Gorga : Jurnal Seni Rupa最新文献

{"title":"PERANCANGAN TINY HOUSE DENGAN METODE PARTICIPATORY DESIGN","authors":"Maharani Ayu Bening Pratiwi","doi":"10.24114/gr.v12i1.42884","DOIUrl":"https://doi.org/10.24114/gr.v12i1.42884","url":null,"abstract":"The increase in population in the city of Yogyakarta is now unavoidable. There are many factors that cause an increase in population in the city of Yogyakarta, one of which is the movement of people who live in villages to choose to live in cities. In addition, the City of Yogyakarta itself has quite a strong attraction, supported by the title Student City, and there are various tours that are offered. This phenomenon is also known as the flow of urbanization, where one of the impacts of this phenomenon is the limited land for a dwelling. This study aims to designtiny house which focuses on rooms in a dwelling and optimizing a residential area in an urban area. This study uses qualitative methods andparticipatory design which involved 7 participants with different backgrounds, then didbrainstorming to generate ideas in the design process. The concept raised isopen  plan or often referred to as open space and the absence of partitions in each space. Color shcame colors are usedsoft and usefurniture Whichsimple. In addition, this design will be tested in the community to obtainfeedback. The design results are in the form of a 3d perspective design, whereoutput produced will be tested usinggoogle form to design users, then re-evaluated to suit design users. Design planningtiny house This is expected to provide a solution to any space requirements (priority) in a dwelling with limited land.Keywords: planning, tiny house, participatory design. AbstrakPeningkatan penduduk di Kota Yogyakarta saat ini tidak bisa dihindari lagi. Banyaknya faktor yang menjadi penyebab peningkatan penduduk di Kota Yogyakarta, salah satunya dengan adanya perpindahan penduduk yang tinggal didesamemilih untuk tinggal di kota. Selain itu, Kota Yogyakarta sendiri mempunyai daya tarik yang cukup kuat, didukung dengan adanya sebutan Kota Pelajar, dan terdapat beragam wisata yang disuguhkan. Fenomena ini juga dikenal dengan arus urbanisasi, dimana dampak dari fenomena ini salah satunya yaitu terbatasnya lahan suatu hunian. Penelitian ini bertujuan untuk merancang tiny house yang berfokus pada ruangan didalam suatu hunian dan pengoptimalan suatu lahan hunian diarea perkotaan. Penelitian ini menggunakan metode kualitatif dan participatory design yang melibatkan 7 partisipan dengan latar belakang yang berbeda-beda, kemudian melakukan brainstorming untuk mengeluarkan ide dalam proses perancangan. Konsep yang diangkat yaitu open  plan atau sering disebut juga dengan ruang terbukadan tidak adanya sekat disetiap ruangnya. Color shcame yang digunakan berupa warna-warna soft dan penggunaan furniture yang simple. Selain itu rancangan ini akan di tes di masyarakat guna mendapatkan feedback. Hasil desain berupa rancangan 3d prespektif, dimanaoutput yang dihasilkan akan diuji menggunakan google form kepada pengguna desain, kemudian dievaluasi kembaliuntuk menyesuaikan pengguna desain. Perancangan desain tiny house ini diharapkan akan memberikan solusi kebutuhan ruang apa saja (prioritas) didala","PeriodicalId":405999,"journal":{"name":"Gorga : Jurnal Seni Rupa","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115622625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KARAKTERISTIK PATUNG MONUMEN DAN TUGU DI KOTA MEDAN","authors":"Tetty Mirwa, Sugito Sugito, Khaerul Saleh, Nelson Tarigan","doi":"10.24114/gr.v12i1.38907","DOIUrl":"https://doi.org/10.24114/gr.v12i1.38907","url":null,"abstract":"This research was conducted to explore the works of monuments in the city of Medan. This study aims to reveal, explain and document the works of monuments and monuments. Related to this, this research is also: (1) to find out in real terms the techniques, materials of manufacture, visualization of ideas, shape characteristics, and layout arrangements in terms of the observer's perspective on the art of sculpture, monuments, and monuments, (2) to produce teaching materials for Sculpture. with local content in the Department of Fine Arts at the State University of Medan. The study was conducted on a population and a sample of 3 works. Data were collected by using the methods of observation, documentation, and questionnaires. Data analysis was used descriptively and qualitatively with the type of taxonomic analysis. The results of the analysis and discussion conclude that the meaning of monumental sculpture in the city of Medan expresses the value of state ideology, history, and culture. The meaning is contained in the shape, color, size of the material, and the location of the work which is based on the philosophy of Pancasila, the history of struggle, and the culture of the Indonesian nation. While the techniques used were the grain technique and cast iron reinforced concrete, the techniques were also modeling (printing), then the materials used were cement, concrete, and bronze. The average visualization of the work displayed human figures, while the monument displayed rectangular concrete objects towering upwards.Keywords: statues, monuments, teaching materials. AbstrakPenelitian ini dilakukan untuk mendalami tentang karya patung monumen dan tugu yang terdapat di Kota Medan. Penelitian ini bertujuan untuk mengungkapkan, menjelaskan, dan mendokumentasikan karya patung monumen dan tugu. Terkait hal ini, penelitian ini juga adalah: (1) mengetahui secara nyata teknik, bahan pembuatan, visualisasi ide, karakteristik bentuk, pengaturan tata letak ditinjau dari perspektif pengamat pada seni patung monumen dan tugu, (2) menghasilkan bahan ajar Seni Patung yang bermuatan lokal pada Jurusan Seni Rupa di Universitas Negeri Medan. Penelitian dilakukan terhadap populasi dan 3 sampel karya. Pengumpulan data dilakukan dengan menggunakan metode observasi, dokumentasi dan kuesioner. Analisis data digunakan secara deskriptif kualitatif dengan jenis analisis taksonomi. Hasil analisis dan pembahasan menyimpulkan bahwa makna karya seni patung monumen di Kota Medan mengungkapkan nilai pada ideologi negara, sejarah dan budaya. Makna tersebut terkandung pada bentuk, warna, ukuran, bahan dan lokasi karya yang berlandaskan pada falsafah Pancasila, sejarah perjuangan dan budaya bangsa Indonesia. Sedangkan teknik yang digunakan adalah teknik butsir, cor beton bertulang besi, juga teknik modelling (cetak), selanjutnya bahan yang digunakan rata-rata semen beton dan ada perunggu. Rata-rata visualisasi karya menampilkan sosok/figur manusia, sedangkan tugu menampilkan benda ben","PeriodicalId":405999,"journal":{"name":"Gorga : Jurnal Seni Rupa","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133863787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PERANCANGAN ULANG IDENTITAS VISUAL SEBUAH USAHA ELEKTRONIK RUMAH TANGGA","authors":"Michelle Angela Cuaca, Jayanto Ginon Warjoyo, Budi Darmo","doi":"10.24114/gr.v12i1.43358","DOIUrl":"https://doi.org/10.24114/gr.v12i1.43358","url":null,"abstract":"Technology is inevitable and people cannot be separated from the use of technology such as electronic devices to support their daily lives. The need for household electronic equipment has increased, resulting in intense competition between electronic businesses. CV. Sumber Jaya Electro is one of the household electronic businesses that has a new vision to develop the business by opening several branches but this business has problems in visual identity that does not present an electronic shop and the logo has not been changed for a long time which results in the logo being outdated. This design aims to produce a visual identity that is able to present electronic stores well. The design process implements Robin Landa's 5 design stages with data collection techniques through interviews, literature, questionnaires, and observations. The creative concept in this design focuses on producing visuals that are able to reflect electronic stores. The result of the design is a visual identity with a minimalist and modern look arranged in GSM (Graphic Standard Manual) with several other media applications.Keywords: graphic standard manual, visual identity. AbstrakTeknologi adalah hal yang tidak bisa dihindari dan masyarakat tidak lepas dari penggunaan teknologi seperti alat elektronik untuk menunjang kesehariannya. Kebutuhan peralatan elektronik rumah tangga pun meningkat dan mengakibatkan persaingan ketat antar usaha elektronik. CV. Sumber Jaya Electro adalah salah satu usaha elektronik rumah tangga yang memiliki visi baru untuk mengembangkan bisnis dengan membuka beberapa cabang tetapi usaha ini memiliki permasalahan dalam identitas visual yang kurang merepresentasikan toko elektronik dan logo sudah lama tidak mengalami perubahan yang mengakibatkan logo tertinggal zaman. Perancangan ini bertujuan untuk menghasilkan identitas visual yang mampu mempresentasikan toko elektronik dengan baik. Proses perancangan mengimplementasikan 5 tahapan desain Robin Landa dengan teknik pengumpulan data melalui wawancara, kepustakaan, kuesioner, dan observasi. Konsep kreatif dalam perancangan ini berfokus untuk menghasilkan visual yang mampu mencerminkan toko elektronik. Hasil perancangan berupa identitas visual dengan tampilan yang minimalis dan modern yang tersusun dalam GSM (Graphic Standard Manual) dengan beberapa penerapan media lainnya.Kata Kunci: graphic standard manual, identitas visual. Authors:Michelle Angela Cuaca : Universitas TarumanagaraJayanto Ginon Warjoyo : Universitas TarumanagaraBudi Darmo : Universitas Tarumanagara References:Calvalie, F. J., Warjoyo, J. G., Harjani, P. I. (2021). Perancangan Ulang Identitas Visual dari Sebuah UMKM Produk Kue di Tangerang. Rupaka, 4(1), 48-55. https://doi.org/10.24912/rupaka.v4i1.16766Hanum, A., Azani, B., Purnomo, E., & Zaim, R. A. (2022). Perancangan Kemasan Rakik Mak Nis. Gorga: Jurnal Seni Rupa, 11(2), 379-386.    https://doi.org/10.24114/gr.v11i2.38317Kotler, & Keller. (2009). In Manajemen Pemasaran Jilid I Edisi 13.","PeriodicalId":405999,"journal":{"name":"Gorga : Jurnal Seni Rupa","volume":"176 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132824621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"STUDI TENTANG SERAGAM SEKOLAH SISWA DI SMA NEGERI 2 KECAMATAN RANAH PESISIR","authors":"Oriza Sativa, Adriani Adriani","doi":"10.24114/gr.v12i1.42784","DOIUrl":"https://doi.org/10.24114/gr.v12i1.42784","url":null,"abstract":"This research uses a qualitative research approach. The type of research used is qualitative descriptive research. Data sources are primary data and secondary data. Data collection techniques are observation, interviews, and documentation. Data analysis techniques are data collection, data presentation, and drawing conclusions. The validity of the data is tested by using data triangulation. The informants in this study totaled 11 people including the Principal, Vice Student Affairs, Prov. Education Office. West Sumatra, and Learners. Based on the results of this study, it can be concluded that the model, complements, and attributes of national school uniforms in SMA N 2 Coastal Domain District are not well implemented in accordance with the regulations of the Permendikbudristek RI No. 50 of 2022. This can be proven by the lack of understanding of the school regarding the implementation of the regulation of the Permendikbudristek RI No. 50 of 2022 concerning national school uniforms where the school still follows the previous school uniform regulations at the school without looking at the latest rules that have been regulated in the Permendikbudristek RI No. 50 of 2022 so that based on observations from 30 students and interviews with students, on average, it shows that in general more than half of the  Students do not apply these rules from either model, complements and incomplete attributes in their use.Keywords: study, school uniform, student.AbstrakPenelitian ini menggunakan pendekatan penelitian kualitatif. Jenis penelitian yang digunakan  adalah penelitian deskriptif kualitatif. Sumber data berupa data primer dan data sekunder. Teknik pengumpulan data adalah observasi, wawancara, dan dokumentasi. Teknik analisis data yaitu pengumpulan data, penyajian data, dan penarikan kesimpulan. Keabsahan data diuji dengan menggunakan triangulasi data. Adapun informan dalam penelitian ini berjumlah 11 orang meliputi Kepala Sekolah, Wakil Kesiswaan, Dinas Pendidikan Prov. Sumbar, dan Peserta Didik. Berdasarkan hasil penelitian ini, maka dapat disimpulkan bahwa model, pelengkap, dan atribut seragam sekolah nasional di SMA N 2 Kecamatan Ranah Pesisir kurang diimplementasikan dengan baik sesuai dengan aturan Permendikbudristek RI No. 50 Tahun 2022. Hal tersebut dapat dibuktikan  dari kurangnya pemahaman pihak sekolah terkait implementasi peraturan Permendikbudristek RI No. 50 Tahun 2022 tentang seragam sekolah nasional yang mana pihak sekolah masih mengikuti peraturan seragam sekolah terdahulu di sekolah tersebut tanpa melihat aturan terbaru yang sudah diatur dalam Permendikbudristek RI No. 50 Tahun 2022 sehingga berdasarkan observasi dari 30 orang siswa dan wawancara dengan siswa rata-rata menunjukkan pada umumnya lebih dari setengah siswa tidak menerapkan aturan tersebut baik dari model, pelengkap dan atribut yang tidak lengkap dalam pemakaiannya.Kata Kunci: studi, seragam sekolah, siswa.Authors:Oriza Sativa : Universitas Negeri PadangAdriani : Universitas ","PeriodicalId":405999,"journal":{"name":"Gorga : Jurnal Seni Rupa","volume":"36 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129547390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KAJIAN PERTUNJUKAN MUSIK IRINGAN TARI JOGI DI SANGGAR WARISAN PANTAI BASRI PULAU PANJANG BATAM KEPULAUAN RIAU","authors":"Joel Franky Situmeang, Agusti Efi","doi":"10.24114/gr.v12i1.42331","DOIUrl":"https://doi.org/10.24114/gr.v12i1.42331","url":null,"abstract":"This research is a case study of musical performance in the Basri Heritage Beach Group or SWPB. Where SWPB always promotes and performs Jogi music. Jogi is a music and dance performance that tells the story of a wife who is left by her husband when she goes to sea. The form of a musical performance entitled \"Ari Dunie Jogi.\" Jogi music is included in two parts consisting of 1) Dondang with musical accompaniment of the inang rhythm, and 2) Dances with musical accompaniment of Joget silat. The purpose of this research is to study the musical performances of the Basri Beach Heritage Sanggar, whose musical performances have never been studied. This research is a qualitative analytic description, while the research methods are field observations, interviews, literature studies, and participant observers. The result of the research is the success of the musical performances of the Basri Beach Heritage Studio through the stages of the training process, performance flying hours, and performance evaluation for the progress of the Basri Beach Heritage Studio. This procession was born through discussions and agreements among fellow musicians so that the sustainability and sustainability of the Basri Beach Heritage Studio group was established.Keywords: music, performance, study, jogi.AbstrakPenelitian ini merupakan kajian pertunjukan musik studi kasus pada kelompok Sanggar Warisan Pantai Basri atau SWPB. Di mana SWPB selalu mempromosikan dan mempertunjukkan musik Jogi. Jogi merupakan pertunjukan musik dan tari yang bercerita istri yang ditinggal suami saat pergi melaut. Bentuk pertunjukan musik berjudul “Ari Dunie Jogi.” Musik Jogi termasuk pada musik dua bagian yang terdiri dari, 1) dondang dengan musik iringan rentak inang, dan 2) tarian dengan musik iringan rentak Joget silat. Tujuan penelitian ini adalah untuk mengkaji pertunjukan musik Sanggar Warisan Pantai Basri yang belum pernah dikaji pertunjukan musiknya. Penelitian ini berupa kualitatif deskripsi analitik, adapun metode penelitiannya adalah pengamatan lapangan, wawancara, studi literatur, dan partisipan observer. Hasil dari penelitian adalah bahwa keberhasilan pertunjukan musik Sanggar Warisan Pantai Basri melalui tahapan-tahapan proses latihan, jam terbang pertunjukan, dan evaluasi pertunjukan untuk kemajuan Sanggar Warisan Pantai Basri. Prosesi ini lahir melalui diskusi dan kesepakatan di antara sesama pemusik, sehingga terjalin keberlangsungan dan kebertahanan kelompok Sanggar Warisan Pantai Basri.Kata Kunci: kajian, pertunjukan, musik, jogi. Authors:Joel Franky Situmeang : Universitas Negeri PadangAgusti Efi : Universitas Negeri Padang References:Abdullah, A. (2021). “Pola Penganak dan Pola Pengibu Pada Musik Jogi”. Hasil Wawancara Pribadi: 12 April 2021, Taman Dendang Melayu  Jembatan 1 Barelang.Cook, N. (2001). Between Process and Product: Music and/as Performance. Music Theory Online, 7(2), 1-31.Merriam, A. P. (1964). Antropologi Musik. Yogyakarta: Institut Seni Indonesia Yogyakarta.Normah","PeriodicalId":405999,"journal":{"name":"Gorga : Jurnal Seni Rupa","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124075619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PUZZLE SEBAGAI SUMBER INSPIRASI PENCIPTAAN MOTIF BATIK","authors":"Marlinda Evitania Pasaribu, Wahyu Tri Atmojo","doi":"10.24114/gr.v12i1.39438","DOIUrl":"https://doi.org/10.24114/gr.v12i1.39438","url":null,"abstract":"This study aims to determine the process of creating puzzle batik motifs on shawls and batik wall hangings, produce creativity and quality of creation in works, and find out how to create interesting batik puzzle motifs. With the development of fashion styles in the current era of globalization, batik has become a little neglected, where something that is attractive to the eye will be seen more, especially among teenagers to adults. Basically, batik motifs are designed only with traditional culture in mind, so the problem arises of creating new motifs with puzzle objects as batik motifs in the stimulus process for creating works. accompanied by a more modern look. The method used is the creation method. There are 10 works produced by applying simple assessment indicators in analyzing works. The aspects of the assessment indicators examined in this study are work creativity; variations of ideas, uniqueness of motifs, stylization, additional motifs, then the quality of the work, aesthetic value (unity, dominance, balance), function value, coloring, and combination of motifs. The results of the study showed that overall the batik puzzle work received category A as a result of the recapitulation of the assessments carried out by 3 assessors.Keywords: puzzle, motif, batik.AbstrakPenelitian ini bertujuan untuk mengetahui proses penciptaan motif batik puzzle pada kain selendang dan hiasan dinding batik, menghasilkan kreatifitas dan kualitas ciptaan pada karya serta untuk mengetahui cara mewujudkan batik motif puzzle yang menarik. Dengan perkembangan style fashion diera Globalisasi saat ini mengakibatkan batik menjadi sedikit terabaikan, dimana sesuatu yang menarik dimata akan lebih dipandang terkhususnya dikalangan remaja hingga dewasa. Pada dasarnya motif batik yang dirancang hanya dengan budaya tradisional, sehingga timbul permasalahan untuk menciptakan motif baru dengan objek puzzle sebagai motif batik dalam proses stimulus penciptaan karya hal ini dikarenakan bahwa puzzle mampu dijadikan sebagai motif batik yang menarik dengan ciri khasnya yang memperlihatkan warna yang beragam tentunya disertai dengan tampilan yang lebih modern.  Metode yang digunakan adalah metode penciptaan karya. Karya yang dihasilkan sebanyak 10 karya dengan menerapkan indikator penilaian sederhana dalam menganalisis karya. Aspek pada indikator penilaian yang diteliti dalam penelitian ini yaitu kreatifitas karya; variasi ide, keunikan bentuk motif, stilasi, dan motif tambahan, selanjutnya kualitas karya, nilai estetik (unity, dominance, balance), nilai fungsi, pewarnaan dan kombinasi letak motif. Hasil penelitian menunjukan bahwa secara keseluruhan karya batik motif puzzle memperoleh kategori A sebagai hasil rekapitulasi penilaian yang dilakukan oleh 3 penilai.Kata Kunci: puzzle, motif, batik. Authors:Marlinda Evitania Pasaribu : Universitas Negeri MedanWahyu Tri Atmojo : Universitas Negeri Medan References:Atmojo, W. T. (2013). Penciptaan Batik Melayu Sumatera Utara. Panggung,","PeriodicalId":405999,"journal":{"name":"Gorga : Jurnal Seni Rupa","volume":"28 16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116875467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PRODUK CENDERAMATA BERBASIS BENTUK IKONIK KOTA MEDAN MENGGUNAKAN BAHAN TEPUNG CLAY","authors":"Rosnani Cs, Z. Zulkifli","doi":"10.24114/gr.v11i2.39249","DOIUrl":"https://doi.org/10.24114/gr.v11i2.39249","url":null,"abstract":"The city of Medan as the center of government as well as the capital of North Sumatra has an iconic shape that can be developed into three-dimensional souvenir products, such as the shape of historic buildings, past transportation, typical food, and also traditional clothing. However, the iconic forms of the city of Medan are still under-explored to be developed as a reference for three-dimensional souvenir products. This creation aims to examine the potential of the iconic forms of the city of Medan that can be developed as a reference for three-dimensional souvenir products using clay flour. The creation method used refers to Graham Wallas' theory of creativity, where the creation process starts from preparation, incubation, illumination and verification. The results of the creation in the form of souvenir products made from clay are five, each work entitled clay post office, clay water tower, clay bentor Medan, clay mie gomak, and clay malay wedding couple doll. Overall, the results of the creation show that the iconic shapes of the city of Medan have great potential to be used as references in the creation of clay souvenir products that are original, have aesthetic qualities, and are exclusive as tourism souvenirs.Keywords: iconic shapes, souvenir products, clay. AbstrakKota Medan sebagai pusat pemerintahan sekaligus ibu kota Sumatera Utara memiliki bentuk ikonik yang dapat dikembangkan menjadi produk cenderamata tiga dimensional, seperti bentuk bangunan bersejarah, transportasi masa lalu, makanan khas, dan juga busana tradisional. Namun, bentuk-bentuk ikonik kota Medan masih kurang dieksplor untuk dikembangkan sebagai rujukan produk cenderamata tiga dimensional. Penciptaan ini bertujuan untuk mengkaji potensi bentuk-bentuk ikonik kota Medan yang dapat dikembangkan sebagai rujukan produk cenderamata tiga dimensional menggunakan bahan tepung clay. Metode penciptaan yang digunakan mengacu pada teori kreativitas Graham Wallas, dimana proses penciptaan dimulai dari persiapan (preparation), inkubasi (incubation), illuminasi (illumination) dan verifikasi (verivication). Hasil penciptaan berupa produk cenderamata berbahan clay yaitu sebanyak lima, masing-masing karya berjudul clay post office, clay water tower, clay bentor Medan, clay mie gomak, dan clay malay wedding couple doll. Secara keseluruhan, hasil penciptaan menunjukkan bahwa bentuk-bentuk ikonik kota Medan memiliki potensi besar dijadikan rujukan dalam penciptaan produk cenderamata berbahan clay yang orisinal, memiliki kualitas estetis, eksklusif sebagai cenderamata pariwisata.Kata Kunci: bentuk ikonik, produk cenderamata, clay. Authors:Rosnani CS : Universitas Negeri MedanZulkifli : Universitas Negeri Medan References:Bangun, N. B., & Silaban, B. (2017). Analisis Cenderamata Kerajinan Ukir Kayu Di Pasar Buah Berastagi Ditinjau Dari Prinsip-Prinsip Desain. Gorga: Jurnal Seni Rupa, 6(2), 125-140.Budiman, K. (2011). Semiotika Visual: Konsep, Isu, dan Problem Ikonisitas. Yogyakarta: Jalasutra","PeriodicalId":405999,"journal":{"name":"Gorga : Jurnal Seni Rupa","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132441067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MAKNA MOTIF BATIK DI KABUPATEN SOLOK SELATAN STUDI KASUS PADA SANGGAR AZYANU BATIK 1000 RUMAH GADANG","authors":"Sri Zulfia Novrita, M. Pratiwi","doi":"10.24114/gr.v11i2.39652","DOIUrl":"https://doi.org/10.24114/gr.v11i2.39652","url":null,"abstract":"Sanggar Azyanu Batik 1000 Rumah Gadang is a batik handicraft business in Lundang village, Sungai Pagu District, South Solok Regency. Batik 1000 Rumah Gadang, both in terms of the name, shape of the motif and the meaning of batik motif there are still many people who do not know about it, due to a lack of information about the shape of the batik motif. Therefore, this study aimed to describe the study of meaning of the batik motif 1000 Rumah Gadang. This research used qualitative methods, data sources were primary and secondary data obtained from observation, interviews and documentation. The results of the research on the meaning of batik motifs had various meanings, namely: 1) gerbang nagari 1000 rumah gadang motif  means to be suave or good 2) bungo rancak di nagari 1000 rumah gadang motif  means beauty 3) semarak nigari 1000 rumah gadang motif  means festive, beautiful and magnificent 4) rangkiang motif in tangah rimbo means symbolizes prosperity and abundance of treasures 5) rusa di nagari nagari 1000 rumah gadang motif means the nature and attitude of a leader 6)burung merak dan rembulan motif means traits and attitudes one in leading 7) carano motif has the meaning of respect 8) daun balimbiang wuluh motif means to use the plants in our environment 9) Menara songket motif means advice 10) tanduak kabau motif means the symbol of respect 11) daun siriah motif means simplicity 12) mahkota motif means a leader who has power.Keywords: craft, batik, meaning, motifs. AbstrakSanggar Azyanu Batik 1000 Rumah Gadang ialah berupa usaha dalam segi kerajinan membatik yang ada di desa Lundang, kecamatan Sungai Pagu, Kabupaten Solok Selatan. Batik 1000 Rumah Gadang, dari segi nama, bentuk motif dan makna motif batik masih banyak masyarakat yang belum mengetahui, dikarenakan kurangnya informasi tentang bentuk motif batik tersebut. Oleh karena itu, penelitian ini bertujuan mendeskripsiskan sebuah kajian untuk makna motif batik 1000 Rumah Gadang. Penelitian ini menggunakan metode kualitatif, sumber data berupa data primer dan sekunder yang diperoleh dari observasi, wawancara, dan dokumentasi, kemudian teknik analisis data yang dipakai yaitu model Miles and Huberman yaitu: pengumpulan data, reduksi data (data reduction), penyajian data, dan menarik kesimpulan. Selanjutnya hasil dari penelitian menunjukan bahwa terdapat berbagai makna motif batik yaitu: 1) gerbang nagari 1000 rumah gadang bermaknakan bersikap ramah tamah atau baik 2) motif bungo rancak di nagari 1000 rumah gadang bermakna kecantikan 3) motif semarak nagari 1000 rumah gadang bermakna meriah, elok dan megah 4) motif rangkiang di tangah rimbo bermakna melambangkan suatu kemakmuran dan kelimpahan harta 5) motif rusa di nagari 1000 rumah gadang motif ini bermakna sifat dan sikap sosok seorang pemimpin 6) motif burung merak dan rembulan bermakna sifat dan sikap seorang dalam memimpin 7) motif carano memiliki makna penghormatan 8) motif daun balimbiang wuluh bermakna memanfaatkan tumbuhan dilingkungan","PeriodicalId":405999,"journal":{"name":"Gorga : Jurnal Seni Rupa","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127118802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MENGGAMBAR ILUSTRASI KARTUN DENGAN TEKNIK SCRIBBLE","authors":"Anisatul Masruroh, Adek Cerah Kurnia Azis","doi":"10.24114/gr.v11i2.39108","DOIUrl":"https://doi.org/10.24114/gr.v11i2.39108","url":null,"abstract":"Keywords: abillity, drawing illustration, scribble technique. AbstrakPermasalahan bermula pn latihan menggambar sehingga siswa tidak terampil. Penelitian ini dilakukan untuk mengetahui  peningkatan kemampuan siswa menggambar  mpakan siswa kelas VIII SMP Negeri 2 Simpang Kiri Kota Subulussaokumentasi. Analisis data menggunakan deskriptif kuantitatif menggunakan statistik uji T. Berdasarkan hasil dari perhitungan uji T dapat disimpulkan bahwa terdapat peningkatan kemampuan menggambar ilustrasi kartun siswa kelas VIII SMP Negeri 2 Simpang Kiri Kota Subulussalam dengan menggunakan teknik scribble dibandingkan sebelum diberi perlakuan. Hal ini dapat dilihat dari nilai rata-rata yang diperoleh peserta didik pretest sebesar 68,44 dan post test sebesar 81, 83.Kata Kunci: kemampuan, menggambar ilustrasi, teknik scribble. Authors:Ani Masruroh : Universitas Negeri MedanAdek Cerah Kurnia Azis : Universitas Negeri Medan References:Adrian, A. (2000). Bagaimana Menggambar. Jakarta: Angkasa.Anwar, K. (2018). Portrait Scribble. Jakarta: Transmedia Pustaka.Gaol, D. U. L., & Mesra, M. (2020). Analisis Proporsi dan Gelap Terang pada Gambar Wajah. Gorga: Jurnal Seni Rupa, 9(2), 342-346.Ginting, J., & Triyanto, R. (2020). Tinjauan Ketepatan Bentuk, Gelap Terang, dan Warna pada Gambar Bentuk Media Akrilik. Gorga: Jurnal Seni Rupa, 9(2), 300-308.Graha, G., & Idris, I. (1982). Pendidikan Seni Rupa. Jakarta: Departemen Pendidikan Dan Kebudayaan.Halawa, W. E., Triyanto, R., Budiwiwaramulja, D., & Azis, A. C. K. (2020). Analisis Gambar Ilustrasi Hombo Batu Nias Gunungsitoli. Gorga: Jurnal Seni Rupa, 9(1), 193-203.Masida, N., & Irawan, I. (2021). Upaya Meningkatkan Pemahaman ISI Dongeng Ditunjukkan dalam Gambar Ilustrasi Siswa Kelas V SD Negeri 32 Kota Ternate. JURNAL DODOTO, 2(01), 39-46.Masnuna, M. (2018). Pengantar Ilustrasi. Jakarta: Indonesia Pustaka.Purnomo, E., & dkk. (2007). Seni Budaya Kelas VIII. Jakarta: Kementrian Dinas Pendidikan.Seragih, Y. G., & Azis, A. C. K. (2021). Tinjauan Hasil Gambar Ilustrasi Kartun dengan Objek Binatang. Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni, 23(2), 302-318.Sumardi, S., Mukaddas, A. B., & Faisal, M. (2021). Transformasi Seni Menggambar dengan Teknik Scribble pada Karya Khoirul Anwar di Kota Malang, Jawa Timur. BALOLIPA: Jurnal Pendidikan Seni Rupa, 1(1), 24-35.Surbakti, T. I. P., Zulkifli, Z., Atmojo, W. T., & Mesra, M. (2019). Analisis Kreativitas Siswa Kelas III SD Swasta Yayasan Wanita Kereta Api “YWKA” Medan dalam Pembelajaran Menggambar Binatang. Gorga: Jurnal Seni Rupa, 8(1), 182-186.Sutandur, S., & dkk. (2008). Seni Rupa 2. Jakarta: PT. Tiga Serangkai Pustaka Mandiri.Ulfah, T., & Budiwiwaramulja, D. (2019). Analisis Karya Gambar Ilustrasi Teknik Arsir Siswa Kelas VIII di SMP Swasta Tunas Karya Batang Kuis. Gorga: Jurnal Seni Rupa,  8(1), 279-283.  ","PeriodicalId":405999,"journal":{"name":"Gorga : Jurnal Seni Rupa","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132894931","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"CITRA PEREMPUAN DALAM LUKISAN KARYA PERMADI LYOSTA","authors":"Hatmi Negria Taruan, Susandro Susandro, Rika Wirandi","doi":"10.24114/gr.v11i2.40086","DOIUrl":"https://doi.org/10.24114/gr.v11i2.40086","url":null,"abstract":"This study aims to understand the ethnographic and gender aspects and values in the visual use of women, themes about women, and the representation of gender injustice towards women in paintings by Permadi Lyosta in 2000-2007.This study uses a descriptive qualitative research method using data collection techniques through observation, interviews, and visual data collection methods in the form of physical works and works in catalogs. Ethnographic and gender approaches are the perspectives used in this study. The results of this study show that Permadi Lyosta's post-New Order works are more dominant in using women's visuals with themes of women's backwardness and marginalization in social life through paintings of women who are depicted as manual laborers as farmers, traders in traditional markets. As women, wives and housewives with cultural burdens and gender roles as women who raise children at home. There is almost no image of women depicted as figures who fill strategic roles in the public sphere. On the other hand, Permadi's works are a kind of criticism of the gender injustice experienced by women. Keywords: woman, painting, permadi lyosta. AbstrakPenelitian ini bertujuan untuk memahami aspek dan nilai etnografis dan gender dalam penggunaan visual perempuan, tema-tema tentang perempuan, serta representasi ketidakadilan gender terhadap perempuan dalam lukisan karya Permadi Lyosta tahun 2000-2007. Penelitian ini menggunakan metode penelitian kualitatif deskripstif dengan menggunakan teknik pengumpulan data melalui observasi, wawancara, serta metode pengumpulan data visual berbentuk karya-karya fisik dan karya-karya dalam katalog. Pendekatan etnografi dan gender adalah perspektif yang digunakan dalam penelitian ini. Hasil penelitian ini menunjukkan karya-karya Permadi Lyosta pasca orde baru lebih dominan memakai visual perempuan dengan tema-tema keterbelakangan dan ketermajinalan perempuan dalam kehidupan sosial melalui lukisan-lukisan perempuan yang digambarkan sebagai pekerja kasar sebagai petani, pedagang di pasar tradisional. Sebagai perempuan, istri, dan ibu rumah tangga dengan beban kultural serta peran gender sebagai perempuan yang mengasuh anak-anak di rumah. Hampir tidak ada gambaran citra perempuan yang tergambar sebagai sosok-sosok yang mengisi peranan strategis di ruang publik. Di sisi lain, karya-karya Permadi tersebut semacam kritik terhadap ketidakadilan gender yang dialami perempuan. Kata Kunci: perempuan, karya lukis, permadi lyosta. Authors:Hatmi Negria Taruan : Institut Seni Budaya Indonesia AcehSusandro : Institut Seni Budaya Indonesia AcehRika Wirandi : Institut Seni Budaya Indonesia Aceh References:Fitryona, N., & Kharisma, M. (2021). Darvies Rasjidin dan Perubahan Karyanya Sebuah Kajian Sosiohistoris. Gorga: Jurnal Seni Rupa, 10(1), 35-44. https://doi.org/10.24114/gr.v10i1.23677.Khairi, A. I., & Hafiz, A. (2022). Kajian Estetika Lukisan Realis Kontemporer Drs. Irwan, M. Sn. yang Berjudul di Ujung Tanduk. Gorga: Jurnal Se","PeriodicalId":405999,"journal":{"name":"Gorga : Jurnal Seni Rupa","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116672387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}