On the table: An open invitation

IF 0.2 0 DANCE
Caitlin Dear, Ebony Muller
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引用次数: 0

Abstract

In this text, we propose the table as a choreographic and discursive tool that enables fruitful, collective exploration of artistic material. Through poetics, essay and scores, we share our project On the Table (OTT) – a format for artistic exchange and collaboration. We, Caitlin and Ebony, co-developed the OTT format in Naarm (Melbourne, Australia), where it runs as a programme of regular sessions out of Dancehouse. Each is hosted by a different artist who puts something ‘on the table’ for everyone who attends to explore together. This can be any manner of provocation, meaning sessions take disparate forms, ranging from workshops and in-progress showings to open artistic explorations and collaborative research. Hosts come from various forms of dance, approaches to bodily practice and relationships to movement. We platform artists who work with dance in combination with other fields, which have included those working within martial arts, game design, science and therapy. People from these fields or with thematic interests in a session are encouraged to attend regardless of movement experience. Our practice enables everyone in the room to contribute towards and shape the session’s explorations. The aim is for an unconventional array of people to work synergistically, from their varied points of interest and differing levels of expertise. Although the format is applicable beyond a dance or choreographic context, it centres around collective, embodied encounters. In this text, we extend an open invitation to readers to borrow from our practice or initiate their own satellite OTT events.
摆在桌面上的:公开邀请
在本文中,我们建议将表格作为一种舞蹈和话语工具,使人们能够对艺术材料进行富有成效的集体探索。通过诗学、散文和分数,我们分享我们的项目“餐桌上”(OTT)——一种艺术交流和合作的形式。我们,Caitlin和Ebony,在Naarm(澳大利亚墨尔本)共同开发了OTT格式,在那里它作为一个在Dancehouse之外的定期会议项目运行。每一个都由不同的艺术家主持,他们会把一些东西“摆在桌子上”,让每个参加的人一起探索。这可以是任何形式的挑衅,意味着会议采取不同的形式,从研讨会和正在进行的展览到开放的艺术探索和合作研究。主持人来自各种形式的舞蹈,身体练习的方法和运动的关系。我们是将舞蹈与其他领域相结合的平台艺术家,包括那些在武术、游戏设计、科学和治疗领域工作的艺术家。无论运动经验如何,都鼓励来自这些领域或对会议有主题兴趣的人参加。我们的实践使会议室里的每个人都能为会议的探索做出贡献并形成探索。其目的是让一批非传统的人从不同的兴趣点和不同的专业水平协同工作。尽管这种形式适用于舞蹈或舞蹈背景之外,但它以集体的、具体化的遭遇为中心。在本文中,我们公开邀请读者借鉴我们的实践或发起他们自己的卫星OTT活动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
9
期刊介绍: Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.
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