在真实-传记和虚构之间:赫克托·阿巴德·法西奥林斯的《我们将被遗忘》中的自传小说

IF 0.2 N/A LITERATURE, ROMANCE
Andrea Paola Vallejo Martínez
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引用次数: 0

摘要

本文分析了哥伦比亚作家Hector Abad Faciolince于2005年出版的《El olvido que seremos》一书。通过对“自我写作”理论和自传体小说理论的分析,认为小说的叙事结构属于阿尔伯卡在《模棱两可的契约》一书中提出的自传体小说的范畴。De la novela autobiografica a la autoficcion”(2007),因为作者利用自己的经历,自己的生活,以及他人的经历来写小说,也因为自传和小说等体裁之间的界限紧张,将真实的传记与虚构的不可分割地混合在一起,给读者带来不确定性。同样,有人提出,小说在真实传记中的突然性使作者能够代替父母,以重建和亲身体验他没有经历过的父亲被谋杀的经历。最后,作者指出,叙事视角的越界赋予了作品一种复调的性质,使得文本中出现的不同声音以碎片化的方式重构了一种集体记忆。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Entre lo real-biográfico y lo ficticio: autobioficción en "El olvido que seremos" de Héctor Abad Faciolince
This article analyzes the book "El olvido que seremos" by Colombian author Hector Abad Faciolince, published in 2005 by Editorial Planeta. After an account of the theory of the “writings of self” and the autofiction, it is argued that the narrative structure falls under the category of autobiofiction proposed by Manuel Alberca in his book "El pacto ambiguo. De la novela autobiografica a la autoficcion"(2007) due to the author’s use of his own experience, his life, and the experience of others to write fiction, and also due to the strain between the boundaries of genres like autobiography and novel, which indissolubly mix the real-biographical with the fictional to foster uncertainty in the reader. Likewise, it is proposed that the irruption of fiction in the real-biographical allows the author to take the place of the parent in order to reconstruct and experience firsthand the murder of his father, an experience he did not live. Finally, it is pointed out that the transgressions of the narrative perspective give the work a polyphonic nature that allows the different voices present in the text to reconstruct, in a fragmented way, a collective memory.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
59
审稿时长
16 weeks
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