制作编舞，制作社区

IF 0.2 0 DANCE

Choreographic Practices Pub Date : 2022-12-01 DOI:10.1386/chor_00047_2

Simon Ellis, Amaara Raheem

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引用次数: 0

摘要

Amaara和Simon是编舞家，他们与Dani Abulhawa和Lee Miller共同编辑编舞实践。在这篇社论中，他们探讨了制作社区和编舞实践之间的关系，以及它如何帮助我们重新思考作者和权威的本质。他们谈论了自己最好的动作，也引用了苏菲·斯特兰德、米兰达·塔夫内尔和d·h·劳伦斯的作品和实践，提出作为一名艺术家可能比“这是我做的东西”中的第一人称代词要重要得多。

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Making choreography, making community

Amaara and Simon are choreographers who co-edit Choreographic Practices (along with Dani Abulhawa and Lee Miller). In this editorial they peer into the relationship between making community and practices of choreography and how it might help us rethink the nature of authorship and authority. They talk about their best moves and also call on the work and practices of Sophie Strand, Miranda Tuffnell and D. H. Lawrence to propose that being an artist might be so much more than the first-person pronoun in ‘here’s something I made’.

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来源期刊

Choreographic Practices DANCE-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.