Pasavento-Revista de Estudios Hispanicos最新文献

{"title":"Los memorialistas o de los héroes contemporáneos","authors":"G. Vigna","doi":"10.37536/PREH.2021.9.1.1090","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1090","url":null,"abstract":"This paper analyses the memoirs of two Spanish authors, Juan Luis Panero and Josefina Aldecoa, witnesses of the Spanish Civil War and/or of the following Francoist repression, focusing on the technique they make use of in order to create their self-portrait. The study of these literary works will show the use of the same pattern that are a characteristic of the hero’s journey. More specifically, we study the affinity between memoirists’ personal recall of the past and the stages through which a myth is usually organized, starting with the initial call to go on adventure, the road of trials he must get over and, finally, the hero’s return to his ordinary world with the treasure he gained. In this way, it will be possible to understand fully not only how an ordinary life is converted into myth, but also the reason why these mythemes revitalise themselves in the contemporary memoirs.","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"163-174"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41821377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reseña: \"Arte, literatura y feminismos. Lenguajes plásticos y escritura en Euskal Herria\" (2020), de Susana Jodra Llorente y Amelia Benito del Valle Eskauriaza (eds.)","authors":"Itxaro González Guridi","doi":"10.37536/PREH.2021.9.1.1098","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1098","url":null,"abstract":"","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"239-242"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44976905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El abordaje del cuerpo en \"Habeas Corpus\" de Jorge Acha: indeterminación, imagen crística y subversión sexual","authors":"E. Duarte","doi":"10.37536/PREH.2021.9.1.1082","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1082","url":null,"abstract":"This article analyses the film \"Habeas Corpus\" by Argentine filmmaker Jorge Acha from the figure of the body of the detainee-disappeared portrayed in it, and, simultaneously, how it contrasts with other corporal representations. In this way, it attempts to unfold an argumentative movement that contempla-tes the state of indetermination implied in this figure. For this, we introduce the thinking of Hito Steyerl, who incorporates the mental experiment known as “Schrodinger’s cat” to the reflection about the political status of the disap-peared. It is also of importance, secondly, the analogy with the figure of Christ, which allows a critical consideration about the role of the Catholic Church in Argentina’s last dictatorship. The detainee-disappeared is presented as a double of Christ. The paradox is that the Church itself acts as executioner and martyr producer. The Christological allegory is introduced through another metonymic figure, that of the fish, of importance in primitive Christianity and incorporated as central motif in the film. As last movement we have the approach the film makes to sexuality in relation to the experience of bondage. The thinking of Wilhelm Reich is useful here in relation to the problematic way in which fascism relates itself with sexuality, and how \"Habeas Corpus’\" homoerotism aims to sub-vert the reactionary character of dictatorial perspective. At the same time, the body norm of the detainee-disappeared and of the designed and hypertrophied bodies of the bodybuilders admired by the torturer is put into contrast with each other.","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"47-62"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44701339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El papel del autor y la condición testimonial de las novelas \"No, mi general\" de Irene Lozano y \"Hay algo que no es como me dicen\" de Juan José Millás","authors":"Milica Lilic","doi":"10.37536/PREH.2021.9.1.1086","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1086","url":null,"abstract":"espanolEl presente trabajo parte del concepto de la novela testimonial y sus manifestaciones en la narrativa espanola actual, para analizar los elementos documentales y las tecnicas ficcionales integradas en las obras \"No, mi general\" de Irene Lozano y \"Hay algo que no es como me dicen\" de Juan Jose Millas. El cambio en el enfoque tematico que presentan estas novelas –ambas relatan historias reales sobre el acoso laboral y sexual a las mujeres en el Ejercito espanol y el Ayuntamiento de Ponferrada, respectivamente–, permitira estudiar su estructura particular, asi como la importancia del papel del autor y su intervencion real y parcial en el caso. De esta forma, se afirmara el caracter colectivo y denuncian-te de estas obras en cuanto a la mencionada problematica social emergente. Asimismo, se pondra enfasis especial en la subjetivizacion, elemento que de-muestra la condicion testimonial de estas novelas, esto es, afirma el desarrollo de una serie de tecnicas que objetivizan los hechos, por una parte, y certifica la presencia de los mecanismos que aportan a la narrativizacion del relato, por otra. Finalmente, se distinguiran dos niveles de narracion: la historia de la protagonista y la historia del narrador. La primera narra un caso real de acoso desde la perspectiva de la victima, esto es, reinterpreta la verdad oficial y reconstruye la realidad, mientras que la segunda adquiere una dimension modelica y apela a todo un colectivo de mujeres acosadas en el lugar de trabajo. EnglishThis study starts from the concept of the testimonial novel and its ma-nifestations in the current Spanish narrative, in order to analyze the documen-tary elements and the fictional techniques integrated into the works \"No, mi general\" by Irene Lozano and \"Hay algo que no es como me dicen\" by Juan Jose Millas. The change in the thematic approach presented by these novels –both tell real stories about mobbing and sexual harassment of women in the Spanish Army and Ponferrada City Council, respectively–, will allow to study their particular structure, as well as the importance of the authors’ role and their real and partial intervention in the case. In this way, the collective and denouncing nature the-se novels have regarding the aforementioned emerging social problem will be affirmed. Likewise, a special emphasis will be put on subjectivization, an element that proves the testimonial condition of these novels, that is, it affirms the deve-lopment of a series of techniques that objectify the facts, on the one hand, and certifies the presence of the mechanisms that contribute to the narrativization of the story, on the other. Finally, two levels of narration will be distinguished: the story of the protagonist and the story of the narrator. The first one narrates a real case of harassment from the perspective of the victim, that is, it reinterprets the official truth and reconstructs reality, while the second one acquires a model dimension and appeals to a whole group of har","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"95-116"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48303901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reseña: \"Narrativas disidentes (1968-2018)\" (2019), de María Ángeles Naval y José Luis Calvo Carilla (eds.)","authors":"Aránzazu Calderón Puerta","doi":"10.37536/PREH.2021.9.1.1097","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1097","url":null,"abstract":"","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"233-238"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41765847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Una lectura de la capital de Cataluña: urbanismo, violencia y la ciudad como organismo en \"Barcelona trágica\" de Andreu Martín","authors":"Agustín Martínez-Samos","doi":"10.37536/PREH.2021.9.1.1091","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1091","url":null,"abstract":"The novel Barcelona tragica (2009) by Andreu Martin depicts an episode of political uncertainty, a case of civil disobedience and occurrences of urban violence, historically known as “La Setmana Tragica de Barcelona” (The Tragic Week of Barcelona), which unfolds in the summer of 1909. The present study investigates in depth the vision of the capital of Catalonia as a living and damaged organism in constant metamorphosis, which exposes an exhausting process of collision and social adjustment to emphasize the unfinished realization of personal and collective subjectivity. The article points out the existence of unstable and antagonistic historical links between the global urban space and the multiplicity of frontier spaces, used by the industrial bourgeoisie as marginalizing structures to disrupt and alienate the battered existence of the incipient anarchist proletariat. It also reflects on how the urban area in Martin’s narrative becomes a versatile barometer of public disturbances and class problems in order to reevaluate the citizen-society binomial. In this way, through the critical observation of the strategies of fiction, it is shown how the individual suffers from undeniable and harmful consequences due to the multiple negotiations and asymmetrical relations between Barcelona and its citizens, reflection of the harsh metropolitan environment resulting from the political and social crisis of  1909.","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"175-192"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47254091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Génesis y poética de los microrrelatos de Antonio Pereira","authors":"A. Revilla","doi":"10.37536/PREH.2021.9.1.1081","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1081","url":null,"abstract":"En este articulo analizamos los microrrelatos de Antonio Pereira, escritor que forja su vocacion a la brevedad en su obra poetica y en el periodismo. Sin sujetarse a las normas canonicas y a la cuestion generica, el escritor rompe los limites establecidos y llega al microrrelato a traves de la condensacion de los componentes no narrativos y descriptivos del poema en prosa. Dentro de la narrativa breve este genero literario representa una minima parte en su obra literaria y esta diseminado entre sus libros de cuentos: \"Picassos en el desvan\" (1991), \"Los brazos de la i griega\" (1982), \"Relatos sin fronteras\" (1998), \"Cuentos de la Cabila\" (2000) \"La divisa en la torre\" (2007). Estudiamos la genesis de sus microrrelatos y la procedencia de algunas historias que configuran sus tramas, como algunas noticias leidas en la prensa con el fin de profundizar en el proceso de condensacion narrativa al que Pereira somete la trama a traves de la elipsis a una continua poda, que esta al servicio del rigor de la composicion y de la palabra exacta. Definimos los rasgos configuradores del estilo de Pereira en la escritura de microrrelatos, como el autobiografismo, las reflexiones metaficcionales, el registro oral, el culturalismo, la condensacion de la anecdota, el juego con la hibridacion generica, la depuracion del erotismo y los cambios de perspectiva; y perfilamos los recursos a traves de los cuales el escritor subvierte los campos semanticos y desestabiliza el orden previsto, como la condensacion lirica, el humor, la ironia, los juegos linguisticos y la paradoja, entre otros.","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"25-46"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45782330","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Digresión y alteridad: una lectura de \"Falsa calma\" (2005), de María Sonia Cristoff","authors":"Yael Natalia Tejero Yosovitch","doi":"10.37536/PREH.2021.9.1.1089","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1089","url":null,"abstract":"espanolEl presente trabajo se propone analizar las cronicas de \"Falsa calma. Un recorrido por los pueblos fantasma de la Patagonia\" (2005), de la escritora argentina Maria Sonia Cristoff. Victimas del desmantelamiento del ferrocarril durante la ultima dictadura militar y las politicas privatistas de los anos 90, las localidades del Sur padecen la desintegracion territorial. En este articulo, observamos la forma en que Cristoff aborda la relacion entre las comunidades locales y la nacion como comunidad imaginada (Anderson 2003), la representacion de la alteridad desde perspectivas biopoliticas (Giorgi 2014) o poscoloniales (Said 2007) y la disputa por la hegemonia cultural (Williams 2009). En cada uno de esos ejes, analizamos la digresion (Chambers 1994; Echeverria 2005; Oliver 2016; Atkins 2017) como procedimiento que permite la deriva hacia otros textos a partir de los cuales se define la relacion entre cronica y alteridad (Todorov 2007). Asimismo, proponemos una analogia entre el movimiento de la desviacion y la integracion que toda operacion digresiva supone y los movimientos de aislamiento e integracion territorial que se presentan en el texto como problematica comunitaria. EnglishThe present work sets out to analyze the chronicles of \"False Calm. A Tour of the Ghost Towns of Patagonia\" (2005), by the argentine writer Maria Sonia Cristoff. Victims of the dismantling of the railway during the last military dictatorship and the privatization policies of the 90s, the southern towns suffer from territorial disintegration. In this article, we observe the way in which Cris-toff approaches the relationship between local communities and the nation as an imagined community (Anderson 2003), the representation of otherness from biopolitical (Giorgi 2014) or postcolonial perspectives (Said 2007) and the dis-pute over cultural hegemony (Williams 2009). In each of these axes, we analyze the digression (Chambers 1994; Echeverria 2005; Oliver 2016; Atkins 2017) as a procedure that allows the drift towards other texts from which the relations-hip between chronicle and alterity (Todorov 2007) is defined. Furthermore, we propose an analogy between the movement of deviation and integration that all digressive operations entail and the movements of isolation and territorial integration that are presented in the text as community problems.","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"139-162"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47285200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reseña: \"Las creadoras ante lo fantástico. Visiones desde la narrativa, el cine y el cómic\" (2020), de David Roas y Alessandra Massoni (eds.)","authors":"J. Bermejo","doi":"10.37536/PREH.2021.9.1.1099","DOIUrl":"https://doi.org/10.37536/PREH.2021.9.1.1099","url":null,"abstract":"","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"9 1","pages":"243-246"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43252553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El “ciclo eslavo” de Juan Eduardo Zúñiga (con una nota sobre Felipe Trigo)","authors":"D. Manera","doi":"10.37536/PREH.2020.8.2.39","DOIUrl":"https://doi.org/10.37536/PREH.2020.8.2.39","url":null,"abstract":"Reflexiones sobre el \"Ciclo eslavo\" de Zúñiga, por Danilo Manera","PeriodicalId":40522,"journal":{"name":"Pasavento-Revista de Estudios Hispanicos","volume":"8 1","pages":"443-448"},"PeriodicalIF":0.1,"publicationDate":"2021-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46987266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}