Choreographic Practices最新文献_第2页

The dancing body as a living archive 作为活档案的舞蹈身体

Choreographic Practices Pub Date : 2023-06-01 DOI: 10.1386/chor_00058_3

Christelle Becholey Besson, C. Vionnet

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Enacting peripeteia in Möbius Strip: Adapting Butoh principles in mixed-media performance 在Möbius Strip中表演角角:在混合媒介表演中运用Butoh原则

Choreographic Practices Pub Date : 2023-06-01 DOI: 10.1386/chor_00056_1

Eleni Kolliopoulou

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Human / nature: Interviews with Audrey Rachelle, Kelly Todd and Isabel Umali 人类/自然:采访奥黛丽·蕾切尔、凯利·托德和伊莎贝尔·乌马利

Choreographic Practices Pub Date : 2023-06-01 DOI: 10.1386/chor_00060_7

Ilana Gilovich-Wave

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Healing Series, Performance Space New York, New York, USA, October 2022–June 2023 治愈系列，表演空间，纽约，美国纽约，2022年10月-2023年6月

Choreographic Practices Pub Date : 2023-06-01 DOI: 10.1386/chor_00059_5

Jody Oberfelder

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Choreographic Devices, Institute of Contemporary Art (ICA), London, UK, 10–12 June 2022 编舞装置，当代艺术学院(ICA)，伦敦，英国，2022年6月10-12日

Choreographic Practices Pub Date : 2022-12-01 DOI: 10.1386/chor_00053_5

Rachael Davies, J. Slater

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Making choreography, making community 制作编舞，制作社区

Choreographic Practices Pub Date : 2022-12-01 DOI: 10.1386/chor_00047_2

Simon Ellis, Amaara Raheem

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Fading out the human presence: A conversation between Barbara Stimoli, Titta Raccagni and Simon Ellis 人类的存在逐渐消失:芭芭拉·斯蒂莫利、蒂塔·拉卡尼和西蒙·埃利斯之间的对话

Choreographic Practices Pub Date : 2022-12-01 DOI: 10.1386/chor_00052_7

Simon Ellis

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Remote proximity: Making immersive dance under COVID-19 lockdown 远程接近:在COVID-19封锁下进行沉浸式舞蹈

Choreographic Practices Pub Date : 2022-12-01 DOI: 10.1386/chor_00049_1

SanSan Kwan

{"title":"Remote proximity: Making immersive dance under COVID-19 lockdown","authors":"SanSan Kwan","doi":"10.1386/chor_00049_1","DOIUrl":"https://doi.org/10.1386/chor_00049_1","url":null,"abstract":"This article chronicles the various pivots one dance ensemble, Lenora Lee Dance, made in trying to bring our dance project to fruition under the COVID-19 pandemic and after both the murder of George Floyd and the spike in anti-Asian hate in the United States between 2020 and 2021. And the Community Will Rise was intended to be an immersive, site-specific dance set throughout the courtyards, hallways and apartment interiors of the Ping Yuen public housing complex in San Francisco’s Chinatown in autumn 2020. The piece aimed to explore the lives of the residents and the history of their struggle for affordable housing and tenants’ rights, amidst a contemporary background of rising housing insecurity among communities of colour in San Francisco. We were three rehearsals into the project when COVID-19 hit the Bay Area in March 2020. This article documents our attempts to adapt And the Community Will Rise from an immersive dance to an immersive screendance. I reflect upon the various options we moved through as the pandemic wore on, as well as the questions social distancing raised for us regarding the value of home, of sociality and also the value of remote dance performance. This article offers one case study, from an insider perspective, to understand wider artistic innovations this pandemic moment has initiated.\u0000 Together they board a boat that crosses the San Francisco Bay and pulls into Angel Island. They disembark and trek the mile to the Immigration Station. An immigration officer meets them and divides them into two groups. Names are called and individuals step forward, the rest are marched into the building in two streams. One stream goes to the women’s dormitory where earlier detainees are already settled; a man in a white medical coat enters and calls more names; these women are ushered to the medical examination room, the showers and the interrogation office. The new arrivees follow behind.","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46521054","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

circling, tumbling, dancing around: Back pieces 绕圈、翻滚、跳舞

Choreographic Practices Pub Date : 2022-12-01 DOI: 10.1386/chor_00048_1

Katrina Brown

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On the table: An open invitation 摆在桌面上的:公开邀请

Choreographic Practices Pub Date : 2022-12-01 DOI: 10.1386/chor_00050_3

Caitlin Dear, Ebony Muller

{"title":"On the table: An open invitation","authors":"Caitlin Dear, Ebony Muller","doi":"10.1386/chor_00050_3","DOIUrl":"https://doi.org/10.1386/chor_00050_3","url":null,"abstract":"In this text, we propose the table as a choreographic and discursive tool that enables fruitful, collective exploration of artistic material. Through poetics, essay and scores, we share our project On the Table (OTT) – a format for artistic exchange and collaboration. We, Caitlin and Ebony, co-developed the OTT format in Naarm (Melbourne, Australia), where it runs as a programme of regular sessions out of Dancehouse. Each is hosted by a different artist who puts something ‘on the table’ for everyone who attends to explore together. This can be any manner of provocation, meaning sessions take disparate forms, ranging from workshops and in-progress showings to open artistic explorations and collaborative research. Hosts come from various forms of dance, approaches to bodily practice and relationships to movement. We platform artists who work with dance in combination with other fields, which have included those working within martial arts, game design, science and therapy. People from these fields or with thematic interests in a session are encouraged to attend regardless of movement experience. Our practice enables everyone in the room to contribute towards and shape the session’s explorations. The aim is for an unconventional array of people to work synergistically, from their varied points of interest and differing levels of expertise. Although the format is applicable beyond a dance or choreographic context, it centres around collective, embodied encounters. In this text, we extend an open invitation to readers to borrow from our practice or initiate their own satellite OTT events.","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44528237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0