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Kyiv-Mohyla Humanities Journal最新文献

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Feminists Despite Themselves: A Look Back 女权主义者不顾自己:回顾
IF 0.6
Kyiv-Mohyla Humanities Journal Pub Date : 2021-12-24 DOI: 10.18523/kmhj249201.2021-8.164-167
Martha Bohachevsky-chomiak
{"title":"Feminists Despite Themselves: A Look Back","authors":"Martha Bohachevsky-chomiak","doi":"10.18523/kmhj249201.2021-8.164-167","DOIUrl":"https://doi.org/10.18523/kmhj249201.2021-8.164-167","url":null,"abstract":"","PeriodicalId":40752,"journal":{"name":"Kyiv-Mohyla Humanities Journal","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48146680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lesia Ukrainka in Cinema Lesia Ukrainka在电影院
IF 0.6
Kyiv-Mohyla Humanities Journal Pub Date : 2021-12-24 DOI: 10.18523/kmhj249206.2021-8.184-193
Oksana S. Moussienko, Natalia Moussienko, Oksana Moussienko
{"title":"Lesia Ukrainka in Cinema","authors":"Oksana S. Moussienko, Natalia Moussienko, Oksana Moussienko","doi":"10.18523/kmhj249206.2021-8.184-193","DOIUrl":"https://doi.org/10.18523/kmhj249206.2021-8.184-193","url":null,"abstract":"","PeriodicalId":40752,"journal":{"name":"Kyiv-Mohyla Humanities Journal","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48250026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"The Female Artist as an Icon of National Modernization: The Phenomenon of Lesia Ukrainka in a Comparative Perspective" (International Conference) “作为国家现代化标志的女性艺术家:比较视角下的乌克兰文化现象”(国际学术会议)
IF 0.6
Kyiv-Mohyla Humanities Journal Pub Date : 2021-12-24 DOI: 10.18523/kmhj249213.2021-8.212-215
O. Polishchuk
{"title":"\"The Female Artist as an Icon of National Modernization: The Phenomenon of Lesia Ukrainka in a Comparative Perspective\" (International Conference)","authors":"O. Polishchuk","doi":"10.18523/kmhj249213.2021-8.212-215","DOIUrl":"https://doi.org/10.18523/kmhj249213.2021-8.212-215","url":null,"abstract":"","PeriodicalId":40752,"journal":{"name":"Kyiv-Mohyla Humanities Journal","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45275634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Oh, My Thoughts, My Thoughts…”: Olena Pchilka’s and Lesia Ukrainka’s Contributions to Epigraphic Embroidery “哦，我的想法，我的想法……”:Olena Pchilka和Lesia Ukrainka对铭文刺绣的贡献
IF 0.6
Kyiv-Mohyla Humanities Journal Pub Date : 2021-12-24 DOI: 10.18523/kmhj249198.2021-8.147-162
Tetiana Brovarets
{"title":"“Oh, My Thoughts, My Thoughts…”: Olena Pchilka’s and Lesia Ukrainka’s Contributions to Epigraphic Embroidery","authors":"Tetiana Brovarets","doi":"10.18523/kmhj249198.2021-8.147-162","DOIUrl":"https://doi.org/10.18523/kmhj249198.2021-8.147-162","url":null,"abstract":"The article focuses on the role of Olena Pchilka1 and Lesia Ukrainka in epigraphic embroidery development. Undoubtedly, Olena Pchilka was an ardent proponent of folk art purity. Following from this, there is a tendency to think that she was against all novelty in Ukrainian embroidery. Many researchers and antiquity enthusiasts refer to her authority when arguing against inscriptions on textile as a phenomenon resulting largely from printed cross-stitch on paper. However, not all embroidered verbal texts have been of print origin. Most of them were folkloric (or folklorized) texts. What is more, Olena Pchilka to some extent provided her own comment on epigraphic embroidery in approving Lesia Ukrainka’s rushnyk (embroidered runner) containing the inscription “Oh, my thoughts, my thoughts, woe is with you! Love one another, brethren, love Ukraine” (devoted to Taras Shevchenko). In modern embroidery, embroideresses reproduce the citation with new connotations of these words, thereby continuing the epigraphic embroidery tradition. The author illustrates the folklorization of oft-cited lines from Taras Shevchenko’s poetry with examples of epigraphic embroidery from her own Interactive Index of Folklore Formulas (Epigraphic Embroidery).","PeriodicalId":40752,"journal":{"name":"Kyiv-Mohyla Humanities Journal","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41605278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The Reception of Lesia Ukrainka’s Works in German: The Significance of the Concept of “Struggle” 莱西娅·乌克兰卡作品的德语接受:“斗争”概念的意义
IF 0.6
Kyiv-Mohyla Humanities Journal Pub Date : 2021-12-24 DOI: 10.18523/kmhj249189.2021-8.85-101
Nataliia Lysetska
{"title":"The Reception of Lesia Ukrainka’s Works in German: The Significance of the Concept of “Struggle”","authors":"Nataliia Lysetska","doi":"10.18523/kmhj249189.2021-8.85-101","DOIUrl":"https://doi.org/10.18523/kmhj249189.2021-8.85-101","url":null,"abstract":"The article examines individual German translations of works by Lesia Ukrainka in various genres, which activate the concept of “struggle.” To establish the linguistic and stylistic analogues, coincidences, and diff erences of the translated works, their typological comparison with the original Ukrainian sources was carried out. It was found that key motifs in the works of Lesia Ukrainka, such as aff ection, resilience, courage, confrontation, and great strength of will and spirit are factors that form the concept of “struggle.” The conceptual meanings and axiological values of the concept of “struggle” created by the poetess are: internal strength and independence; free choice, freedom, and liberty; the desire to have freedom and longing for it as the beginning or continuation of the struggle, a sign of insubordination, the spirit of disobedience; the word as a future weapon for the native language and Ukraine; the desire to prevail; the antithesis of death, sad thoughts, obedience, and others. The analysis revealed that there are some linguistic and stylistic diff erences in the analyzed German translations that are related to the peculiarities of German grammar and word formation. The selection of German equivalents sometimes further reinforces the emphasis of the original text. The concept of “struggle” in Lesia Ukrainka’s works in the analyzed translations into German by well-known translators fully reveals the conceptual picture of the author’s works and expands the possibilities of the reception of Ukrainian linguistic culture for German-speaking readers.","PeriodicalId":40752,"journal":{"name":"Kyiv-Mohyla Humanities Journal","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45395272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Psychoanalytic and Existentialist Versions of Don Juanism: Lesia Ukrainka’s The Stone Host 胡安主义的精神分析与存在主义版本——莱西亚·乌克兰卡的《石头主人》
IF 0.6
Kyiv-Mohyla Humanities Journal Pub Date : 2021-12-24 DOI: 10.18523/kmhj249178.2021-8.34-44
Mariia Moklytsia
{"title":"Psychoanalytic and Existentialist Versions of Don Juanism: Lesia Ukrainka’s The Stone Host","authors":"Mariia Moklytsia","doi":"10.18523/kmhj249178.2021-8.34-44","DOIUrl":"https://doi.org/10.18523/kmhj249178.2021-8.34-44","url":null,"abstract":"The article substantiates the necessity of psychoanalytical and existential methodology in interpreting Lesia Ukrainka’s drama Kaminnyi hospodar (1912; The Stone Host), including the works of José Ortega y Gasset and Miguel de Unamuno on Don Quixote, Albert Camus on absurd characters (The Myth of Sisyphus. Essay on the Absurd), and Jacques Lacan’s The Mirror Stage. Biographical data testify to the critical attitude of the writer to world treatments of the legend. Her challenge to tradition was bold and conscious. It is regarded that the main point of Lesia Ukrainka’s polemics with tradition concerns Don Juan apologetics, introduced by romantics and developed by modernists. Exploring Don Juan’s psychological makeup provides the opportunity to show that all participants of the legend have become victims of Don Juan apologetics (that distinguish the tragic fi nale of the story). The Don Juan myth has played an integral role in the image of the Person (social mask) being accepted by characters as a trustful image of the Self. Interpretation of the Mirror Image in The Stone Host and its crucial role in the final scene allows for justifying that the mirror serves the narcissistic characters’ admiration of themselves and shows them not only an attractive appearance but an ideal version of the Self, created by myth.","PeriodicalId":40752,"journal":{"name":"Kyiv-Mohyla Humanities Journal","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45514363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Stone Host, Lesia Ukrainka’s “Spanish” Play 莱斯娅·乌克兰卡的“西班牙”戏剧《石头主人》
IF 0.6
Kyiv-Mohyla Humanities Journal Pub Date : 2021-12-24 DOI: 10.18523/kmhj249167.2021-8.16-32
Oleksandr Pronkevich
{"title":"The Stone Host, Lesia Ukrainka’s “Spanish” Play","authors":"Oleksandr Pronkevich","doi":"10.18523/kmhj249167.2021-8.16-32","DOIUrl":"https://doi.org/10.18523/kmhj249167.2021-8.16-32","url":null,"abstract":"The article provides an analysis of the “Spanish code” inscribed in the text of Lesia Ukrainka’s drama Kaminnyi hospodar (The Stone Host). The constituents of the code include: 1) conventions of 17th century Spanish baroque drama, in particular, use of the dialectics of the concepts of dignity and reputation as a driving mechanism for confl ict throughout Lesia Ukrainka’s play and transformation within the classical scheme of characters suggested by Lope de Vega and his followers; 2) stereotypes of “Spanishness” through which the playwright produced a heteroimage of Spain. Lesia Ukrainka’s variant of the famous legend of Don Juan is a sophisticated modernist drama. The “Spanish code” serves as a prism through which the playwright examines the world. Lesia Ukrainka created an astonishing modernist tragicomedy of dishonesty, full of the spirit of uncertainty.","PeriodicalId":40752,"journal":{"name":"Kyiv-Mohyla Humanities Journal","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44663047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Buntarky: Novi zhinky i moderna natsiia [Women-Rebels: The New Women and the Modern Nation], ed. Vira Aheieva 邦塔基:《女性反叛者:新女性与现代国家》，维拉·阿赫耶娃编
IF 0.6
Kyiv-Mohyla Humanities Journal Pub Date : 2021-12-24 DOI: 10.18523/kmhj249211.2021-8.204-206
Tetiana Kalytenko
{"title":"Buntarky: Novi zhinky i moderna natsiia [Women-Rebels: The New Women and the Modern Nation], ed. Vira Aheieva","authors":"Tetiana Kalytenko","doi":"10.18523/kmhj249211.2021-8.204-206","DOIUrl":"https://doi.org/10.18523/kmhj249211.2021-8.204-206","url":null,"abstract":"","PeriodicalId":40752,"journal":{"name":"Kyiv-Mohyla Humanities Journal","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45419780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Tvory. Pereklady. Lysty. Zapysy kobzarskykh dum [Works. Translations. Letters. Recordings of Kobzar's Dumas] by Mykhailo Kosach (Mykhailo Obachnyi), ed. Larysa Miroshnychenko Tvory。Pereklady。Lysty。Zapysy kobzarskykh dum[作品。翻译。信件。Kobzar的大仲马录音]，作者：Mykhailo Kosach（Mykhailo-Obachnyi），编辑：Larysa Miroshnychenko
IF 0.6
Kyiv-Mohyla Humanities Journal Pub Date : 2021-12-24 DOI: 10.18523/kmhj249212.2021-8.208-210
Taras Pastukh
{"title":"Tvory. Pereklady. Lysty. Zapysy kobzarskykh dum [Works. Translations. Letters. Recordings of Kobzar's Dumas] by Mykhailo Kosach (Mykhailo Obachnyi), ed. Larysa Miroshnychenko","authors":"Taras Pastukh","doi":"10.18523/kmhj249212.2021-8.208-210","DOIUrl":"https://doi.org/10.18523/kmhj249212.2021-8.208-210","url":null,"abstract":"","PeriodicalId":40752,"journal":{"name":"Kyiv-Mohyla Humanities Journal","volume":"20 6","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41308138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
A Word of Welcome From the Editor-in-Chief 总编辑致欢迎辞
IF 0.6
Kyiv-Mohyla Humanities Journal Pub Date : 2021-12-24 DOI: 10.18523/kmhj249162.2021-8.v
Maryna Tkachuk
{"title":"A Word of Welcome From the Editor-in-Chief","authors":"Maryna Tkachuk","doi":"10.18523/kmhj249162.2021-8.v","DOIUrl":"https://doi.org/10.18523/kmhj249162.2021-8.v","url":null,"abstract":"","PeriodicalId":40752,"journal":{"name":"Kyiv-Mohyla Humanities Journal","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49070717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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