The Stone Host, Lesia Ukrainka’s “Spanish” Play

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Oleksandr Pronkevich
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引用次数: 0

Abstract

The article provides an analysis of the “Spanish code” inscribed in the text of Lesia Ukrainka’s drama Kaminnyi hospodar (The Stone Host). The constituents of the code include: 1) conventions of 17th century Spanish baroque drama, in particular, use of the dialectics of the concepts of dignity and reputation as a driving mechanism for confl ict throughout Lesia Ukrainka’s play and transformation within the classical scheme of characters suggested by Lope de Vega and his followers; 2) stereotypes of “Spanishness” through which the playwright produced a heteroimage of Spain. Lesia Ukrainka’s variant of the famous legend of Don Juan is a sophisticated modernist drama. The “Spanish code” serves as a prism through which the playwright examines the world. Lesia Ukrainka created an astonishing modernist tragicomedy of dishonesty, full of the spirit of uncertainty.
莱斯娅·乌克兰卡的“西班牙”戏剧《石头主人》
本文分析了莱西娅·乌克兰卡(Lesia Ukrainka)戏剧《石头主人》(kaminyi hospodar)文本中的“西班牙密码”。法典的组成部分包括:1)17世纪西班牙巴洛克戏剧的惯例,特别是使用尊严和声誉概念的辩证法作为贯穿Lesia Ukrainka戏剧的冲突的驱动机制,并在Lope de Vega及其追随者建议的经典人物方案中进行转换;2)对“西班牙性”的刻板印象,剧作家借此塑造了西班牙的异质形象。莱西娅·乌克兰卡改编的著名的唐璜传说是一部复杂的现代主义戏剧。“西班牙法典”是这位剧作家审视世界的一面棱镜。莱西娅·乌克兰卡创作了一部惊人的现代主义悲喜剧,充满了不诚实,充满了不确定的精神。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Kyiv-Mohyla Humanities Journal
Kyiv-Mohyla Humanities Journal HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.50
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