查尔斯·罗伯特·科克雷尔的《爱奥尼亚古物》和詹姆斯·卡瓦纳·墨菲的《西班牙阿拉伯古物》的附加插图,收藏于Gennadius图书馆和耶鲁大学英国艺术中心

IF 0.2 0 ART
L. Mulvin
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引用次数: 0

摘要

本文的重点是关于两本建筑专著的未发表的额外插图,这两本专著目前在Gennadius图书馆(希腊雅典)和耶鲁大学英国艺术中心(美国康涅狄格州纽黑文)的收藏中。第一部分考察了Richard Chandler, Nicholas Revett和William Pars的两个独特的爱奥尼亚古物(1769)副本,这两个副本都是由Charles Robert Cockerell(1788‐1863)整理的;第二部分考虑了詹姆斯·卡瓦纳·墨菲(1760‐1814)的《西班牙阿拉伯古物》(1815)的特别副本。这些增强的卷体现了19世纪早期的作者概念,并阐明了他们的创造者的工作方法。在他的个人副本中,Cockerell注意到钱德勒和雷夫特记录的用于新古典主义建筑实践的纪念碑测量的差异,并揭示了他在爱奥尼亚大旅行期间的新发现。在墨菲自己的《西班牙阿拉伯古物》卷中,补充的草图、图纸和额外的插图使盘子活跃起来,将它们置于背景中,并告知印刷过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Extra-illustrations to Charles Robert Cockerell’s Ionian Antiquities and James Cavanah Murphy’s Arabian Antiquities of Spain in the collections of the Gennadius Library and the Yale Center for British Art
This article focuses on unpublished extra-illustrations relating to two architectural monographs, currently in the collections of the Gennadius Library (Athens, Greece) and the Yale Center for British Art (New Haven, CT, USA). The first section examines two unique copies of Ionian Antiquities (1769) by Richard Chandler, Nicholas Revett and William Pars, both grangerized by Charles Robert Cockerell (1788‐1863); the second section considers a special copy of The Arabian Antiquities of Spain (1815) by James Cavanah Murphy (1760‐1814). These enhanced volumes embody early nineteenth-century concepts of authorship and shed light on the working methodologies of their creators. In his personal copies, Cockerell noted differences in admeasurements of the monuments as recorded by Chandler and Revett for use in Neoclassical architectural practice, and brought to light new discoveries made during his Ionian Grand Tour. In Murphy’s own volume of The Arabian Antiquities of Spain, the supplementary sketches, drawings and additional illustrations enliven the plates, place them in context and inform the printing process.
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