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Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism最新文献

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Reseña. Alejandra Coz Rosenfeld. La lava. Editorial Sangría, 2021
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-08-09 DOI: 10.5195/ct/2022.557
Eugenia Prado Bassi
{"title":"Reseña. Alejandra Coz Rosenfeld. La lava. Editorial Sangría, 2021","authors":"Eugenia Prado Bassi","doi":"10.5195/ct/2022.557","DOIUrl":"https://doi.org/10.5195/ct/2022.557","url":null,"abstract":"Review. Alejandra Coz Rosenfeld. La lava. Ediciones Sangría, 2021","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"66 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85780656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reinaldo Arenas en Mariel. Revista de literatura y arte: la estrategia de la desviación 雷纳尔多·阿里纳斯在马里埃尔。文学艺术杂志:偏离策略
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-08-09 DOI: 10.5195/ct/2022.543
Pacelli Dias Alves de Sousa
{"title":"Reinaldo Arenas en Mariel. Revista de literatura y arte: la estrategia de la desviación","authors":"Pacelli Dias Alves de Sousa","doi":"10.5195/ct/2022.543","DOIUrl":"https://doi.org/10.5195/ct/2022.543","url":null,"abstract":"This article aims to present an analysis of the essays written by Reinaldo Arenas in a cultural magazine called Mariel Revista de Literatura y Arte (1983 - 1985), of which he was one of the directors, with the Cuban writers Juan Abreu and Reinaldo García Ramos. The emphasis is on the texts published in a section of the magazine entitled \"Confluencias\", in which a set of texts on the Cuban literary canon was published. The objective is to analyze the writing strategies, the intertextual relationships, and the areas of confluence, thus outlining his politics of writing in the magazine. In this sense, we propose the idea of \"deviation\" to understand an important strategy and outline of his writing in the magazine and, in general, of an important area (and less studied) of his work: the literary criticism.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88277396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Un misterio sin enigma: gótico, espacio urbano y exotismo en La luz argentina de César Aira 一个未解之谜:cesar Aira的《阿根廷之光中的哥特式、城市空间和异国情调》
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-08-09 DOI: 10.5195/ct/2022.548
Juan José Guerra
{"title":"Un misterio sin enigma: gótico, espacio urbano y exotismo en La luz argentina de César Aira","authors":"Juan José Guerra","doi":"10.5195/ct/2022.548","DOIUrl":"https://doi.org/10.5195/ct/2022.548","url":null,"abstract":"The aim of this paper is to analyze La luz argentina (1983), by César Aira, based on the verification that it constitutes the first urban-themed piece in the writer’s work. Our hypothesis is that the prolific series that makes up the urban cycle in Aira’s work, identified almost exclusively with the Flores cycle, is actually inaugurated with this novel. Although La luz argentina tells a story of interiors in which the city appears mostly indirectly, the characters’ refuge of intimacy does not constitute a hermetic and impermeable space but, on the contrary, is haunted by the outside. Thus, the city imposes its ghostly presence even in domestic life and not only through the nocturnal excursions of the characters.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85697741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reseña. Roxana Patiño y Nancy Calomarde. Ficciones críticas: escrituras latinoamericanas contemporáneas. Editorial Eduvim, 2020
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-08-09 DOI: 10.5195/ct/2022.534
Gabriela Cornet
{"title":"Reseña. Roxana Patiño y Nancy Calomarde. Ficciones críticas: escrituras latinoamericanas contemporáneas. Editorial Eduvim, 2020","authors":"Gabriela Cornet","doi":"10.5195/ct/2022.534","DOIUrl":"https://doi.org/10.5195/ct/2022.534","url":null,"abstract":"<jats:p>Review</jats:p>","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78707199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Remediar la cultura impresa: reacciones a la revolución digital en Facsímil (2014), El sistema del tacto (2018), Scout (2016) y Leñador (2013) 修复印刷文化:对传真(2014)、触摸系统(2018)、Scout(2016)和伐木工(2013)数字革命的反应
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-08-09 DOI: 10.5195/ct/2022.525
José Patricio Sullivan
{"title":"Remediar la cultura impresa: reacciones a la revolución digital en Facsímil (2014), El sistema del tacto (2018), Scout (2016) y Leñador (2013)","authors":"José Patricio Sullivan","doi":"10.5195/ct/2022.525","DOIUrl":"https://doi.org/10.5195/ct/2022.525","url":null,"abstract":"The aim of this article is to read four works from the recent Chilean literary field as a series of reflections on print culture. These novels start from the premise that print has been profoundly affected by the digital revolution. In the first part of the article, I develop a theoretical model to understand the effect of digital on print based on the concepts of remediation, materiality, and practices of print culture. I propose that the digital revolution produced a liberation and tension in the printed culture that the four novels I study reflect, and they do so from the questioning of the functions that print has historically had. Facsímil (2014), El sistema del tacto (2018), Scout and Leñador, are novels aware of their status as a physical object, and therefore use their materiality to reflect, intervene and comment on the role printed book plays in the contemporary world. The article seeks to show that printed culture in Chile is in a moment of paradigmatic change and that literature is an exceptional starting point to understand it.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"48 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76688113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El martirio como forma narrativa, signo, y mito en Cóndores no entierran todos los días y Estaba la pájara pinta sentada en el verde limón 殉道作为一种叙事形式，标志，和神话在秃鹰不是每天埋葬和鸟画坐在柠檬绿色
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-08-09 DOI: 10.5195/ct/2022.539
Diana Patricia Cortés-Evans
{"title":"El martirio como forma narrativa, signo, y mito en Cóndores no entierran todos los días y Estaba la pájara pinta sentada en el verde limón","authors":"Diana Patricia Cortés-Evans","doi":"10.5195/ct/2022.539","DOIUrl":"https://doi.org/10.5195/ct/2022.539","url":null,"abstract":"The genesis of the fictions of Gustavo Álvarez and Albalucía Ángel is demarcated in ‘el 9 de abril’, name given to the social outburst that occurs in Colombia after the magnicide of the politician Jorge Eliécer Gaitán (1948). The notion of martyrdom is assimilated in the literary works as a sign and a myth to depict the disproportion of violence under the frame of the bipartisan conflict. In the fictions martyrdom is implemented as a narrative device and an artefact to revisit the past and reflect on the nation. By adopting postmodernist readings in fields such as ‘biopolitics’, cultural sociology, and concepts like ‘culture hybridity’ proposed by Homi Bhabha, we find that disfigurations of original Christian myths take place in the fictions with a subversive purpose. Although modern martyrdom is rooted in Christianity, the phenomenon erases the borders between politics and religion, given that its secularization is manifested through social movements and the cultural construction that rises around the martyr. Nowadays, ‘el 9 de abril’ not only commemorates the magnicide, but it has established itself as a National Civic Day to pay homage to all the victims of the armed conflict. ","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"34 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79026568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mene y Guachimanes: una lectura desde la escritura geológica Mene和Guachimanes:地质写作的解读
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-08-09 DOI: 10.5195/ct/2022.527
Raquel Abend van Dalen
{"title":"Mene y Guachimanes: una lectura desde la escritura geológica","authors":"Raquel Abend van Dalen","doi":"10.5195/ct/2022.527","DOIUrl":"https://doi.org/10.5195/ct/2022.527","url":null,"abstract":"This article proposes a new reading of Venezuelan oil novels Mene and Guachimanes from the theoretical framework of geological writing. While literary criticism has focused on anthropocentric aspects of these novels, a geological analysis considers other factors within their narratives (non-human agency, materiality of bodies, and accumulation processes). I argue that reading these novels from this materialist perspective enables us to highlight substantial narrative elements in oil fiction that other readings have not adequately addressed, which has led to the literary devaluation of these petrofictions.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"20 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82178268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Interacción polémica y multivalencia del discurso utópico: la teoría de la comunicación de Algo más, de Marcelo Cohen 乌托邦话语的争议互动与多元价值:马塞洛·科恩的其他东西的传播理论
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-08-09 DOI: 10.5195/ct/2022.546
N. García
{"title":"Interacción polémica y multivalencia del discurso utópico: la teoría de la comunicación de Algo más, de Marcelo Cohen","authors":"N. García","doi":"10.5195/ct/2022.546","DOIUrl":"https://doi.org/10.5195/ct/2022.546","url":null,"abstract":"The cognitive tendency of a literature that favors an assembly of knowledge for the purposes of accrediting the fictional novum of anticipation is verifiable in a recent novel by the Argentinian author, Marcelo Cohen. The following analysis will attend to the loans between a materialist semiology and the theory of ideological communication that supports the treatment of the controversial interaction raised within the community of dissident individuals that the novel Algo más portrays.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90157101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Esos raros peinados nuevos: Punks mexicanos, vidas ociosas y precariedad feminizada 那些奇怪的新发型:墨西哥朋克、无所事事的生活和女性化的不稳定
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-08-09 DOI: 10.5195/ct/2022.524
Martin De Mauro Rucovsky
{"title":"Esos raros peinados nuevos: Punks mexicanos, vidas ociosas y precariedad feminizada","authors":"Martin De Mauro Rucovsky","doi":"10.5195/ct/2022.524","DOIUrl":"https://doi.org/10.5195/ct/2022.524","url":null,"abstract":"In the following we seek to consider the ways in which the cultural representations about punk lives in Ciudad Nezahualcóyotl represent an inquiry around female precariousness that refers to economically superfluous stocks, unproductive jobs and garbage jobs closer to the universe of anonymous and imperceptible lives. And that marking supposes a potentiality in relation to the feminine condition and gendered in juxtaposition to the condition of workers. Punks are fundamentally lazy, indifferent and apathetic towards labor relations, hence work is that absent sign that makes it work and becomes an explanatory principle.The series of cultural materials in question examines the filmic work of Sarah Minter in her first video art films that are Nadie es inocente (1987) and Alma Punk (1992) crossing different analyzes from of the wandering becoming of its protagonists.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"70 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81007658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El inconsciente del texto en los Diarios de Pizarnik: una lectura lacaniana 皮扎尼克日记中的无意识文本:拉康的解读
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-01-10 DOI: 10.5195/ct/2021.495
V. Garrido
{"title":"El inconsciente del texto en los Diarios de Pizarnik: una lectura lacaniana","authors":"V. Garrido","doi":"10.5195/ct/2021.495","DOIUrl":"https://doi.org/10.5195/ct/2021.495","url":null,"abstract":"Starting from the concepts “fiction line [ligne de fiction]” and “textual unconciousness”, developed by Lacan and Jean Bellemin-Noël respectively, this article presents the analysis of a piece of the Alejandra Pizarnik’s diary. The text seems representative of the author’s meta-literary concerns, among which stands out the conflict between the language as a tool and the non-communicable nature of the reality. The psychoanalytic analysis of the discourse given by the subject of the statement reveals, as Kristeva argues, a desire to transcend the narrow limits of the symbolic sphere and to open an alternative literary space closer to the embodiment and its drives.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82322757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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