艾略特《被烧毁的诺顿》中的浪漫怀疑主义与虚无主义

IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS
Francesca Cauchi
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引用次数: 0

摘要

摘要第一次世界大战后的虚无主义,T.S.艾略特的《四重奏》试图在某种程度上消除这种虚无主义,在《燃烧的诺顿》中表现为一种公认的救赎理想主义的令人不寒而栗的顶点。与他的浪漫主义祖先,尤其是华兹华斯和柯勒律治一样,艾略特第一首四重奏中矛盾的叙述者怀有一种超越时间限制的愿望,他怀疑这个理想世界可能是虚幻的。其结果是陷入了极端和绝对的虚无主义:五十年前尼采曾谴责这种虚无主义是“虚无的意志”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Romantic Scepticism and the Descent into Nihilism in T.S. Eliot’s ‘Burnt Norton’
ABSTRACT The nihilism consequent upon the First World War, and which T.S. Eliot’s Four Quartets sought in some measure to dispel, emerges in ‘Burnt Norton’ as the chilling culmination of a putatively redemptive idealism. In common with his Romantic forebears, Wordsworth and Coleridge in particular, the ambivalent narrator of Eliot’s first quartet harbours a desire to transcend the limits of temporality through the positing of an ideal world that he suspects may be illusory. The result is a descent into nihilism as extreme as it is absolute: a nihilism which Nietzsche fifty years earlier had decried as a ‘will to nothingness.’
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CiteScore
0.30
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