Elsewhere, Elsewhen and Otherwise: The Wild Lives of Radios in the Worlds of Philip K. Dick

IF 0.1 4区 文学 N/A LANGUAGE & LINGUISTICS
Adam Hulbert
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引用次数: 0

Abstract

ABSTRACT Dick undoubtedly had, at many moments in his life and his writing, a living experience of the wildness of radio. He encountered voices through his own radio that had encoded messages for him alone, and his novels are rich with radios that are engaged in all manner of unsettling activity: they change form and regress, they carry cryptic messages that can collapse entire political regimes, they spy and report on people and they reconfigure cultural life for survivors of an apocalypse. When domesticated, the radio can play a normalising role in terms of producing space, time and self by articulating the logics of cultural institutions; when encountered as wild, however, radios reframe experience according to the unfamiliar orientations of the non-human: the ‘plot holes’ of elsewhere, elsewhen and otherwise. This paper explores the wild lives of radios through the various encounters in the worlds of Philip K. Dick, with an emphasis on Time Out of Joint (1959) and Dr Bloodmoney, or How We Got Along After the Bomb (1965).
其他地方,其他地方和其他地方:菲利普·k·迪克世界里收音机的狂野生活
毫无疑问,迪克在他的生活和写作中,有许多时刻对广播的野性有着活生生的体验。他通过自己的无线电遇到了一些声音,这些声音为他自己编码了信息,他的小说中充满了各种令人不安的活动:它们改变形式和倒退,它们携带着可以摧毁整个政治制度的神秘信息,它们监视和报告人们,它们为世界末日的幸存者重新配置文化生活。当被驯化时,无线电可以通过阐明文化机构的逻辑,在生产空间、时间和自我方面发挥正常化作用;然而,当遭遇野外时,无线电根据非人类不熟悉的方向重新构建经验:其他地方、其他时间和其他地方的“情节洞”。本文通过菲利普·k·迪克的世界中的各种遭遇来探索无线电的狂野生活,重点是《脱离联合的时间》(1959年)和《血钱博士》,或《炸弹后的我们如何相处》(1965年)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.30
自引率
0.00%
发文量
2
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