Pasavento-Revista de Estudios Hispanicos最新文献

{"title":"Entre lo real-biográfico y lo ficticio: autobioficción en \"El olvido que seremos\" de Héctor Abad Faciolince","authors":"Andrea Paola Vallejo Martínez","doi":"10.37536/PREH.2021.9.1.1085","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1085","url":null,"abstract":"This article analyzes the book \"El olvido que seremos\" by Colombian author Hector Abad Faciolince, published in 2005 by Editorial Planeta. After an account of the theory of the “writings of self” and the autofiction, it is argued that the narrative structure falls under the category of autobiofiction proposed by Manuel Alberca in his book \"El pacto ambiguo. De la novela autobiografica a la autoficcion\"(2007) due to the author’s use of his own experience, his life, and the experience of others to write fiction, and also due to the strain between the boundaries of genres like autobiography and novel, which indissolubly mix the real-biographical with the fictional to foster uncertainty in the reader. Likewise, it is proposed that the irruption of fiction in the real-biographical allows the author to take the place of the parent in order to reconstruct and experience firsthand the murder of his father, an experience he did not live. Finally, it is pointed out that the transgressions of the narrative perspective give the work a polyphonic nature that allows the different voices present in the text to reconstruct, in a fragmented way, a collective memory.","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"83-94"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41977155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La voz de Santa Vela en \"Las madres negras\" de Patricia Esteban Erlés","authors":"C. Espinosa","doi":"10.37536/preh.2021.9.1.1080","DOIUrl":"https://doi.org/10.37536/preh.2021.9.1.1080","url":null,"abstract":"La narrativa de Patricia Esteban Erlés ha otorgado, desde sus inicios, un fuerte peso a los espacios en donde se desarrolla la acción. Algunos de ellos se inspiran en inmuebles de novelas y películas, como ocurre en el caso de Manderley –la casona de la película Rebeca, de Hitchcock– y la mansión Winchester. El escenario principal de la novela Las madres negras, el convento de Santa Vela, es un elemento crucial para la conformación de lo gótico, lo siniestro y lo fantástico, rasgos que se combinan con maestría en esta obra. Este trabajo destaca las características arquitectónicas del espacio y su relación con la trama de la novela. Asimismo, se aborda el protagonismo del inmueble como un personaje, la importancia de su voz a lo largo de la novela y la proyección de la mente de su propietaria original en su construcción, con base en la teoría de Maria Tatar, Sigmund Freud, Anthony Vidler y Gaston Bachelard, entre otros.","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"15 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77662763","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reseña: \"Poesía, ideología e historia. Siglos XX y XXI\" (2019), de Juan José Lanz","authors":"Marina Bianchi","doi":"10.37536/PREH.2021.9.1.1095","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1095","url":null,"abstract":"","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"223-227"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48845233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Historia y política en dos novelas de Patricio Pron: \"El comienzo de la primavera\" y \"No derrames tus lágrimas por nadie que viva en estas calles\"","authors":"J. Castillo","doi":"10.37536/PREH.2021.9.1.1083","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1083","url":null,"abstract":"This article studies two novels of the Argentinian writer Patricio Pron, El comienzo de la primavera (2008) and No derrames tus lagrimas por nadie que viva en estas calles (2014), which are grouped here according to their common theme: the historico-political evolution of Europe since the Second World War and, more specifically, the consequences of ideological extremism for Germany and Italy. Stemming from the ideas of Roberto Esposito, Walter Benjamin and Giorgio Agamben, among others, I analyze two central aspects of both novels: the meaning of history and its relation to individual responsibility about the past, and the dichotomy between ethics and politics. I show how both novels make use of an analytical realism that experiments with narrative structures and perspectives to give an account of what it means to build up political consciousness in the 21st century.","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"63-82"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45414039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"\"Procesos intermediales. Cine, literatura, espacio\" de Fernando González García, Paulo Cunha y Filipa Rosário (coords.)","authors":"J. Noriega","doi":"10.37536/PREH.2021.9.1.1101","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1101","url":null,"abstract":"","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"253-255"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41625795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Los memorialistas o de los héroes contemporáneos","authors":"G. Vigna","doi":"10.37536/PREH.2021.9.1.1090","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1090","url":null,"abstract":"This paper analyses the memoirs of two Spanish authors, Juan Luis Panero and Josefina Aldecoa, witnesses of the Spanish Civil War and/or of the following Francoist repression, focusing on the technique they make use of in order to create their self-portrait. The study of these literary works will show the use of the same pattern that are a characteristic of the hero’s journey. More specifically, we study the affinity between memoirists’ personal recall of the past and the stages through which a myth is usually organized, starting with the initial call to go on adventure, the road of trials he must get over and, finally, the hero’s return to his ordinary world with the treasure he gained. In this way, it will be possible to understand fully not only how an ordinary life is converted into myth, but also the reason why these mythemes revitalise themselves in the contemporary memoirs.","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"163-174"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41821377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reseña: \"Arte, literatura y feminismos. Lenguajes plásticos y escritura en Euskal Herria\" (2020), de Susana Jodra Llorente y Amelia Benito del Valle Eskauriaza (eds.)","authors":"Itxaro González Guridi","doi":"10.37536/PREH.2021.9.1.1098","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1098","url":null,"abstract":"","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"239-242"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44976905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El abordaje del cuerpo en \"Habeas Corpus\" de Jorge Acha: indeterminación, imagen crística y subversión sexual","authors":"E. Duarte","doi":"10.37536/PREH.2021.9.1.1082","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1082","url":null,"abstract":"This article analyses the film \"Habeas Corpus\" by Argentine filmmaker Jorge Acha from the figure of the body of the detainee-disappeared portrayed in it, and, simultaneously, how it contrasts with other corporal representations. In this way, it attempts to unfold an argumentative movement that contempla-tes the state of indetermination implied in this figure. For this, we introduce the thinking of Hito Steyerl, who incorporates the mental experiment known as “Schrodinger’s cat” to the reflection about the political status of the disap-peared. It is also of importance, secondly, the analogy with the figure of Christ, which allows a critical consideration about the role of the Catholic Church in Argentina’s last dictatorship. The detainee-disappeared is presented as a double of Christ. The paradox is that the Church itself acts as executioner and martyr producer. The Christological allegory is introduced through another metonymic figure, that of the fish, of importance in primitive Christianity and incorporated as central motif in the film. As last movement we have the approach the film makes to sexuality in relation to the experience of bondage. The thinking of Wilhelm Reich is useful here in relation to the problematic way in which fascism relates itself with sexuality, and how \"Habeas Corpus’\" homoerotism aims to sub-vert the reactionary character of dictatorial perspective. At the same time, the body norm of the detainee-disappeared and of the designed and hypertrophied bodies of the bodybuilders admired by the torturer is put into contrast with each other.","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"47-62"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44701339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El papel del autor y la condición testimonial de las novelas \"No, mi general\" de Irene Lozano y \"Hay algo que no es como me dicen\" de Juan José Millás","authors":"Milica Lilic","doi":"10.37536/PREH.2021.9.1.1086","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1086","url":null,"abstract":"espanolEl presente trabajo parte del concepto de la novela testimonial y sus manifestaciones en la narrativa espanola actual, para analizar los elementos documentales y las tecnicas ficcionales integradas en las obras \"No, mi general\" de Irene Lozano y \"Hay algo que no es como me dicen\" de Juan Jose Millas. El cambio en el enfoque tematico que presentan estas novelas –ambas relatan historias reales sobre el acoso laboral y sexual a las mujeres en el Ejercito espanol y el Ayuntamiento de Ponferrada, respectivamente–, permitira estudiar su estructura particular, asi como la importancia del papel del autor y su intervencion real y parcial en el caso. De esta forma, se afirmara el caracter colectivo y denuncian-te de estas obras en cuanto a la mencionada problematica social emergente. Asimismo, se pondra enfasis especial en la subjetivizacion, elemento que de-muestra la condicion testimonial de estas novelas, esto es, afirma el desarrollo de una serie de tecnicas que objetivizan los hechos, por una parte, y certifica la presencia de los mecanismos que aportan a la narrativizacion del relato, por otra. Finalmente, se distinguiran dos niveles de narracion: la historia de la protagonista y la historia del narrador. La primera narra un caso real de acoso desde la perspectiva de la victima, esto es, reinterpreta la verdad oficial y reconstruye la realidad, mientras que la segunda adquiere una dimension modelica y apela a todo un colectivo de mujeres acosadas en el lugar de trabajo. EnglishThis study starts from the concept of the testimonial novel and its ma-nifestations in the current Spanish narrative, in order to analyze the documen-tary elements and the fictional techniques integrated into the works \"No, mi general\" by Irene Lozano and \"Hay algo que no es como me dicen\" by Juan Jose Millas. The change in the thematic approach presented by these novels –both tell real stories about mobbing and sexual harassment of women in the Spanish Army and Ponferrada City Council, respectively–, will allow to study their particular structure, as well as the importance of the authors’ role and their real and partial intervention in the case. In this way, the collective and denouncing nature the-se novels have regarding the aforementioned emerging social problem will be affirmed. Likewise, a special emphasis will be put on subjectivization, an element that proves the testimonial condition of these novels, that is, it affirms the deve-lopment of a series of techniques that objectify the facts, on the one hand, and certifies the presence of the mechanisms that contribute to the narrativization of the story, on the other. Finally, two levels of narration will be distinguished: the story of the protagonist and the story of the narrator. The first one narrates a real case of harassment from the perspective of the victim, that is, it reinterprets the official truth and reconstructs reality, while the second one acquires a model dimension and appeals to a whole group of har","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"95-116"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48303901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reseña: \"Narrativas disidentes (1968-2018)\" (2019), de María Ángeles Naval y José Luis Calvo Carilla (eds.)","authors":"Aránzazu Calderón Puerta","doi":"10.37536/PREH.2021.9.1.1097","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1097","url":null,"abstract":"","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"233-238"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41765847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}