Journal of Illustration最新文献

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The storyteller as time traveller: Turning the page and the influence of ‘alternative bindings’ on the development of narrative structure 作为时间旅行者的说书人:翻页和“另类绑定”对叙事结构发展的影响
Journal of Illustration Pub Date : 2023-12-01 DOI: 10.1386/jill_00070_1
N.B. Owen
{"title":"The storyteller as time traveller: Turning the page and the influence of ‘alternative bindings’ on the development of narrative structure","authors":"N.B. Owen","doi":"10.1386/jill_00070_1","DOIUrl":"https://doi.org/10.1386/jill_00070_1","url":null,"abstract":"Storytelling is fundamental to our existence. It enables us to understand the world in which we live and our relationship to it and to each other. Storytelling surrounds us and we actively engage in it on a daily basis through our communications with each other. Through the stories that we tell each other, we are able to both inform and entertain, but the act of delivering a narrative more importantly offers us the chance to make sense of our complex lives. It feels instinctive and satisfying to both tell and hear a story. In recent years cutting edge new media has undoubtedly changed our understanding of storytelling. Film, television, theatre, music and literature were once the leading innovators when it came to delivering narrative and these media forms remain influential, but when it comes to a potentially totally immersive experience it is difficult to compete with an industry that appears to be expanding almost exponentially. As our world becomes increasingly dependent on digital media, immersive virtual reality (VR) and augmented reality (AR), our interaction with storytelling evolves rapidly.","PeriodicalId":40349,"journal":{"name":"Journal of Illustration","volume":"10 2","pages":"203-218"},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147899292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Drawing from virtual travel: Regret, danger and magic 借鉴虚拟旅行:遗憾、危险和魔力
Journal of Illustration Pub Date : 2023-12-01 DOI: 10.1386/jill_00073_1
Georgie Bennett
{"title":"Drawing from virtual travel: Regret, danger and magic","authors":"Georgie Bennett","doi":"10.1386/jill_00073_1","DOIUrl":"https://doi.org/10.1386/jill_00073_1","url":null,"abstract":"This article explores the experiential qualities of drawing from the world of Google Maps. It will consider the possibilities of drawing from digital geographies and the potential of virtual travel to offer newfound perspectives. Notions of regret, danger and magic are investigated to support the concept of the artist-cyberflâneur as the practice of observing, revealing and reclaiming parts of the internet space through artistic endeavours. Regret: How does drawing from the Google Map reality incite comparisons and feelings of longing? Danger: What are the rules of copyright and the restrictions of edited, curated online spaces? Magic: What can the artist’s work from Google Maps reveal about our world as distanced observers, and what transportive qualities can Google Maps inspire? This article will bring in personal experience of drawing from virtual travel as a solo artist and drawing with others, reflecting on social drawing from Google Maps as part of artistic practice.","PeriodicalId":40349,"journal":{"name":"Journal of Illustration","volume":"10 2","pages":"257-277"},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://repository.falmouth.ac.uk/5533/1/Drawing%20from%20Virtual%20Travel%2C%20Regret%2C%20Danger%2C%20and%20Magic.%20Georgie%20Bennett%20%28Author%27s%20Accepted%20Manuscript%29.pdf","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147890304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sharing meaning across the neurodivide: Research through illustration alongside people with profound intellectual and multiple disabilities (PIMD) 跨越神经鸿沟分享意义:与患有严重智力和多重残疾(PIMD)的人一起通过插图进行研究
Journal of Illustration Pub Date : 2023-12-01 DOI: 10.1386/jill_00072_1
Johanna Roehr
{"title":"Sharing meaning across the neurodivide: Research through illustration alongside people with profound intellectual and multiple disabilities (PIMD)","authors":"Johanna Roehr","doi":"10.1386/jill_00072_1","DOIUrl":"https://doi.org/10.1386/jill_00072_1","url":null,"abstract":"The perspectives of people labelled with profound intellectual and multiple disabilities (PIMD) remain significantly underrepresented in academic research. This article introduces a developing research methodology that explores how illustration-based methods might assist researchers in attuning to, and amplifying, non-linguistic contributions to knowledge made by people who do not use conventional language to communicate. As a medium that champions alternative forms of communication and aims to make complex subjects accessible to a wide range of audiences, illustration offers additional opportunities to open up the research arena to people with PIMD. This potential is discussed here within the framework of the author’s ongoing Ph.D. research. The methodology outlined in this article is developed within the Sensory Studio, a mobile workspace purpose-built for artistic exchange and co-creation between artists with PIMD and Frozen Light Theatre, a Norwich-based organization creating multi-sensory shows specifically for PIMD audiences. Reflecting on the ethical considerations that shaped the design of this methodology, the author shares some of the unanticipated findings that research through illustration has so far brought to light.","PeriodicalId":40349,"journal":{"name":"Journal of Illustration","volume":"10 2","pages":"235-256"},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://discovery.dundee.ac.uk/ws/files/124224644/Johanna_Roehr_Final_PeerReviewed_Manuscript.pdf","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147920587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Transitus issue 2: Embodiment and affect in a transitional moment in illustration research 过境问题2:插画研究中过渡时刻的体现与影响
Journal of Illustration Pub Date : 2023-12-01 DOI: 10.1386/jill_00069_2
Carolyn Shapiro
{"title":"Transitus issue 2: Embodiment and affect in a transitional moment in illustration research","authors":"Carolyn Shapiro","doi":"10.1386/jill_00069_2","DOIUrl":"https://doi.org/10.1386/jill_00069_2","url":null,"abstract":"This editorial gathers together a transitional moment within the field of illustration research and pedagogy, as well as within larger daily contexts that presume our physical transaction with screen technologies as interfaces to practices of illustration. Curiosity comes through as a motivation for our movement as bodies through time and space. We find many examples in contemporary cultural production, including and especially in examples of illustration, of a turn towards the body and its senses as being a more aware, more divergent and more vibrant site of reception and potential. Underlining what I have noticed as the reckoning of embodiment that characterizes current directions in illustration practice, research and pedagogy, I introduce Affect Theory as a backdrop to graphic medicine, but it is a theory that also seems compatible with other examples of embodied illustration. As it relates to our theme of ‘transitus’, crossing over is, I propose, an embodied action, a ‘shimmering passage’ through which we journey towards an ‘ethico-aesthetics’, a ‘bloom space’ of the body’s and illustration’s potentials.","PeriodicalId":40349,"journal":{"name":"Journal of Illustration","volume":"10 2","pages":"193-201"},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147882165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From indoors to the great outdoors: An augmented reality-illustrated scavenger hunt 从室内到户外:一个增强现实插图的寻宝游戏
Journal of Illustration Pub Date : 2023-12-01 DOI: 10.1386/jill_00075_4
N. Hay
{"title":"From indoors to the great outdoors: An augmented reality-illustrated scavenger hunt","authors":"N. Hay","doi":"10.1386/jill_00075_4","DOIUrl":"https://doi.org/10.1386/jill_00075_4","url":null,"abstract":"This review introduces the Illustrated Menagerie Augmented Reality Scavenger Hunt (IMARSH), a project merging extended reality (XR) with illustration for an immersive outdoor public exhibition. IMARSH aimed to reconnect individuals with nature through interactive animal-themed artworks, using XR to enhance engagement. The curated trail, part of the We Shine Portsmouth 2022 Festival, featured illustrations transformed into dynamic experiences with animation and sound. Key examples included artworks depicting endangered birds and highlighting ocean pollution. The article discusses technical aspects, audience engagement, and the potential of illustration and XR to deepen connections with nature. IMARSH serves as a pioneering initiative bridging art, technology and environmental awareness.","PeriodicalId":40349,"journal":{"name":"Journal of Illustration","volume":"10 2","pages":"301-315"},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147904141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Illustrating betweenship as experienced by Korean adoptees 说明韩国被收养者之间的关系
Journal of Illustration Pub Date : 2023-12-01 DOI: 10.1386/jill_00078_1
Cecilia Hei Mee Flumé
{"title":"Illustrating betweenship as experienced by Korean adoptees","authors":"Cecilia Hei Mee Flumé","doi":"10.1386/jill_00078_1","DOIUrl":"https://doi.org/10.1386/jill_00078_1","url":null,"abstract":"This article provides insight into the notion of betweenship as a state experienced by transracial Korean adoptees and the artistic expression of betweenship when mediated in illustration. It criticizes the transactional economy of international adoption, with a focus on adoptions between Europe and South Korea and exemplifies how Korean adoptees have both been portrayed and how they are themselves portraying decolonizing themes in the narratives of adoption by voicing sociopolitical aspects of gender, race and class through their autobiographical images and stories.","PeriodicalId":40349,"journal":{"name":"Journal of Illustration","volume":"10 2","pages":"359-379"},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147888616","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
I tell, therefore you are: Notes on The Handmaid’s Tale and its graphic adaptation 我告诉你,所以你是:《使女的故事》及其图像改编注解
Journal of Illustration Pub Date : 2023-12-01 DOI: 10.1386/jill_00077_1
Deanne Fernandes, Nina Martinez
{"title":"I tell, therefore you are: Notes on The Handmaid’s Tale and its graphic adaptation","authors":"Deanne Fernandes, Nina Martinez","doi":"10.1386/jill_00077_1","DOIUrl":"https://doi.org/10.1386/jill_00077_1","url":null,"abstract":"Margaret Atwood’s 1985 novel, The Handmaid’s Tale , has invited revisitation and reinterpretation over time. One reinterpretation surfaced in 2019 in the form of a graphic adaptation by Renée Nault. Was she successful? Was there anything lost – or gained – in the transition from text to comic? Are these two Tales one and the same? Utilizing theories from sociology, art history and illustration, this article explores how real-world inequalities and oppressive regimes are distilled into Atwood’s fictional dystopia, and then, in turn, how her ideas are translated into a visual medium in Renée Nault’s graphic novel adaptation. The colour red becomes fraught with meaning for both character and reader, while the illustration of the body can evoke control over, and violence towards, women. The authors adopt a call-and-response format and create ‘visual texts’ in response to each other’s work to echo the act of adaptation and the cyclical nature of ideas.","PeriodicalId":40349,"journal":{"name":"Journal of Illustration","volume":"10 2","pages":"331-357"},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147911020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Stéphane Mandelbaum: Mixed-up kid 史塔芬·曼德尔鲍姆:糊涂的孩子
Journal of Illustration Pub Date : 2023-12-01 DOI: 10.1386/jill_00076_4
Bill Prosser
{"title":"Stéphane Mandelbaum: Mixed-up kid","authors":"Bill Prosser","doi":"10.1386/jill_00076_4","DOIUrl":"https://doi.org/10.1386/jill_00076_4","url":null,"abstract":"This essay gives a brief account of an artist who embodies several aspects of Transitus , or ‘moving across’. First of all, his work has been embraced not only by curators of national galleries but eager collectors of Art Brut, and marks a transept where Outsider and High Art intersect. Second, his outpourings transmit uncomfortable reminders of fascism and wider immorality crossed with references from culture’s broader canon. These images are generally based on photographs, which his drawings transliterate and transmogrify by turn. These processes produce works fusing extraordinary pictorial grace with vivacity, so much so that they often transcend their sources’ negative, sociopolitical drag. Finally, in life he attempted to transpose his drawings’ transgressive imaginings into reality; a transference that resulted in tragedy, the ending of a life all to transient.","PeriodicalId":40349,"journal":{"name":"Journal of Illustration","volume":"10 2","pages":"317-330"},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147921733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Transitioning from suffering to drawing alopecia: A classroom experience through illustration 从痛苦到绘画脱发的过渡:通过插图的课堂体验
Journal of Illustration Pub Date : 2023-12-01 DOI: 10.1386/jill_00071_1
Subir Dey
{"title":"Transitioning from suffering to drawing alopecia: A classroom experience through illustration","authors":"Subir Dey","doi":"10.1386/jill_00071_1","DOIUrl":"https://doi.org/10.1386/jill_00071_1","url":null,"abstract":"In modern higher education, students are more vocal about their preferences and lifestyles. This attribute has allowed educators to introduce subjects that were previously considered taboo in the classroom. Students’ expressive and experimental nature also calls for new ways to blend pedagogy with their interests. This article focuses on my course, ‘Sequential art for mental health’, offered to post-graduate design students at a university. One student, Monika, who suffers from severe alopecia, shared her journey of transitioning from being a patient to an author of her condition by creating a graphic narrative in the form of a zine. This article highlights the essential factors that educators should consider to facilitate successful transitions in the classroom. As mental health disorders continue to affect more students, medical interventions are being implemented to address the issue. However, those suffering from these disorders still face many challenges in their daily lives. Mental health remains a top priority in universities, particularly for students. While an artist’s depiction of mental illness may differ from that of a patient’s personal experience, this article stresses the importance of using illustrations and sequential art to promote mental health. Co-creative learning and collaborative participation methods are recommended in this article as effective strategies for achieving this goal. Additionally, fundamental skills such as drawing are highlighted as valuable tools for self-improvement and awareness. Ultimately, this article explores the intersection of pedagogy, illustration and expression, paving the way for new directions in education and learning.","PeriodicalId":40349,"journal":{"name":"Journal of Illustration","volume":"10 2","pages":"219-234"},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147912489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Your flight has been cancelled: Stock vector landscape as a digital non-place 您的航班已取消:库存矢量景观为数字非位置
Journal of Illustration Pub Date : 2023-04-01 DOI: 10.1386/jill_00067_1
Ksenia Kopalova, Masha Krasnova-Shabaeva
{"title":"Your flight has been cancelled: Stock vector landscape as a digital non-place","authors":"Ksenia Kopalova, Masha Krasnova-Shabaeva","doi":"10.1386/jill_00067_1","DOIUrl":"https://doi.org/10.1386/jill_00067_1","url":null,"abstract":"This article will present and analyse the results of a research workshop conducted during and after the 2022 Transitus symposium at Falmouth University. The article aims to explore our visions of physical space, travel and migration through stock landscape illustration. The workshop invited illustrators to draw a five-step sequence of images customizing a stock landscape by turning it into a view out of their window, thus exploring how a visual digital ‘airport’, a utopian hub of a stock landscape, disintegrates into particularities of individual experiences. The resulting sequences of images were put together in an online magazine about illustration, Slonvboa.ru, and are available here: http://slonvboa.ru/nonlandscape, accessed 10 June 2023. This webpage collects 30-minute drawings from fourteen illustrators based in ten countries: Armenia, Dubai, France, Germany, The Netherlands, Norway, Russia, Turkey, the United Arab Emirates and the United Kingdom, with ten of the participants being based outside of their home country. Building upon the idea of the ‘nomadic illustration’ suggested by Catrin Morgan and Marc Augé’s notion of ‘non-place’, this article will explore further similarities between nomadism and the circulation of stock imagery. It will thus use the term ‘nomadic’ not only as a metaphor, but also as a direct link to migration studies and studies of digital nomadism, which often describes the precarious occupation of a migrating illustrator. This project will aim to highlight the unlikely possibilities that stock illustration may offer as a point of connection, rather than an alienating utopian abstraction. It will also analyse how individual authorial strategies deal with the notion of space, and how artistic means shape our visions of private and public spaces.","PeriodicalId":40349,"journal":{"name":"Journal of Illustration","volume":"10 1","pages":"153-176"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147902838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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