esta obra y conocer qué concepción tiene este autor de su propia obra narrativa. \u0000 Departing from a brief review of the different theoretical and critical contributions from the 20th century around the so called short story cycle, we could define La claridad, a book of stories by Marcelo Luján published in 2020, as such. This classification is justified by the fact that this work brings together six stories that are both autonomous and interrelated thanks to a series of narrative elements. An interview, reproduced in this work, was conducted with Luján in order to understand the creative process behind his work and to know what his own conception of it is.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44734461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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