{"title":"La poética del no-dinero de Mario Bellatin","authors":"Ana Gallego Cuiñas, Marta F. Extremera","doi":"10.37536/preh.2021.10.2.1127","DOIUrl":"https://doi.org/10.37536/preh.2021.10.2.1127","url":null,"abstract":"El presente trabajo propone una lectura de la ficción del escritor mexicanoperuano Mario Bellatin desde una perspectiva materialista basada en el modo enque autor y obra se sitúan en el campo/mercado de la literatura latinoamericanadel siglo xxi. De esta manera, nuestra hipótesis se fundamenta en el análisis de lafunción del no-dinero y de la idea de no-literatura como claves interpretativas desu poética, centrándonos en uno de los libros más significativos a este respecto,apenas abordado en el campo de la crítica: El hombre dinero (2013). La primeraparte de nuestro ensayo aborda la “política de publicación” del autor, los modosde producción y la circulación de sus obras. En la segunda parte, nos enfocamosen la dilucidación de lo que llamamos la “poética del no-dinero” de Mario Bellatin,a través de la forma en que se relacionan literatura y economía en sus textos.","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69926333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reseña: \"Ficciones de verdad. Archivo y narrativas de vida\" (2020), de Patricia López-Gay","authors":"A. Casas","doi":"10.37536/preh.2021.10.2.1484","DOIUrl":"https://doi.org/10.37536/preh.2021.10.2.1484","url":null,"abstract":"","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73144358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reseña: \"Vida y violencia. Élmer Mendoza y los espacios de la novela negra en México\" (2021), de Jordi Canal","authors":"Javier Sánchez Zapatero","doi":"10.37536/preh.2021.10.2.1474","DOIUrl":"https://doi.org/10.37536/preh.2021.10.2.1474","url":null,"abstract":"","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69926128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La autorrepresentación de Angélica Liddell: ¿del feminismo a la misoginia?","authors":"José Corrales Díaz-Pavón","doi":"10.37536/preh.2021.10.2.842","DOIUrl":"https://doi.org/10.37536/preh.2021.10.2.842","url":null,"abstract":"Angélica Liddell es una de las creadoras más controvertidas del panorama teatral español e internacional, especialmente desde que su montaje TheScarlet Letter (2018) fuera percibido como un ataque al movimiento Me too y alneopuritanismo del feminismo contemporáneo. Sin embargo, a principios delsiglo xxi la propia artista o su entorno más cercano defendían posturas abiertamente feministas. En este artículo quisiera explicar las razones de este giro y dela creación de una retórica misógina como parte de la figura pública de AngélicaLiddell, retórica estrechamente vinculada a los cambios en su concepción del arte,del papel de la artista en la sociedad y a la evolución social del feminismo. Así, almismo tiempo que Liddell abjura de una visión activista y abiertamente políticadel teatro y lo reconceptualiza en términos anticolectivistas e irracionales, el augede la Cuarta ola del feminismo sitúa las demandas de igualdad entre géneros enel centro del tablero político. De esta forma, Liddell utiliza una serie de estrategias,como el menosprecio de la feminista puritana y defensora de la cultura de la cancelación o la exaltación de un amor de tintes místicos que exige la sumisión de lamujer al hombre, para definirse como artista según sus postulados individualistas,contrarios a la visión racional del ser humano y, por tanto, a cualquier forma defeminismo organizado.","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80776609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Una lectura de la antropología borgiana: Las ovejas de César Aira","authors":"Rafael Arce","doi":"10.37536/preh.2021.10.2.1055","DOIUrl":"https://doi.org/10.37536/preh.2021.10.2.1055","url":null,"abstract":"Este trabajo propone una lectura de la primera novela de César Aira, Lasovejas, escrita en 1970 y publicada en 1984. Para ello, se atiende la relación deeste texto con la obra de Jorge Luis Borges, partiendo de una conjetura genealógica que el mismo Aira sugiere. En esta genealogía, la animalidad cumple unpapel determinante que explica el recorte intertextual del desenlace de la novela.Nuestra hipótesis afirma que es posible leer Las ovejas como una versión de la“antropología borgiana”, tal como la denominó Jaime Rest. En esta versión, lanovela de Aira desplaza el presupuesto humanista del idealismo de Borges. Estaconjetura permite revisar el “vitalismo” de la obra de Aira y pensarlo, no en clavede “darwinismo”, como ha sido leído, sino en relación con la obra de Samuel Butler.Finalmente, esta lectura propone replantear los términos en los que se ha pensadola poética del olvido en Aira.\u0000 ","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78976308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reseña: \"Aquelarre. La emancipación de las mujeres en la cultura de masas\" (2020), de Irene Liberia Vayá y Bianca Sánchez-Gutiérrez (coords.)","authors":"Yasmina Romero Morales","doi":"10.37536/preh.2021.10.2.1471","DOIUrl":"https://doi.org/10.37536/preh.2021.10.2.1471","url":null,"abstract":"","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69925973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mujeres a la vista: género y scriptura autorial en Un ojo de cristal, de Miren Agur Meabe","authors":"Marta Pascua Canelo","doi":"10.37536/PREH.2021.10.2.839","DOIUrl":"https://doi.org/10.37536/PREH.2021.10.2.839","url":null,"abstract":"The recent rise of authorip studies, led by specialists such as Jerome Meizoz, Ruth Amossy or Dominique Mainguenau, allows to explore the place of the author in the Literary field along with his different positioning strategies. However, research on the intersection between Authorship Studies and Gender Studies, inaugurated and developed in the Hispanic Studies by experts such as Meri Torras, Aina Perez Fontdevila or Eleonora Croquer Pedron, have not yet achieved the notoriety that they deserve to attend to the specific characteristics manifested by women authorship. To the extent that female writers have historically been disallowed from occupying a recognized authorial position, they have needed to resort to multiple strategies of self-legitimation. This paper aims to consider these relationships between gender and authorship in order to expose a legitimation mechanism observed in recent Hispanic literature. First of all, the authorial inscription is formulated as a new category of analysis and it is offered a case study focused in Un ojo de cristal, by the Basque writer Miren Agur Meabe, to think about the diagnosis of this theoretical proposal. In addition, links between the body and the female authorship are examined from notions such as “authorial corpography”, “corporeal authority” and “sensocorpography” to conclude that the inscription of authorship and the textualization of the extraordinary body walk together in the direction of the self-legitimation of a dissident authorship","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47053293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La responsabilidad escritural: Los niños perdidos, de Valeria Luiselli, como contra-archivo","authors":"Meri Torras","doi":"10.37536/preh.2021.10.2.837","DOIUrl":"https://doi.org/10.37536/preh.2021.10.2.837","url":null,"abstract":"Este artículo propone una lectura de Los niños perdidos (2016) [Tellme how it ends (2016 y 2017)], de Valeria Luiselli, en relación con el compromisoético y político de la escritura. Analiza la construcción de este peculiar texto, degénero mestizo, articulado entre la autobiografía, el ensayo y la crónica, a modode contra-archivo parásito, sostenido por un lugar de enunciación afectado yafectivo –el cuerpo de la autora– que, a modo de interfaz relacional, lo cruza y lovertebra. El artículo se estructura a modo de tránsito o pasaje en sí mismo, hastadesembocar en la responsabilidad escritural y la posición autoral (que implicaese poner el cuerpo de Luiselli): ambas cuestiones son tematizadas en este singular artefacto literario, que supuso de algún modo la antesala de la aclamadanovela posterior, Desierto sonoro (2019) [Lost Child Archive (2019)].","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87284751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Isabelle Touton: “En la literatura todo es anacrónico”. Entrevista a Juan Goytisolo, Premio Cervantes 2014","authors":"Isabelle Touton","doi":"10.37536/PREH.2015.3.2.917","DOIUrl":"https://doi.org/10.37536/PREH.2015.3.2.917","url":null,"abstract":"Entrevista a Juan Goytisolo (Barcelona, 1931) por Isabelle Touton.","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69926301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reseña: \"Panorama para leer. Un diagnóstico de la poesía española\" (2020), de Juan Carlos Abril","authors":"Javier Helgueta Manso","doi":"10.37536/PREH.2021.9.1.1096","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1096","url":null,"abstract":"","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49229885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}