The Cornish Knitting Pattern Series film charts

IF 0.2 0 ART
Jennifer Nightingale
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Abstract

This visual essay appraises the film charts (shooting diagrams) used in the production of The Cornish Knitting Pattern Series in 2016. The film charts are a surprising key element arising from this period of film practice, being as they were a pragmatic part of the preproduction planning. However, through analysis of my films after production the charts have become a major source of visual thinking, notation, documentation and a significant aid to reflection on the work carried out. The Cornish Knitting Pattern Series is a collection of 16mm animation landscape films that use a single frame production technique to translate Guernsey knitting patterns into film, and in doing so set up a structural relationship between that of a knitted stitch and a frame of film ‐ drawing out analogies between both forms of production. In this visual essay the charts' roles will be considered in the translation of the Guernsey knitting patterns in terms of preproduction visualization of the knitting patterns; notation documentation during the pro-filmic event; and retrospectively as a record of processes and production. To do it will illuminate the film practice relationship to mistakes, and the location as the editing system process that is a key aspect of the film series processes ‐ wherein gesture, landscape and film are 'knitted together' in the film as a material object.
康沃尔针织图案系列电影图表
这篇视觉文章评估了2016年《康沃尔针织图案系列》制作中使用的电影图表(拍摄图)。电影排行榜是这一时期电影实践中出现的一个令人惊讶的关键因素,因为它们是前期制作计划中务实的一部分。然而,通过对我的电影制作后的分析,图表已经成为视觉思维、注释、文档的主要来源,也是反思所做工作的重要帮助。康沃尔针织图案系列是一系列16毫米动画风景片,使用单帧制作技术将根西岛的针织图案转化为电影,并在针织针脚和电影帧之间建立了结构关系,从而在两种制作形式之间进行了类比。在这篇视觉文章中,图表的作用将在根西岛针织图案的翻译中被考虑到针织图案的前期可视化;亲电影活动期间的注释文档;并作为工艺和生产的回顾性记录。这样做将阐明电影实践与错误的关系,以及作为剪辑系统过程的位置,这是电影系列过程的一个关键方面,其中手势、风景和电影在电影中作为实物“编织在一起”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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