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Caballeriza de Rodrigo Rey Rosa. Reflexiones sobre una novela menor de un escritor mayor 罗德里戈·雷·罗莎的马厩。对一位年长作家的小小说的反思
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2023-07-26 DOI: 10.5195/ct/2023.584
Kristine Vanden Berghe
{"title":"Caballeriza de Rodrigo Rey Rosa. Reflexiones sobre una novela menor de un escritor mayor","authors":"Kristine Vanden Berghe","doi":"10.5195/ct/2023.584","DOIUrl":"https://doi.org/10.5195/ct/2023.584","url":null,"abstract":"Partimos de un juicio emitido por Rodrigo Rey Rosa sobre su novela Caballeriza (2006) para estudiarla como una novela menor de un escritor importante. Basándonos en el marco teórico propuesto por Matthieu Liouville sobre la literatura menor, analizamos la índole lúdica del texto que juega paródicamente con otros textos, especialmente con la novela fundacional y el policial de enigma. A su carácter de juego contribuye asimismo el que se presenta como una autoficción, un género lúdico por excelencia. Aunque la ligereza y la falta de relevancia de lo lúdico habrán contribuido a que el autor se distancie de su texto, por otra parte, consideramos que escribirlo puede haber sido necesario para que Rey Rosa pudiera acceder a otra etapa en su escritura, a textos mayores como El material humano (2009).","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72578132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reseña. Priscilla Gac-Artigas (ed). Colectficción. Sobrepasando los límites de la autoficción. Iberoamericana-Vervuert, 2022 回顾。普里西拉·加克-阿蒂加斯(编)。Colectficción。超越了自传体小说的界限。Iberoamericana-Vervuert, 2022
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2023-07-26 DOI: 10.5195/ct/2023.629
Mónica Barrientos
{"title":"Reseña. Priscilla Gac-Artigas (ed). Colectficción. Sobrepasando los límites de la autoficción. Iberoamericana-Vervuert, 2022","authors":"Mónica Barrientos","doi":"10.5195/ct/2023.629","DOIUrl":"https://doi.org/10.5195/ct/2023.629","url":null,"abstract":"<jats:p>Reseña</jats:p>","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85548777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cuerpo propio sobre cuerpo patrio: deporte, sexo y pertenencia en la imaginación marginal de El cuerpo en que nací, de G. Nettel 《我出生的身体的边缘想象中的运动、性和归属》，作者:G. Nettel
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2023-07-26 DOI: 10.5195/ct/2023.581
Luis Miguel Estrada Orozco
{"title":"Cuerpo propio sobre cuerpo patrio: deporte, sexo y pertenencia en la imaginación marginal de El cuerpo en que nací, de G. Nettel","authors":"Luis Miguel Estrada Orozco","doi":"10.5195/ct/2023.581","DOIUrl":"https://doi.org/10.5195/ct/2023.581","url":null,"abstract":"El cuerpo en que nací, de Guadalupe Nettel, se instala en la tradición mexicana de los textos autobiográficos que responde a lo que Claudia Gutiérrez Piña identifica como una tradición de textos desde el yo que parte con las “Autobiografías precoces” de la década de 1960, y sirven tanto como para posicionar editorialmente a autores mexicanos, como para jugar literariamente con los límites del género autobiográficos (en este caso, “autonarrativos”, como discute Cynthia Olguín). Nettel elige narrar el cuerpo propio por encima del cuerpo patrio. La forma híbrida y personal de Nettel visibiliza el cuerpo no-normativo (cuerpo femenino y discapacitado, como ha observado Lilia A. Pérez Limón); además, su observación de los cuerpos desplazados por dictaduras del Cono Sur, la crítica a la generación que vivió los movimientos sociales de las décadas de 196 y 1970, y la experiencia personal de la movilidad de clase y categoría étnica en los desplazamientos entre Francia y México de la narradora proponen la experiencia íntima y corporal por encima del discurso consitutivo del cuerpo nacional.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85597856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mujer, cuerpo, y violencia en Sumar de Diamela Eltit 《Sumar de Diamela Eltit》中的女人、身体和暴力
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-12-20 DOI: 10.5195/ct/2022.578
Patricia Espinosa Hernández
{"title":"Mujer, cuerpo, y violencia en Sumar de Diamela Eltit","authors":"Patricia Espinosa Hernández","doi":"10.5195/ct/2022.578","DOIUrl":"https://doi.org/10.5195/ct/2022.578","url":null,"abstract":"This text proposes that in the novel Sumar (2018) by Diamela Eltit, counterhegemonic practices or about resistance to power are made visible, which appears configured as an entity of political control. These counterhegemonic practices not only take place in traditionallysubversive activities, such as the protesting march, but also in the protesters' own bodies, which becomes the stage of the systemic violence. On the basis of the above, I can assert that in this novel its characters raise the utopia of emancipation to the neoliberal model, from bodies that operate as refractory signs to a patriarchal-war logic; framed in a context of defeats of doctrines and practices that in the past pointed towards a path of liberation.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"51 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74985413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Que su rostro cubra el horizonte (Delight Lab, 2018). La imagen-cuerpo como interrupción del espacio urbano 愿他的脸覆盖地平线(喜悦实验室，2018)。身体意象作为城市空间的中断
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-12-20 DOI: 10.5195/ct/2022.579
Tania Medalla Contreras
{"title":"Que su rostro cubra el horizonte (Delight Lab, 2018). La imagen-cuerpo como interrupción del espacio urbano","authors":"Tania Medalla Contreras","doi":"10.5195/ct/2022.579","DOIUrl":"https://doi.org/10.5195/ct/2022.579","url":null,"abstract":"This article explores the relationship between body and image, through the analysis of the light projection Que su rostro cubra el horizonte (2018), by the chilean art collective Delight Lab, on November 15th, 2018. This intervention is inserted in a field of contemporary photographic practices that manifest as performances. Considering the above, this article proposes to think about the relationship between the photographic image and performance practices, not only as a means of recording and circulating these actions, but also as a way of appearing the body, articulated through the reflection on the resources that, from the embodiment of the photograph, allow its displacement and the rupture of its two-dimensional format. By examining the works Huincha sin fin, by Luz Donoso, and Obra Abierta, by Hernán Parada as precedents, and the light intervention of Delight Lab, this article will outline the relationship between the trajectory of the resources of activisms, the displacement of photographic materiality, and the drifts of the body as a resource for political-aesthetic questioning, through the figure of interruption, which disrupts the experience of the city and bursts into the mechanisms of the image and the dominant gaze.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"93 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72520911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Miracle to Montage: The Interpreter Figure in the Narratives of Latin American Travelers to the New China 从奇迹到蒙太奇:拉美来华旅行者叙事中的诠释者角色
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-12-20 DOI: 10.5195/ct/2022.568
José Chávarry
{"title":"From Miracle to Montage: The Interpreter Figure in the Narratives of Latin American Travelers to the New China","authors":"José Chávarry","doi":"10.5195/ct/2022.568","DOIUrl":"https://doi.org/10.5195/ct/2022.568","url":null,"abstract":"This article analyses the role of the figure of the language interpreter in Latin American travel writing on the People’s Republic of China during the 1950s and 1960s, early decades of cultural diplomacy efforts between these regions. Through an examination of the crónica China 6 a.m. (1954), by Colombian anthropologist and writer Manuel Zapata Olivella, and the novel Los ojos de bambú (1964), by Chilean novelist Mercedes Valdivieso, this article argues that the interpreter figure, far from an invisible conduit of information, played a significant role in how Latin American travelers experienced the Chinese Revolution and negotiated their ideals of individual and collective transformation. Through the analysis of the interpretation act as an embodied, affective experience, beyond a sole cognitive transfer of meaning, Zapata and Valdivieso’s texts shed light both on the PRC’s mechanisms of soft power in Cold War geopolitical struggles, as well as the travelers’ aesthetic and political pursuits in a global context of revolution.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"70 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76236242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cuando las palabras ya no alcanzan: Dos formas del cara-a-cara en el Chile postdictatorial 当语言不够时:后独裁智利的两种面对面的方式
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-12-20 DOI: 10.5195/ct/2022.574
Alia Trabucco Zerán
{"title":"Cuando las palabras ya no alcanzan: Dos formas del cara-a-cara en el Chile postdictatorial","authors":"Alia Trabucco Zerán","doi":"10.5195/ct/2022.574","DOIUrl":"https://doi.org/10.5195/ct/2022.574","url":null,"abstract":"This paper examines two face-to-face encounters during the Chilean post-dictatorship: the “cueca sola” as a way of facing the disappeared, and the confrontation of Francisco Cuadrado Prats with the corpse of Augusto Pinochet, as an encounter with the face of the dictatorship. I examine the centrality of the face in ethical relationships, and analyze these performances and their connection to silencing, in the “cueca sola”, and to spitting as a mute but significant act when words are no longer enough.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74442621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cuerpos-mundos en crisis: resistencias estético-políticas en el Chile reciente 危机中的身体世界:最近智利的美学和政治抵抗
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-12-20 DOI: 10.5195/ct/2022.596
Alejandra Bottinelli, Darcie Doll
{"title":"Cuerpos-mundos en crisis: resistencias estético-políticas en el Chile reciente","authors":"Alejandra Bottinelli, Darcie Doll","doi":"10.5195/ct/2022.596","DOIUrl":"https://doi.org/10.5195/ct/2022.596","url":null,"abstract":"Presentación","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87048073","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hermanas abrazadas: filosofía y literatura en la profesionalización de los estudios filosóficos argentinos 拥抱姐妹:阿根廷哲学研究专业化中的哲学和文学
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-12-20 DOI: 10.5195/ct/2022.554
Natalia Bustelo
{"title":"Hermanas abrazadas: filosofía y literatura en la profesionalización de los estudios filosóficos argentinos","authors":"Natalia Bustelo","doi":"10.5195/ct/2022.554","DOIUrl":"https://doi.org/10.5195/ct/2022.554","url":null,"abstract":"The article analyzes the way in which the so-called \"antipositivist reaction\" was deployed in the Argentine philosophical field at the beginning of the twentieth century and its relationship with the politicization and professionalization of philosophy. The paper reconstructs the controversy over the definition of philosophy established by the group of young people who in 1917 founded in Buenos Aires the Colegio Novecentista and the Cuadernos (1917-1919) with whom they defended socialist scientism and met around the Journal of Philosophy and its director José Ingenieros. Inscribed in intellectual history, this reconstruction attends to the history of the book and the edition to illuminate the material channels that made possible the circulation of the antipositivist reaction and offers new information about the initial trajectory of intellectuals who were relevant both in the philosophical and literary field of twentieth-century Argentina.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79193137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cuerpos juveniles y prácticas nacionalistas: cuatro aproximaciones artísticas al caso de Colonia Dignidad 青年身体与民族主义实践:以尊严殖民地为例的四种艺术方法
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2022-12-20 DOI: 10.5195/ct/2022.572
M. A. Franken
{"title":"Cuerpos juveniles y prácticas nacionalistas: cuatro aproximaciones artísticas al caso de Colonia Dignidad","authors":"M. A. Franken","doi":"10.5195/ct/2022.572","DOIUrl":"https://doi.org/10.5195/ct/2022.572","url":null,"abstract":"During the last recent years there has been a series of intermedial works situated between the thresholds of fiction and testimony which have considered the dramatical events taken place in the German settlement of the former Colonia Dignidad (1969-1997), where systematic rape and abuse was inflicted against Germans and Chileans. That is the case of the novel Sprinters. Los niños de Colonia Dignidad (2016) by Lola Larra, the pictorial series La Colonia (2015) by Mariana Najmanovich, the stopmotion animation La casa lobo (2018) by León&Cociña, and Un lugar llamado Dignidad (2021) by Matías Rojas Valencia. In all of them a series of ‘First World’ affective imaginaries and practices are represented, such as being in contact with nature, the practice of sports and musical development, understood as a chosen space/time for education, submissiveness, and bodybuilding of docile bodies conducted by Paul Schäfer. These artistic works realised on how these allegedly childish and familiar practices hide an unsettling and contradictory reality which gave rise to the uncanny and to a German nationalist identity linked to transnational imaginaries such as Romanticism on Chilean soil.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"20 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83679858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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