Journal of Language Literature and Culture最新文献_第10页

Romantic Scepticism and the Descent into Nihilism in T.S. Eliot’s ‘Burnt Norton’ 艾略特《被烧毁的诺顿》中的浪漫怀疑主义与虚无主义

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2017-01-02 DOI: 10.1080/20512856.2016.1221619

Francesca Cauchi

引用次数: 0

Its Prohibitive Cost: The Bicycle, the New Woman and Conspicuous Display 它的禁止性成本：自行车、新女性和引人注目的展示

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2017-01-02 DOI: 10.1080/20512856.2016.1221620

E. Chen

{"title":"Its Prohibitive Cost: The Bicycle, the New Woman and Conspicuous Display","authors":"E. Chen","doi":"10.1080/20512856.2016.1221620","DOIUrl":"https://doi.org/10.1080/20512856.2016.1221620","url":null,"abstract":"ABSTRACT As a Victorian form of transport, the bicycle is often linked with the New Woman and hailed as a harbinger of emancipation and public mobility for women, or a tool for female sartorial reform and physical improvement. This paper argues that until the end of the nineteenth century, the bicycle, with its high cost and its association with the younger members of the upper-middle class, is also a tool of conspicuous consumption and fashionable display. As a crucial accessory of the much advertised, ridiculed but also emulated ensemble that constitutes the New Woman, the bicycle signifies her complicity with modern commodity culture, which, though entailing more opportunities and greater emancipation along gender lines for many bourgeois women, at the same time functions as a new marker of visible class privilege denying access to other less privileged women. This paper locates the bicycle, in its initial stage of the mid-1890s bicycle craze, as an integral part of a wider late Victorian material culture of conspicuous consumption and phantasmagoria where commodities, objects and spectacles increasingly articulate or fashion human subjectivities and denote their classed identities.","PeriodicalId":40530,"journal":{"name":"Journal of Language Literature and Culture","volume":"64 1","pages":"1 - 17"},"PeriodicalIF":0.1,"publicationDate":"2017-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20512856.2016.1221620","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49053935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Unwomanly Intellect: Melancholy, Maternity, and Lesbianism in Olive Moore's Spleen 非女性知识分子：奥利弗·摩尔《脾脏》中的忧郁、母性和女同性恋

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2017-01-02 DOI: 10.1080/20512856.2016.1221623

J. Wagner

{"title":"Unwomanly Intellect: Melancholy, Maternity, and Lesbianism in Olive Moore's Spleen","authors":"J. Wagner","doi":"10.1080/20512856.2016.1221623","DOIUrl":"https://doi.org/10.1080/20512856.2016.1221623","url":null,"abstract":"ABSTRACT This article examines Ruth, the cerebral protagonist of Olive Moore’s novel Spleen, and how her processes of rumination affect the ways she interacts with modern gendered ideologies. These interactions, the article argues, suggest not only a ferocious feminism, but also a kind of homoeroticism or lesbianism extant in the protagonist. In order to make these arguments, the study first analyzes the title of the book, Spleen, mapping out the term’s use in medicine and how it is associated with the gendered neurological problem of hysteria approaching the early twentieth century. This association, placed up against melancholy (ennui) from Baudelaire, is then utilized to explore Ruth’s ardent intellectual and feminist consciousness by which she refuses modern conventional reproductions of womanhood and maternity. Her refusal leads to the biblical story of Ruth, through which the article then assesses her defiance of heteronormativity via her rejection of heterosexuality and her penchant towards women. Together, these foci create an image of Ruth that suggests not just an extreme feminist character battling a modern melancholy, but further magnify her rejection of the maternal, and her subtler lesbian leanings.","PeriodicalId":40530,"journal":{"name":"Journal of Language Literature and Culture","volume":"64 1","pages":"42 - 61"},"PeriodicalIF":0.1,"publicationDate":"2017-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20512856.2016.1221623","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47595616","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Prefaces to the Novel: Robinson Crusoe and Novelistic Form 小说前言:鲁滨逊漂流记与小说形式

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2016-09-01 DOI: 10.1080/20512856.2016.1244907

J. Frow

引用次数: 0

Elsewhere, Elsewhen and Otherwise: The Wild Lives of Radios in the Worlds of Philip K. Dick 其他地方，其他地方和其他地方:菲利普·k·迪克世界里收音机的狂野生活

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2016-09-01 DOI: 10.1080/20512856.2016.1244915

Adam Hulbert

引用次数: 0

The Prosaic and Provincial History of an Epic Revolution 一场史诗革命的平淡和乡土历史

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2016-09-01 DOI: 10.1080/20512856.2016.1244912

Yi Zheng

{"title":"The Prosaic and Provincial History of an Epic Revolution","authors":"Yi Zheng","doi":"10.1080/20512856.2016.1244912","DOIUrl":"https://doi.org/10.1080/20512856.2016.1244912","url":null,"abstract":"ABSTRACT Li Jieren’s (1891–1962) novel sequence Ripple on Stagnant Water (sishui weilan 1935), Before the Tempest (baofeng yuqian 1936) and Great Waves (da bo 1937) recounts the last days of the Qing Empire (1644–1911) in Chengdu, the capital of its frontier Sichuan province. In a double-layered narrative, it recreates, on the one hand, the affective and social transformations of a provincial city following the ‘New Policies’ of a dying empire and, on the other, the great agitations leading to the riots of the Sichuan Railway Protection Movement (1911), which launched the revolution that ended China’s imperial history. This essay studies Li’s structural juxtaposition of epic events with prosaic details of a fin-de-siècle life world. It suggests that, in the search for the narrative possibilities of the ‘historical real’ of a seminal event, Li’s novel cycle inscribes monumental revolution in the process of a communal world change and, in this way, opens up a new direction for the development of the modern Chinese novel. His prosaic vision and narrative of an epic event in spatial-descriptive form demonstrates an original conceptual and formal possibility that is all the more significant because of its loss in the second half of the twentieth century.","PeriodicalId":40530,"journal":{"name":"Journal of Language Literature and Culture","volume":"63 1","pages":"138 - 152"},"PeriodicalIF":0.1,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20512856.2016.1244912","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60021369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Novel Worlds 小说的世界

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2016-09-01 DOI: 10.1080/20512856.2016.1244906

Vanessa Smith

{"title":"Novel Worlds","authors":"Vanessa Smith","doi":"10.1080/20512856.2016.1244906","DOIUrl":"https://doi.org/10.1080/20512856.2016.1244906","url":null,"abstract":"The word ‘world’ recurs ninety-six times in Virginia Woolf’s The Waves, a work more commonly understood as a Modernist experiment with temporality and voice, but which might also be thought of as one of the novel’s most self-reflexive engagements with world-making. The increasingly extended speech acts of six voices are encapsulated within typographically distinct interludes, whose description of the gradual revelation of sky and firmament and the movement of light and water over the course of a single day recalls the foundational world-creation of Genesis. In the effortful process of extracting character, context, narrative time and sequence from the continuous present of the voices’ attributed speech, the reader is invited to confront her co-implication in the taken-for-granted work of constructing novel worlds. Each articulation of ‘world’ contributes to distinguishing each voice as character. ‘The light falls upon real objects now. Here are knives and forks. The world is displayed, and we too, so that we can talk’, says Neville. ‘I require the concrete in everything. It is so only that I lay hands upon the world’, says Bernard (Woolf, The Waves 58).","PeriodicalId":40530,"journal":{"name":"Journal of Language Literature and Culture","volume":"492 1","pages":"91 - 95"},"PeriodicalIF":0.1,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20512856.2016.1244906","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60021133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Novel-Worlds: Tracing the Ripples in Doris Lessing’s The Four-Gated City 小说世界:探寻多丽丝·莱辛《四门之城》的涟漪

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2016-09-01 DOI: 10.1080/20512856.2016.1244913

S. Barnes

{"title":"Novel-Worlds: Tracing the Ripples in Doris Lessing’s The Four-Gated City","authors":"S. Barnes","doi":"10.1080/20512856.2016.1244913","DOIUrl":"https://doi.org/10.1080/20512856.2016.1244913","url":null,"abstract":"ABSTRACT A persistent tension between the physical limits of the novel form and the expansive scope of its representative possibilities is present in much of Doris Lessing’s fiction, and made explicit in The Four-Gated City, the concluding volume of her five-part series The Children of Violence. Lessing tests the imaginative parameters of her novel in a succession of different ways: introducing the trope of telepathy into the final volume of a formerly realist series; allowing the text to break down in its final section into a series of fragmentary appendices; extending the narrative some three decades into the future; and finally moving entirely beyond the frame of her central protagonist’s perspective. The Four-Gated City both depicts and bears out through its structure a foundational conflict between the novel’s capacity to conjure worlds and its physical boundaries: paper, ink, binder’s glue; words on a page. Its significance as the first step in Lessing’s wide-ranging experimentation with science fiction has been extensively discussed in scholarly literature on her work; less studied is the way in which it functions as a commentary not only on the imaginative limits of realism but also on the material limits of the novel as a portable object.","PeriodicalId":40530,"journal":{"name":"Journal of Language Literature and Culture","volume":"63 1","pages":"153 - 163"},"PeriodicalIF":0.1,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20512856.2016.1244913","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60021426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Village Worlds: Yan Lianke’s Villages and Matters of Life 《村落世界:阎连科的村落与人生大事

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2016-09-01 DOI: 10.1080/20512856.2016.1244917

Xuenan Cao

{"title":"Village Worlds: Yan Lianke’s Villages and Matters of Life","authors":"Xuenan Cao","doi":"10.1080/20512856.2016.1244917","DOIUrl":"https://doi.org/10.1080/20512856.2016.1244917","url":null,"abstract":"ABSTRACT Yan Lianke (b. 1958) is one of China’s foremost contemporary writers of fiction and short stories, winning the Lu Xun Literary Prize in 2000 and the Franz Kafka Prize in 2014. This paper will examine the villages in Yan’s three novels, Ri Guang Liu Nian (Time That Flows, 1998), Lenin’s Kisses (2013) and The Explosion Chronicles (2016), and will discuss how life and death are at times synonymous in these villages and how these sites are unbounded by a rural—urban distinction. In his original style off mythorealism (shenshi zhuyi 神实主义),Yan exposes the flesh and blood of peasants against the historical backdrop of traumatic urbanisation in China through a rhetorical excess of both monstrous bodies and inanimate mannequins, showcasing a paradoxically professed non-existence of biological limits, such as illness and death. Yan’s works challenge the framework of biopolitics and its theoretical implication on the topic of neo-liberal governmentality in post-1949 China. Biopolitics works on the basis of keeping life and death in binary opposite categories. Yet in Yan’s novels, the sharp distinction between life and death is destabilised.The villagers’ bodies are neither secure nor precarious. These liminal existences drive economic growth in the space between the rural and the urban.","PeriodicalId":40530,"journal":{"name":"Journal of Language Literature and Culture","volume":"30 1","pages":"179 - 190"},"PeriodicalIF":0.1,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20512856.2016.1244917","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60021474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Articles of War: Subjects and Objects Aboard the Nineteenth-Century Naval Novel 战争条款:19世纪海军小说中的主体和客体

IF 0.1 4区文学

Journal of Language Literature and Culture Pub Date : 2016-09-01 DOI: 10.1080/20512856.2016.1244910

D. Cook

{"title":"Articles of War: Subjects and Objects Aboard the Nineteenth-Century Naval Novel","authors":"D. Cook","doi":"10.1080/20512856.2016.1244910","DOIUrl":"https://doi.org/10.1080/20512856.2016.1244910","url":null,"abstract":"ABSTRACT This essay engages the world of the nineteenth-century naval novel, considering how the ‘wooden world’ presented in such narratives came to shape a unique representational order. Taking Captain Frederick Marryat’s The King’s Own (1830) as primary evidence, it is argued that naval novels depict the man-of-war as a place where the things – and men – of the parlour and marketplace find themselves reconstituted as components of the ‘Service’. This alternate order emerges in one of the most exhilarating features of high-seas thrillers: their recurrence to dense, largely un-translated nautical terminology. Such language foregrounds the man-of-war as a purely functional assemblage of parts, inviting the subject to die and become reborn as an object of state. At one level, this project was distinctly British. At the same time, the British fixation on naval gadgetry resonates with American and French naval novels of the period, cooperating in what arguably became a transnational militarism. Such narratives prepare the way for a modern ideological strategy by which warfare becomes ennobled on the basis of its economic sanctity.","PeriodicalId":40530,"journal":{"name":"Journal of Language Literature and Culture","volume":"63 1","pages":"123 - 137"},"PeriodicalIF":0.1,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20512856.2016.1244910","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60021317","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0