{"title":"修复印刷文化:对传真(2014)、触摸系统(2018)、Scout(2016)和伐木工(2013)数字革命的反应","authors":"José Patricio Sullivan","doi":"10.5195/ct/2022.525","DOIUrl":null,"url":null,"abstract":"The aim of this article is to read four works from the recent Chilean literary field as a series of reflections on print culture. These novels start from the premise that print has been profoundly affected by the digital revolution. In the first part of the article, I develop a theoretical model to understand the effect of digital on print based on the concepts of remediation, materiality, and practices of print culture. I propose that the digital revolution produced a liberation and tension in the printed culture that the four novels I study reflect, and they do so from the questioning of the functions that print has historically had. Facsímil (2014), El sistema del tacto (2018), Scout and Leñador, are novels aware of their status as a physical object, and therefore use their materiality to reflect, intervene and comment on the role printed book plays in the contemporary world. The article seeks to show that printed culture in Chile is in a moment of paradigmatic change and that literature is an exceptional starting point to understand it.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"48 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Remediar la cultura impresa: reacciones a la revolución digital en Facsímil (2014), El sistema del tacto (2018), Scout (2016) y Leñador (2013)\",\"authors\":\"José Patricio Sullivan\",\"doi\":\"10.5195/ct/2022.525\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The aim of this article is to read four works from the recent Chilean literary field as a series of reflections on print culture. These novels start from the premise that print has been profoundly affected by the digital revolution. In the first part of the article, I develop a theoretical model to understand the effect of digital on print based on the concepts of remediation, materiality, and practices of print culture. I propose that the digital revolution produced a liberation and tension in the printed culture that the four novels I study reflect, and they do so from the questioning of the functions that print has historically had. Facsímil (2014), El sistema del tacto (2018), Scout and Leñador, are novels aware of their status as a physical object, and therefore use their materiality to reflect, intervene and comment on the role printed book plays in the contemporary world. The article seeks to show that printed culture in Chile is in a moment of paradigmatic change and that literature is an exceptional starting point to understand it.\",\"PeriodicalId\":40660,\"journal\":{\"name\":\"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism\",\"volume\":\"48 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-08-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5195/ct/2022.525\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5195/ct/2022.525","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章的目的是阅读最近智利文学界的四部作品,作为对印刷文化的一系列反思。这些小说的出发点是印刷业受到数字革命的深刻影响。在文章的第一部分,我基于修复、物质性和印刷文化实践的概念,建立了一个理论模型来理解数字对印刷的影响。我认为,数字革命在印刷文化中产生了一种解放和紧张,我研究的四部小说反映了这一点,它们是通过质疑印刷在历史上所具有的功能来实现的。Facsímil (2014), El sistema del tacto (2018), Scout和Leñador都是意识到自己作为物理对象地位的小说,因此使用它们的物质性来反映,干预和评论印刷书籍在当代世界中所扮演的角色。这篇文章试图表明智利的印刷文化正处于一个范式变化的时刻,而文学是理解它的一个特殊的起点。
Remediar la cultura impresa: reacciones a la revolución digital en Facsímil (2014), El sistema del tacto (2018), Scout (2016) y Leñador (2013)
The aim of this article is to read four works from the recent Chilean literary field as a series of reflections on print culture. These novels start from the premise that print has been profoundly affected by the digital revolution. In the first part of the article, I develop a theoretical model to understand the effect of digital on print based on the concepts of remediation, materiality, and practices of print culture. I propose that the digital revolution produced a liberation and tension in the printed culture that the four novels I study reflect, and they do so from the questioning of the functions that print has historically had. Facsímil (2014), El sistema del tacto (2018), Scout and Leñador, are novels aware of their status as a physical object, and therefore use their materiality to reflect, intervene and comment on the role printed book plays in the contemporary world. The article seeks to show that printed culture in Chile is in a moment of paradigmatic change and that literature is an exceptional starting point to understand it.