Human / nature: Interviews with Audrey Rachelle, Kelly Todd and Isabel Umali

IF 0.2 0 DANCE

Choreographic Practices Pub Date : 2023-06-01 DOI:10.1386/chor_00060_7

Ilana Gilovich-Wave

引用次数: 0

Abstract

In this piece, I interview three dancers and choreographers – Audrey Rachelle, Kelly Todd and Isabel Umali – about their recent works on sustainability and climate change. All three dancers share a background in immersive theatre, having performed in Punchdrunk’s Sleep No More for many years. Their accounts illustrate a productive application of immersive theatre sensibilities and choreographic practices onto issues of sustainability and environmental justice. Rachelle, Todd and Umali’s pieces are borne out of a heedful relationship with their particular surroundings, as well as a thoughtful engagement with their audiences. This piece seeks to bring critical attention to new works while considering the productive intersection of immersive techniques and ecologically minded choreographic endeavours.

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人类/自然:采访奥黛丽·蕾切尔、凯利·托德和伊莎贝尔·乌马利

在这篇文章中，我采访了三位舞者和编舞——奥黛丽·蕾切尔、凯利·托德和伊莎贝尔·乌马利——关于他们最近关于可持续发展和气候变化的作品。这三位舞者都有沉浸式戏剧的背景，在Punchdrunk的《Sleep No More》中表演了多年。他们的叙述说明了沉浸式戏剧情感和编舞实践在可持续性和环境正义问题上的富有成效的应用。蕾切尔、托德和乌马利的作品源于他们与特定环境的密切关系，以及与观众的深思熟虑。这件作品旨在将批判性的注意力带到新作品上，同时考虑到沉浸式技术和生态意识的编舞努力的富有成效的交集。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Choreographic Practices DANCE-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.