Kyiv-Mohyla Humanities Journal最新文献_第10页

A Study on the Image of Women and Women Revolutionaries in North Korea - Focused on Education Related to the Pre-Mordern and ‘Kim Jung-sook’ 朝鲜妇女与女性革命者形象研究——以前现代与“金正淑”教育为中心

IF 0.6

Kyiv-Mohyla Humanities Journal Pub Date : 2020-12-31 DOI: 10.37981/HJHRISU.2020.12.59.321

Do Hyeong Kim

引用次数: 0

Operation and Reorganization of the Daejeon Leather Company after Liberation 解放后大田皮革公司的经营与重组

IF 0.6

Kyiv-Mohyla Humanities Journal Pub Date : 2020-12-31 DOI: 10.37981/HJHRISU.2020.12.59.287

Min-seok Kim

引用次数: 0

The compromise between Chengzhu learning(程朱學) and Western learning(西學) by Lisuan learning(曆算學) for the new building of Zhongyuan Li system(禮制) in the Kangxi(康熙) era The compromise between Chengzhu learning(程朱学) and Western learning(西学) by Lisuan learning(历算学) for the new building of Zhongyuan Li system(禮制) in the Kangxi(康熙) era

IF 0.6

Kyiv-Mohyla Humanities Journal Pub Date : 2020-12-31 DOI: 10.37981/HJHRISU.2020.12.59.39

Mi Young Lee

引用次数: 0

The Politics of Singing: A Performative Analysis of the Controversy over Compulsory Singing(齊唱) and the Voluntary Singing(合唱) of 歌唱的政治:《歌唱》中强制歌唱与自愿歌唱之争的表演分析

IF 0.6

Kyiv-Mohyla Humanities Journal Pub Date : 2020-12-31 DOI: 10.37981/hjhrisu.2020.12.59.205

Bae Myo Jung

引用次数: 0

In the 1930s, the Catholic Youth Movement of the Diocese of Yenki - Focusing on the Tarsitius Association - 20世纪30年代，燕基教区的天主教青年运动-以塔尔西修斯协会为重点

IF 0.6

Kyiv-Mohyla Humanities Journal Pub Date : 2020-12-31 DOI: 10.37981/HJHRISU.2020.12.59.129

Myung Seon Jang

引用次数: 0

Fear and Technology in the Theatre: Staging McLuhan 戏剧中的恐惧与技术：上演麦克卢汉

IF 0.6

Kyiv-Mohyla Humanities Journal Pub Date : 2020-12-18 DOI: 10.18523/kmhj219674.2020-7.215-223

Roman Veretelnyk

{"title":"Fear and Technology in the Theatre: Staging McLuhan","authors":"Roman Veretelnyk","doi":"10.18523/kmhj219674.2020-7.215-223","DOIUrl":"https://doi.org/10.18523/kmhj219674.2020-7.215-223","url":null,"abstract":"Although Marshall McLuhan had comparatively little to say about the theatre as a medium in his books, Robin C. Whittaker’s observation that “performance was integral to the delivery of McLuhan’s messages” serves as a reminder to address the question considering an added dimension.1 For example, at the “Theatre and the Visual Arts” panel at the Fourth Annual Seminar in Irish Studies held in 1971 at the University of Toronto, McLuhan was very much the performer in expressing various thoughts about the “electric theatre,” to the delight of both his co-panelists and audience present.2 Conversing with W. H. Auden and renowned Beckett actor Jack MacGowran, McLuhan asks “what the Greeks might have done with PA systems if they’d had them... would they have shunned the gramophone and radio?”3 Auden and MacGowran are categorical in their responses, MacGowran’s retort that “they (the Greeks) would have been deadly against” being blunt and to the point.4 McLuhan answers by musing “whether this (incursion of electronic media) will change acting and the problems of the visual organization of theatre is another question.”5 In recent years the stage itself has entered the dialog, revisiting McLuhan and his theories. Examples include Michael Charrois’ The Illumination o f Marshall McLuhan: An Interactive Multi Media Performance Event (2000), Jason Sherman’s play The Message (2003 2018), Anne Bogart’s Theater Artaud’s production of The Medium (1995), and Mark Lawes’ 2013 staging of Sometimes Between Now and When the Sun Goes Supernova at Theatre Junction Grand. Although diverse in approach and scope, all of the above theatrical treatments of McLuhan echo an increasing interest of the theatre in addressing the relationship of the live with technology in a “mediatized culture.”6 In Auslander’s view the two are not necessarily in opposition to each other, nor does the live necessarily precede the mediatized, instead being mutually interdependent.","PeriodicalId":40752,"journal":{"name":"Kyiv-Mohyla Humanities Journal","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2020-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45939802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Henotsyd: Vstup do hlobalnoi istorii [Genocide: A Comprehensive Introduction, Ukrainian translation by Kateryna Dysa] by Adam Jones] Henotsyd: Vstup do holbalnoi istorii[种族灭绝:全面介绍，乌克兰文，卡特琳娜·戴莎译]亚当·琼斯著

IF 0.6

Kyiv-Mohyla Humanities Journal Pub Date : 2020-12-18 DOI: 10.18523/kmhj219686.2020-7.259-262

T. Borodina

引用次数: 1

Revolutionary Ukraine, 1917–2017: History’s Flashpoints and Today’s Memory Wars by Myroslav Shkandrij 乌克兰革命，1917–2017：历史的闪光点和今天的记忆战争

IF 0.6

Kyiv-Mohyla Humanities Journal Pub Date : 2020-12-18 DOI: 10.18523/kmhj219684.2020-7.253-254

M. Kravchenko

引用次数: 0

Unravelling the Ukrainian Revolution: “Dignity,” “Fairness,” “Heterarchy,” and the Challenge to Modernity 揭开乌克兰革命的面纱：“尊严”、“公平”、“父权制”和对现代性的挑战

IF 0.6

Kyiv-Mohyla Humanities Journal Pub Date : 2020-12-18 DOI: 10.18523/kmhj219663.2020-7.123-140

Mychailo Wynnyckyj

{"title":"Unravelling the Ukrainian Revolution: “Dignity,” “Fairness,” “Heterarchy,” and the Challenge to Modernity","authors":"Mychailo Wynnyckyj","doi":"10.18523/kmhj219663.2020-7.123-140","DOIUrl":"https://doi.org/10.18523/kmhj219663.2020-7.123-140","url":null,"abstract":"Ukraine’s “Revolution of Dignity,” spanning both the 2013-2014 protests in Kyiv’s city center and the mass mobilization of grass-roots resistance against Russian aggression in 2014-2015 and thereafter, manifest new interpretations of ideas and philosophical concepts. In the first part of the article we unravel the meaning of the Ukrainian word hidnist (roughly translated as “dignity”)— a moniker of the revolution whose significance remains underestimated. In the second part we situate Ukraine’s revolution within a broader context of “modernity” and suggest its individualist foundation may be replaced by a form of “personalism”— an ethic that echoes that of Ukraine’s revolutionaries. In the third part of the article, we delve into the substance of the revolution’s agenda: its protagonists’ promise to build a non-hierarchical community of “fairness” (spravedlyvist). In the fourth and final section, the main argument of the article is summarized, namely: that the shift from individualism to personalism in social interaction and the transition from hierarchy to heterarchy in power relations, particularly with respect to institutionalizing “fairness,” embodied in the various structures and organizations formed during Ukraine’s Revolution of Dignity, may have been reflective of more comprehensive trends in ideational change affecting European (Western) civilization.","PeriodicalId":40752,"journal":{"name":"Kyiv-Mohyla Humanities Journal","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2020-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47239641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 5

Transformation of the Collective Identity of Ukrainian Citizens After the Revolution of Dignity (2014–2019) 尊严革命后乌克兰公民集体认同的转变(2014-2019)

IF 0.6

Kyiv-Mohyla Humanities Journal Pub Date : 2020-12-18 DOI: 10.18523/kmhj219654.2020-7.45-71

N. Averianova, Tetiana Voropaieva

引用次数: 16