Journal of Illustration最新文献_第3页

Extra-illustration, preservation and libraries in the nineteenth-century United States 19世纪美国的插图、保存和图书馆

Journal of Illustration Pub Date : 2021-08-01 DOI: 10.1386/jill_00039_1

M. Walsh

引用次数: 0

Where the book ends and the album begins: Extra-illustrating the work of James MacPherson LeMoine1 in nineteenth-century Quebec 书的结尾和专辑的开始:詹姆斯·麦克弗森·勒梅因在19世纪魁北克的作品的额外插图

Journal of Illustration Pub Date : 2021-08-01 DOI: 10.1386/jill_00040_1

Elizabeth Knazook

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Extra-illustrations to Charles Robert Cockerell’s Ionian Antiquities and James Cavanah Murphy’s Arabian Antiquities of Spain in the collections of the Gennadius Library and the Yale Center for British Art 查尔斯·罗伯特·科克雷尔的《爱奥尼亚古物》和詹姆斯·卡瓦纳·墨菲的《西班牙阿拉伯古物》的附加插图，收藏于Gennadius图书馆和耶鲁大学英国艺术中心

Journal of Illustration Pub Date : 2021-08-01 DOI: 10.1386/jill_00037_1

L. Mulvin

{"title":"Extra-illustrations to Charles Robert Cockerell’s Ionian Antiquities and James Cavanah Murphy’s Arabian Antiquities of Spain in the collections of the Gennadius Library and the Yale Center for British Art","authors":"L. Mulvin","doi":"10.1386/jill_00037_1","DOIUrl":"https://doi.org/10.1386/jill_00037_1","url":null,"abstract":"This article focuses on unpublished extra-illustrations relating to two architectural monographs, currently in the collections of the Gennadius Library (Athens, Greece) and the Yale Center for British Art (New Haven, CT, USA). The first section examines two unique copies of Ionian\u0000 Antiquities (1769) by Richard Chandler, Nicholas Revett and William Pars, both grangerized by Charles Robert Cockerell (1788‐1863); the second section considers a special copy of The Arabian Antiquities of Spain (1815) by James Cavanah Murphy (1760‐1814). These enhanced\u0000 volumes embody early nineteenth-century concepts of authorship and shed light on the working methodologies of their creators. In his personal copies, Cockerell noted differences in admeasurements of the monuments as recorded by Chandler and Revett for use in Neoclassical architectural practice,\u0000 and brought to light new discoveries made during his Ionian Grand Tour. In Murphy’s own volume of The Arabian Antiquities of Spain, the supplementary sketches, drawings and additional illustrations enliven the plates, place them in context and inform the printing process.","PeriodicalId":40349,"journal":{"name":"Journal of Illustration","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66729550","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Illustrating dementia 说明老年痴呆症

Journal of Illustration Pub Date : 2020-08-01 DOI: 10.1386/jill_00033_1

Nigel Smith

{"title":"Illustrating dementia","authors":"Nigel Smith","doi":"10.1386/jill_00033_1","DOIUrl":"https://doi.org/10.1386/jill_00033_1","url":null,"abstract":"Debate about dementia commonly elicits horror and despair. Yet, dementia is a syndrome of many distinct brain disorders. While progression is expected, memory scores are highly variable in dementia. Illustration plays a part by emphasizing the shrivelled brain of advanced Alzheimer’s.\u0000 Texts typically refer to wasting in the Alzheimer’s brain although it is selective and may be absent in some cases. Scans emphasize the anatomy of dementia rather than its variability and potential for relearning. Zombies have become associated with symptoms of dementia in both scholarly\u0000 discourse and popular conversation. A combination of these metaphors and the implication of ‘brainless behaviour’ may contribute to the stigma around dementia and ‘malignant practices’ reported among care staff, such as mockery and disparagement, which disempower people\u0000 with dementia. However, people with dementia can describe their own experience. An increasing number of memoirs, blogs and podcasts explore the subjective experience of living with dementia. Art by people with dementia reveals persistent creativity and may help them to retain a sense of identity\u0000 and self-worth. My animated documentary, Mute, illustrates the past life of ‘Frank’, a man with advanced dementia. The technique of charcoal reduction, with its subtle residue of past images, is a metaphor for the selective memory loss typical of Alzheimer’s dementia.\u0000 The theme of animation therapy in mental health and community arts has gained support in recent years. I discuss the scope for co-produced animations by people who have dementia and the skills required by arts health workers in this field.","PeriodicalId":40349,"journal":{"name":"Journal of Illustration","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45998428","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Editorial 编辑

Journal of Illustration Pub Date : 2020-08-01 DOI: 10.1386/jill_00021_2

H. Mumby

引用次数: 0

Pattern and pedagogy in print: Art and Craft Education in the mid twentieth-century classroom 印刷中的模式与教学法:二十世纪中期课堂中的工艺美术教育

Journal of Illustration Pub Date : 2019-12-01 DOI: 10.1386/jill_00013_1

D. McCannon

{"title":"Pattern and pedagogy in print: Art and Craft Education in the mid twentieth-century classroom","authors":"D. McCannon","doi":"10.1386/jill_00013_1","DOIUrl":"https://doi.org/10.1386/jill_00013_1","url":null,"abstract":"Abstract In this article I compare a set of early and mid-twentieth-century print publications supportive of the 'new' art teaching in schools. The educator Marion Richardson's reflections on her use of pattern in the classroom in Art and the Child (1948) is considered\u0000 alongside publications by artist-teachers such as Robin Tanner's Children's Work in Block Printing (1936) and Gwen White's A World of Pattern (1957). The monthly publication Art and Craft Education first published in 1936 was a magazine for teachers of art which showcased\u0000 the work being done in schools around Britain that were involved in the 'new' art instruction. Pattern-making in schools in these publications is positioned as a modular and constructivist form of learning encouraging multisensory and exploratory ways of looking at and making sense of the\u0000 world. Ackerman (2004) outlining theories of constructivist models for learning stresses the need for children to be 'builders of their own cognitive tools', and I argue that the exploration of pattern offers multiple strategies for the children to explore their phenomenological experience\u0000 of the world. Pattern-making is also presented as a democratic form of creativity and a means of introducing the concept of art into everyday life, inculcating an appreciation of well-made things in daily life. I argue that through the lens of this pedagogic print culture with this emphasis\u0000 on the benefits of teaching pattern-making in schools a nostalgic and pastoral English arts and crafts sensibility can be seen meeting a modernist cultural agenda via psychological theories of child development, creating a distinctively egalitarian, child-centred and craft-led model for learning.\u0000 Revisiting this moment in childrens' education in Britain offers a timely insight into alternatives to the current educational landscape, with its emphasis on measuring pupil's achievement and downgrading of creative subjects in the school curriculum.","PeriodicalId":40349,"journal":{"name":"Journal of Illustration","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47976750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Decriminalising Ornament: The Pleasures of Pattern1 使装饰合法化:图案的乐趣

Journal of Illustration Pub Date : 2019-12-01 DOI: 10.1386/jill_00012_2

Sheena Calvert, Nanette Hoogslag

引用次数: 0

Book review 书评

Journal of Illustration Pub Date : 2019-12-01 DOI: 10.1386/jill_00020_5

Magdalena Rek-Woźniak

引用次数: 0

Fibs and fripperies: References to the real in digital illustration 纤维和毛料：数字插图中的真实参考

Journal of Illustration Pub Date : 2019-12-01 DOI: 10.1386/jill_00015_1

S. Black

{"title":"Fibs and fripperies: References to the real in digital illustration","authors":"S. Black","doi":"10.1386/jill_00015_1","DOIUrl":"https://doi.org/10.1386/jill_00015_1","url":null,"abstract":"Abstract This article considers the phenomenon of illustrators digitally mimicking traces of the handmade as ornament. It will explore whether these decorative tendencies are Adolf Loos' backward or degenerative tendency, or a generous contribution to our visual environment.\u0000 It will ask why illustrators falsify the smudges, spills, textures and shadows of paper-based work within the digital workspace, what is gained and lost by doing so, and for whom? These questions will be explored in relation to interviews with two contemporary editorial illustrators and their\u0000 work, to unpick the professional benefits of the phenomenon, coupled with a foray into theoretical perspectives on ornament. In this regard, the article will consider the benefit of treating ornament as labour, and also whether illustration is suffering from Herbert Read's horror vacui,\u0000 in order to understand what happens when these terrifying empty spaces within images are filled with introduced artefacts. The discussion will also take skeuomorphism into account to explore the phenomenon, which then raises questions concerning illustration's 'usability'. The article draws\u0000 upon wildly different perspectives and practices from other fields as it seeks to consider the pleasures and pitfalls of a richly-ornamented composition, and ultimately argues that making 'noise' can be seen as a generous, temporal and critical act.","PeriodicalId":40349,"journal":{"name":"Journal of Illustration","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48906335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Decriminalising Ornament: The Pleasures of Pattern 装饰非刑事化：图案的乐趣

Journal of Illustration Pub Date : 2019-09-23 DOI: 10.1386/jill_00001_2

Sheena Calvert, Nanette Hoogslag

{"title":"Decriminalising Ornament: The Pleasures of Pattern","authors":"Sheena Calvert, Nanette Hoogslag","doi":"10.1386/jill_00001_2","DOIUrl":"https://doi.org/10.1386/jill_00001_2","url":null,"abstract":"This publication is the first of a two-part edition of the International Research Journal, which is an outcome of the international illustration symposium and exhibition ‘Decriminalising Ornament: The Pleasures of Pattern’, held in November 2018 in Anglia Ruskin University in Cambridge. The theme is centred around the same question that was at the heart of the symposium and exhibition, namely the (re)appreciation of ornament and pattern within the context of the field of illustration, but touching upon adjacent disciplines. Until recently, in some quarters of the creative community, the study of Ornament was still held to be regressive, if not reactionary, and echoed the words of Adolf Loos: “Ornament is no longer a natural product of its culture, and therefore represents backwardness or even a degenerative tendency.” — Adolf Loos, Ornament and Crime, 1908 \u0000 \u0000Building on the understanding of ornament, pattern and decoration as inherent to illustration, and as discussed in the previous issue, and exemplified within the work of practitioners, this issue presents a range of articles in which authors align this understanding with, and within, other disciplines. This interdisciplinary breadth includes architecture, typography, interior design and pedagogy. \u0000 \u0000The Journal of Illustration provides an international forum for scholarly research and investigation of a range of cultural, political, philosophical, historical, and contemporary issues, in relation to illustration. This peer-reviewed journal encourages new critical writing on illustration, associated visual communication, and the role of the illustrator as maker, visualizer, thinker, and facilitator, within a wide variety of disciplines and professional contexts. \u0000 \u0000The Journal of Illustration, Editorial.","PeriodicalId":40349,"journal":{"name":"Journal of Illustration","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/jill_00001_2","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47049425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0