莱斯娅·乌克兰卡的“西班牙”戏剧《石头主人》

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Oleksandr Pronkevich
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引用次数: 0

摘要

本文分析了莱西娅·乌克兰卡(Lesia Ukrainka)戏剧《石头主人》(kaminyi hospodar)文本中的“西班牙密码”。法典的组成部分包括:1)17世纪西班牙巴洛克戏剧的惯例,特别是使用尊严和声誉概念的辩证法作为贯穿Lesia Ukrainka戏剧的冲突的驱动机制,并在Lope de Vega及其追随者建议的经典人物方案中进行转换;2)对“西班牙性”的刻板印象,剧作家借此塑造了西班牙的异质形象。莱西娅·乌克兰卡改编的著名的唐璜传说是一部复杂的现代主义戏剧。“西班牙法典”是这位剧作家审视世界的一面棱镜。莱西娅·乌克兰卡创作了一部惊人的现代主义悲喜剧,充满了不诚实,充满了不确定的精神。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Stone Host, Lesia Ukrainka’s “Spanish” Play
The article provides an analysis of the “Spanish code” inscribed in the text of Lesia Ukrainka’s drama Kaminnyi hospodar (The Stone Host). The constituents of the code include: 1) conventions of 17th century Spanish baroque drama, in particular, use of the dialectics of the concepts of dignity and reputation as a driving mechanism for confl ict throughout Lesia Ukrainka’s play and transformation within the classical scheme of characters suggested by Lope de Vega and his followers; 2) stereotypes of “Spanishness” through which the playwright produced a heteroimage of Spain. Lesia Ukrainka’s variant of the famous legend of Don Juan is a sophisticated modernist drama. The “Spanish code” serves as a prism through which the playwright examines the world. Lesia Ukrainka created an astonishing modernist tragicomedy of dishonesty, full of the spirit of uncertainty.
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来源期刊
Kyiv-Mohyla Humanities Journal
Kyiv-Mohyla Humanities Journal HUMANITIES, MULTIDISCIPLINARY-
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