Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism最新文献_第3页

“Poner el cuerpo” y “tomar la palabra”: violencias, afectos y autorrepresentación en el documental feminista contemporáneo en Chile (2010-2019) “把身体放进去”和“拿起这个词”:智利当代女权主义纪录片中的暴力、情感和自我表现(2010-2019)

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-12-20 DOI: 10.5195/ct/2022.577

M. Gallardo, N. Morales

引用次数: 0

Notas para un emplumado amanecer: ojos, pasamontañas y corazones en las lecturas ‘deleuzianas’ de Lemebel 有羽毛的黎明笔记:眼睛，面罩和心灵在莱梅贝尔的“德勒兹”阅读

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-12-20 DOI: 10.5195/ct/2022.569

María del Pilar Jarpa Manzur

{"title":"Notas para un emplumado amanecer: ojos, pasamontañas y corazones en las lecturas ‘deleuzianas’ de Lemebel","authors":"María del Pilar Jarpa Manzur","doi":"10.5195/ct/2022.569","DOIUrl":"https://doi.org/10.5195/ct/2022.569","url":null,"abstract":"From a critical gender perspective, this article offers an analysis of the chronicle that Pedro Lemebel dedicates to Subcomandante Marcos, paying special attention to the Deleuzian dimensions that it incorporates. Dimensions that are not only present in what could be interpreted as a theoretical wink, but also in the practices -visual, oral, written- with which Lemebel seems to overflow and enrich his philosophical origin. If, in general, within the multiple recreations of becoming that are promoted in his chronicles, Lemebel tends to question the symbolic universe of the new man, the text that consecrates Subcomandante Marcos seems to introduce unusual forms of subversion that question and at the same time confront the local revolutionary imaginary. However, it is not only a matter of destabilizing the binarized discourses of the revolution, but also of making visible other possible forms of disrespect and resistance. And that is what seems to be re-created in the memoirs that, in the context of the Chilean revolt of 2019, have taken Lemebel's name from the line of flight to the front line of fire.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"33 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84519696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Anacronismo de la Historia. Alan Pauls y sus Historias del llanto, del pelo y del dinero 历史的时代错误。艾伦·保罗和他关于哭泣、头发和金钱的故事

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-12-20 DOI: 10.5195/ct/2022.551

Emiliano Rodríguez Montiel

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Los cuerpos condenados de Tocopilla: Namazu de Rodrigo Ramos Bañaos 《托科皮拉的死尸:罗德里戈·拉莫斯的Namazu banaos》

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-12-20 DOI: 10.5195/ct/2022.576

Valeska Solar Olivares

{"title":"Los cuerpos condenados de Tocopilla: Namazu de Rodrigo Ramos Bañaos","authors":"Valeska Solar Olivares","doi":"10.5195/ct/2022.576","DOIUrl":"https://doi.org/10.5195/ct/2022.576","url":null,"abstract":"The recent narrative of the Norte Grande in Chile has focused on the ways in which the body is affected and stressed by the geographical space of the desert and the problems of the area today, such as extractivism, the marginalisation of subjects, the mining industry, and the sacrifice zones, among others. On this basis, different works have sought to represent how this marginalised space affectively configures the bodies of the subjects who inhabit it, thus elaborating different figures that address the construction of these bodies, pointing to a deepening of the relationship established between subjects and spaces. In this article we will focus on the figures of the body that are proposed in the novel Namazu by Rodrigo Ramos Bañados, where we investigate the link between Tocopilla, the city in which the novel is set, and the characters who visit and inhabit the place, in the context of the imminent disaster that stalks the story from the beginning: the Great Earthquake of the Norte Grande. In this link, the central figure will be that of the condemned body, condemned to death by the earthquake itself and by the marginalisation of the town, and the figures of the strange, monstrous and foreign body.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89184743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Reseña. Mónica Barrientos Olivares. Valoración Múltiple sobre la obra de Diamela Eltit, edición al cuidado de Mónica Barrientos. Editorial Casa de las Américas, 2021 回顾。monica Barrientos Olivares。对Diamela Eltit作品的多重评价，由monica Barrientos编辑。美洲之家出版社，2021年

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-12-20 DOI: 10.5195/ct/2022.587

Cherie Zalaquett

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El oscuro sótano de los cuentos infantiles de Lina Meruane 莉娜·梅鲁安儿童故事中的黑暗地下室

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-12-20 DOI: 10.5195/ct/2022.573

Cora Requena

引用次数: 1

Cuerpo-mundo en la escritura ensayística de Diamela Eltit. Una lectura inicial Diamela Eltit散文写作中的身体世界。初步阅读

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-12-20 DOI: 10.5195/ct/2022.585

E. Hurtado, Darcie Doll

{"title":"Cuerpo-mundo en la escritura ensayística de Diamela Eltit. Una lectura inicial","authors":"E. Hurtado, Darcie Doll","doi":"10.5195/ct/2022.585","DOIUrl":"https://doi.org/10.5195/ct/2022.585","url":null,"abstract":"This article is focused on Diamela Eltit’s critical discourse present in three books: Emergencias (2000), Signos Vitales (2008) and Réplicas (2016). They comprise a variety of texts and topics and a vast diversity of primary sources, such as conferences, literary critique, art critique, forewords and book presentations, collaborations in magazines and newspapers, among others. We are interested in the representation of the body in Diamela Eltit’s essay writing, which we find anticipated, considering the current discussions revolving around corporality in contemporary theoretical exchange of points of view. We read the body from the subjectivity of the essay writer, in a style that breaks the body-mind duality, establishing a fissure which allows an intrusion in the materiality of emotions and not only in the essay construction as an instrument of thinking and knowledge. Considering that, the body in Eltit’s essay writing is presented as subject, recognition and emancipation, this proposal has been developed from the categorization of body/pain, body/market and body/social class/memory of women’s body in her writing.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83479727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Poética insurrecta. Las múltiples imágenes de un emblema rebelde en La Bandera de Chile de Elvira Hernández 诗意的榜样。Elvira hernandez的智利国旗上有多个叛军徽章的图像

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-12-20 DOI: 10.5195/ct/2022.553

Karem Pinto Carvacho

引用次数: 0

Paul Groussac: una crítica fragmentaria de autores argentinos 保罗·格鲁萨克:对阿根廷作家的零碎评论

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-12-20 DOI: 10.5195/ct/2022.552

A. Romagnoli

{"title":"Paul Groussac: una crítica fragmentaria de autores argentinos","authors":"A. Romagnoli","doi":"10.5195/ct/2022.552","DOIUrl":"https://doi.org/10.5195/ct/2022.552","url":null,"abstract":"Although Paul Groussac was suspicious of the quality of Argentine literature, since, like American literature in general, he considered it to be a mere copy of European literature, he did not cease to write about particular authors. Here we propose to gather and analyse his interventions, which are not few, dedicated to three authors: Juan B. Alberdi, Esteban Echeverría and Domingo F. Sarmiento. An exhaustive archival work is carried out, which allows us to recover not only the original versions of articles later collected, with modifications, in a book, but also unpublished works and others that until now had never been studied (an early article dedicated to Alberdi, which Groussac published in 1874 in the Tucuman newspaper La Razón, is included as an appendix). Two elements present in general in Groussac's work –his assessment of the (lack of) originality in American literature; his critical style consisting in pursuing, and sometimes in making coincide, in the same aesthetic judgement, praise and censure– are taken as axes to approach the specific operations he deploys in the reading of each of these three authors of the generation of 1837, to the extent that these recurrent themes run through the particular approaches and determine them.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"27 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81058579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Un policial contra el crimen de lo trascendente: Mario Levrero y un programa para la subversión del género 一个打击超验犯罪的警察:马里奥·莱莱罗和一个颠覆性别的节目

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-08-09 DOI: 10.5195/ct/2022.544

B. Rivadeneira

{"title":"Un policial contra el crimen de lo trascendente: Mario Levrero y un programa para la subversión del género","authors":"B. Rivadeneira","doi":"10.5195/ct/2022.544","DOIUrl":"https://doi.org/10.5195/ct/2022.544","url":null,"abstract":"We propose a critical reading of the novels Nick Carter se divierte mientras el lector es asesinado y yo agonizo (1975), La banda del ciempiés (2010) and Dejen todo en mis manos (1996), which make up the crime trilogy, by Mario Levrero. The Uruguayan builds his figure as a \"rare\" author from the use of marginalized materials and disciplines, among them, the crime fiction that goes through his writing project. However, in a strategy of dissimulation, he points out it as a type of closed and commercial literature that closes the transformation of the reader. We argue that, through parody, display of artifice, or hyperbolic variants of paranoid fiction, Levrero sets out to subvert these boundaries. The writer appropriates the crime novel to develop another search which, while dismantling the protocols of the genre, enables its possibilities of modifying the subject. Against the crime of the transcendent by modern society that deprives the subject of luminous experiences, his poetics pursues contact with the Spirit or the Unconscious, interchangeable in his worldview. He thus manifests his program that conceives writing as a therapeutic device.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83536832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0