{"title":"人类的存在逐渐消失:芭芭拉·斯蒂莫利、蒂塔·拉卡尼和西蒙·埃利斯之间的对话","authors":"Simon Ellis","doi":"10.1386/chor_00052_7","DOIUrl":null,"url":null,"abstract":"This is a conversation between Italian artists Barbara Stimoli and Titta Raccagni with Choreographic Practices’ co-editor Simon Ellis. The discussion begins with how Barbara and Titta began working together, and then focuses on the development and various iterations of their work Pleasure Rocks.","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Fading out the human presence: A conversation between Barbara Stimoli, Titta Raccagni and Simon Ellis\",\"authors\":\"Simon Ellis\",\"doi\":\"10.1386/chor_00052_7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This is a conversation between Italian artists Barbara Stimoli and Titta Raccagni with Choreographic Practices’ co-editor Simon Ellis. The discussion begins with how Barbara and Titta began working together, and then focuses on the development and various iterations of their work Pleasure Rocks.\",\"PeriodicalId\":40658,\"journal\":{\"name\":\"Choreographic Practices\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Choreographic Practices\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/chor_00052_7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"DANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Choreographic Practices","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/chor_00052_7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
Fading out the human presence: A conversation between Barbara Stimoli, Titta Raccagni and Simon Ellis
This is a conversation between Italian artists Barbara Stimoli and Titta Raccagni with Choreographic Practices’ co-editor Simon Ellis. The discussion begins with how Barbara and Titta began working together, and then focuses on the development and various iterations of their work Pleasure Rocks.
期刊介绍:
Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.