Revista Humanidades最新文献

{"title":"Las nueve sinfonías de Beethoven, Marta Vela: una nueva visión simbólica","authors":"Vicenta Gisbert Caudeli","doi":"10.15517/h.v11i1.45061","DOIUrl":"https://doi.org/10.15517/h.v11i1.45061","url":null,"abstract":"Vela González Marta. (2020). Las nueve sinfonías de Beethoven. Madrid. Fórcola Ediciones.","PeriodicalId":40128,"journal":{"name":"Revista Humanidades","volume":"28A 8-9 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75231019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El cuerpo como frontera biopolítica del reacondicionamiento sexual: más allá de lo biológico y semántico","authors":"Ángel Sánchez Valdez, Arturo Rico Bovio","doi":"10.15517/h.v11i1.44151","DOIUrl":"https://doi.org/10.15517/h.v11i1.44151","url":null,"abstract":"e present investigation tries to identify the mechanisms and institutional guidelines used by the State for the administration of sexuality and its diversity, through a biopolitical analysis of said alternative corporality. is study also integrating biologicalgenetic elements as a scaffolding to consider in the analysis of the scope of sex reassignment surgery for transsexual people facilitated in the specific case of the Spanish State. Finding that within the capitalist system in recent years, the organization and visibility of sexual diversity at the head of its collective (LGBTTTIQ +), has been establishing modifications to state policies regarding the administration of sexual diversity, transforming from persecution and victimization models in guidelines of inclusion and institutional care.","PeriodicalId":40128,"journal":{"name":"Revista Humanidades","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77619525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Arte e Estética na Educação: uma Dimensão Epistemológica","authors":"Gustavo Cunha De Araújo","doi":"10.15517/h.v11i1.44157","DOIUrl":"https://doi.org/10.15517/h.v11i1.44157","url":null,"abstract":"Pesquisas relacionadas às concepções de estética vêm sendo estudadas há bastante tempo na literatura científica. No entanto, são poucas as revisões sistemáticas acerca da estética na educação. Nesse sentido, objetiva-se compreender, a partir de diferentes correntes teóricas, como a estética é concebida e discutida nas ciências humanas, considerando a sua relação com a arte e educação. Seguiu-se a abordagem qualitativa, de caráter descritivo e de natureza bibliográfica. Para as análises dos dados, adotou-se a técnica da pesquisa interpretativa. Os dados teóricos foram construídos a partir de extenso levantamento bibliográfico realizado em artigos e livros a respeito da arte e da estética ao longo de 3 anos. Dentre alguns resultados, os dados revelaram que a estética apresenta diferentes concepções no percurso histórico científico, ora se convergindo com o campo educacional, ora se distanciando desse. Contudo, durante a trajetória escolar ou acadêmica, pode ocorrer do estudante não querer produzir um objeto ou atividade apenas por produzir, ele pode querer fazê-lo bem feito, e isso responde a uma necessidade prática de produção material que o acompanha no percurso histórico da humanidade. Sendo expressão de algo bem definido, coerente e bem resolvido, pode ser entendido como expressão de beleza, pois apresenta qualidade estética","PeriodicalId":40128,"journal":{"name":"Revista Humanidades","volume":"30 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86272667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Crisis migratoria en Colombia y Costa Rica: una visión desde el análisis de sentimientos","authors":"M. Arguedas, Jorge Beita, F. Rodríguez, Jorge Umaña, M. Vaca","doi":"10.15517/h.v10i2.42238","DOIUrl":"https://doi.org/10.15517/h.v10i2.42238","url":null,"abstract":"espanolLa dinamica migratoria de America Latina se ha caracterizado por ser intrarregional, la cual es producida por crisis economicas, politicas y humanitarias, lo que ha generado un incremento en los flujos migratorios. En Colombia, segun cifras oficiales de migracion, al mes de septiembre de 2019, se calculaba que viven 1.825.687 venezolanos, de los cuales el 43.8% se encuentran en situacion regular migratoria, es decir, portan cedula de extranjeria o Permiso Especial de Permanencia. En el caso de Costa Rica, el mayor porcentaje de migrantes proviene de Nicaragua, cuyos flujos han permanecido constantes. El censo del ano 2011 arroja que un 75% de los inmigrantes provienen de Nicaragua, y en el ano 2018 el ingreso fue de 198.162 personas. Debido a la ausencia de datos suficientes que permitan comprender el comportamiento de este fenomeno, se realizo una exploracion de opiniones de los usuarios de Twitter en Colombia y Costa Rica sobre la migracion, desde el 1 de enero hasta el 31 de julio de 2019, por medio de un acercamiento desde el analisis de sentimientos. Mediante el estudio se encontro que las principales preocupaciones de los usuarios de ambos paises estan enfocadas en las subcategorias de derechos humanos, seguridad y desempleo. EnglishLatin American cross-regional migratory dynamics have been driven by economic, political, and humanitarian crisis, which has caused an increase in the migratory flow. In Colombia, according to official figures from the migration department, out of 1,825,687 Venezuelans, 43.8% have a regular migratory condition, meaning they have their international ID or a special migratory permit. In Costa Rica, 75% of the immigrants in the country come from Nicaragua, which shows that Nicaraguan immigration has stayed constant over the years. Due to the absence of data to understand the behavior of the phenomenon, based on a sentiment analysis approach, an exploration of posts and opinions from Twitter users in Costa Rica and Colombia on immigration was carried out from January 1st to July 31st, 2019. This study revealed that the main concern of the users of both countries is focused on the subcategories of human rights, security, and unemployment.","PeriodicalId":40128,"journal":{"name":"Revista Humanidades","volume":"128 1","pages":"12"},"PeriodicalIF":0.1,"publicationDate":"2020-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83960296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El concepto de la historia en G. B. Vico: el retorno de la barbarie, la subjetividad y el cuerpo","authors":"Álvaro Reyes Toxqui, José Cruz Jorge Cortés Carreño","doi":"10.15517/h.v10i2.42133","DOIUrl":"https://doi.org/10.15517/h.v10i2.42133","url":null,"abstract":"El concepto de la historia en Vico surge en torno a la búsqueda de la particularidad histórica de la vida de los pueblos. La Ilustración había mezclado la linealidad del acontecimiento histórico con la noción moral del perfeccionamiento de la conciencia humana. Vico, a partir de la noción de la Providencia, construyó una noción no determinista de la historia y de los órdenes civiles. La tesis central del presente artículo es que, en Vico, los asuntos civiles se comprenden a partir de la historicidad humana que se concreta en órdenes políticos. Este orden, por supuesto, es inestable porque las bases de la civilización cruzan los umbrales intersubjetivos del miedo, la vergüenza y la corporeidad. El retorno posible de la barbarie, la misma que quizás estuviera fraguándose frente a nuestros ojos hoy en día, pudiera significar una transformación radical del orden civil y arrojarnos a otras experiencias de lo humano y de lo político. La filosofía de la historia de Vico, presente en su Ciencia Nueva, es hoy una poderosa herramienta que ayuda a comprender la incertidumbre que sufre Occidente frente al tiempo y bajo su historia civilizatoria. ","PeriodicalId":40128,"journal":{"name":"Revista Humanidades","volume":"20 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87009440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Entidades aplastadas: rechazo, compasión, trabajo e inexistencia en Trump Reopens an Old Wound for Haitians, We Must not Forget Detained Migrant Children y Without Inspection","authors":"Jaime Morales Quant","doi":"10.15517/h.v10i2.42053","DOIUrl":"https://doi.org/10.15517/h.v10i2.42053","url":null,"abstract":"espanolA partir de discursos de la filosofia, la critica literaria y el estudio de las emociones, se exploran las imagenes de inmigrantes, principalmente haitianas(os), en Estados Unidos. Se parte de un corpus textual que esta formado por dos articulos de opinion y un cuento escritos por Edwidge Danticat: Trump Reopens an Old Wound for Haitians (2017), We Must not Forget Detained Migrant Children (2018a) y Without Inspection (2018b). Mi propuesta implica la identificacion, la esquematizacion y el analisis de cuatro caracterizaciones que Danticat plantea alrededor de las(os) inmigrantes: a) seres vapuleados y rechazados por presidentes, centros de inmigracion estadounidenses, medios de comunicacion, bancos, realizadores audiovisuales, productores musicales; b) agentes y receptoras(es) de la compasion; c) individuos pobres y explotados, movidos por la necesidad de sobrevivir y no por el imperativo del rendimiento sugerido por Han (2012) para el mundo laboral contemporaneo; d) entidades invisibles e inexistentes en vida, y difuminadas en el momento de su muerte. EnglishFrom discourses from philosophy, literary criticism, and the study of emotions, I explore images of immigrants, mainly Haitians, in the United States. I start from a textual corpus that is made up of two opinion articles and a story written by Edwidge Danticat: Trump Reopens an Old Wound for Haitians (2017), We Must not Forget Detained Migrant Children (2018a) y Without Inspection (2018b). My proposal involves the identification, schematization, and analysis of four characterizations that Danticat poses around immigrants: a) being beaten and rejected by presidents, US immigration centers, media, banks, filmmakers, music producers; b) agents and recipients of compassion; c) poor and exploited individuals, driven by the need to survive, and not by the imperative of performance, suggested by Han for the contemporary world of work (2012); d) invisible and non-existent entities in life, and blurred at the moment of their death.","PeriodicalId":40128,"journal":{"name":"Revista Humanidades","volume":"10 1","pages":"10"},"PeriodicalIF":0.1,"publicationDate":"2020-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85007999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Bruce Chatwin: Utz, su novela sobre el mundo del arte","authors":"Isabel López Hernández","doi":"10.15517/h.v10i2.41806","DOIUrl":"https://doi.org/10.15517/h.v10i2.41806","url":null,"abstract":"espanolEl escritor britanico Bruce Chatwin (1940-1989) convierte a un coleccionista compulsivo en eje central de su novela Utz. A traves de su protagonista, reflexiona acerca del mundo del arte, rememorando su pasado cuando trabajaba en la casa de subastas Sotheby´s. Su experiencia alli le proporciono unos conocimientos y una mirada que determinarian su vida, aprendio a estudiar una obra de arte, a describirla en pocas palabras y valorar su precio en el mercado. Todo ello se percibe en su estilo narrativo, donde persigue la precision de las descripciones tipicas de los catalogadores. Desarrollo un estilo propio. Ademas, adquirio una red de contactos trascendental alrededor del mundo. Fijo su interes en personalidades peculiares que desembocaron en la creacion de Utz, personificacion de ese entramado de marchantes y coleccionistas que le facilito su puesto de director en el departamento de impresionistas y arte moderno. Al mismo tiempo, su epoca en Sotheby´s desperto en el la eterna disyuntiva entre la posesion, la busqueda de la inmortalidad y la creacion artistica. El presente articulo examina como el autor aborda todos estos temas en la novela. EnglishBritish writer Bruce Chatwin (1940-1989) makes a compulsive collector the central axis of his novel Utz. Through that character, he reflects on the art world remembering his work at the auction house Sotheby´s. His experience there gave him the knowledge and look that would condition his life. He learnt to analyze a work of art, to describe it in just a few words and to value it in the market. All of it can be noticed in his writing style, in which he pursues the kind of the precision observed in cataloguers. He developed his own technique. Besides, he acquired a strong contact network around the world. He put his eyes on peculiar personalities that led to the creation of Utz, personification of all those art dealers and collectors that he met during his time as the head of the firm's Impressionist and Modern Art department. Moreover, his work at Sotheby´s awakened his eternal dilemma between possession, search for immortality and creation. This article examines how the author treats the above topics in his novel.","PeriodicalId":40128,"journal":{"name":"Revista Humanidades","volume":"37 1","pages":"33-43"},"PeriodicalIF":0.1,"publicationDate":"2020-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81537064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La geopolítica cinematográfica de los zombis: notas para el debate","authors":"Xavier Brito Alvarado, Saudia Levoyer","doi":"10.15517/h.v10i2.41767","DOIUrl":"https://doi.org/10.15517/h.v10i2.41767","url":null,"abstract":"espanolEl zombi ha dejado de ser la estrella de peliculas de bajo presupuesto y se ha convertido en un concepto cientifico (biologico, social, economico y tecnologico), en una metafora para la reflexion de las diversas problematicas sociales, es un ente que ha pasado de humano a lo poshumano, hasta llegar a ser un antisujeto. El zombi causa temor en dos direcciones: la primera, en ser devorado por este y la segunda, en convertirse en uno. Su posicionamiento ontologico lo ubica entre el sujeto y el objeto, rompiendo los modelos duales, no importa el genero, la condicion socioeconomica, ni la geografia, por ello es la metafora ideal para el analisis social contemporaneo, donde las miradas marxistas, poscoloniales, de genero, posestructuralistas, posmodernas y las teorias poshumanistas entran en dialogo. Desde un abordaje teorico, proveniente de la antropologia, la sociologia y el cine, este ensayo reflexiona al zombi por fuera de las clasicas miradas reduccionistas que lo han ubicado como un producto cultural marginal, destinado a satisfacer momentos ludicos, contrario a esta postura, lo que se intenta, mas bien, es dar una vision critica del zombi y su injerencia social contemporanea. EnglishThe zombie has ceased to be the start of low-budget films and has become a scientific concept (biological, social, economic and techonological), a metaphor for the reflection of the varius social problems, in an entity that has gone from human to posthuman, until becoming an antisubject. The zombie causes fear in two directions: the first, to be devoured by it and, the second, to become one. Its ontological position places it between the subject and the object, breaking the dual models, regardless of gender, socioeconomic statu or geography, so it is the ideal metaphor for contemporany social analysis, where marxist, post cololinal and gender, post structuralist, postmodern, posthumanist theories can dialogue. From a theoretical approach, from anthropology, sociology and cinema, this essay ponder on the zombie outside the classical reductionist views, which have placed it as a marginal cultural product, intended to satisfy playful momento, contrary to this position, what is intended, rather, is to give a critical view of the zombie and its contemporary social interference.","PeriodicalId":40128,"journal":{"name":"Revista Humanidades","volume":"37 1","pages":"8"},"PeriodicalIF":0.1,"publicationDate":"2020-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85570945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La dimensión transpersonal de la espiritualidad: trascender mediante el arte, un recorrido histórico","authors":"Rebeca Diego Pedro, J. Crespo, Edgar González Hernández","doi":"10.15517/h.v10i2.41743","DOIUrl":"https://doi.org/10.15517/h.v10i2.41743","url":null,"abstract":"La espiritualidad está presente nuclear y cotidianamente en la vida de las personas ofreciendo unión entre cada uno de sus componentes. La dimensión transpersonal de la espiritualidad permite a la persona conectar con algo más allá de ella misma. Por ello, el arte ha sido uno de los principales vehículos que la humanidad ha utilizado históricamente para trascender. El objetivo de este trabajo es realizar un recorrido histórico por las manifestaciones artísticas de las primeras comunidades atendiendo a los vínculos entre arte y espiritualidad. A través del análisis de los primeros períodos históricos y sus obras de arte se contemplará cómo la espiritualidad ha formado parte del ser humano desde sus orígenes siendo un fenómeno dinámico. También se abordará cómo el arte ha permitido esa trascendencia personal de cada individuo consigo mismo, con un ser superior o mediante la conexión con los demás miembros presentes y futuros de su comunidad.","PeriodicalId":40128,"journal":{"name":"Revista Humanidades","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83080728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La fenomenología del amor de Ortega","authors":"Leopoldo Tillería Aqueveque","doi":"10.15517/h.v10i2.41612","DOIUrl":"https://doi.org/10.15517/h.v10i2.41612","url":null,"abstract":"espanolEl articulo aborda la fenomenologia del amor en la filosofia de Ortega, especialmente a partir de su obra del periodo maduro Estudios sobre el amor (1939). Para ello, el escrito se organiza en torno a cinco conceptos que segun Ortega describirian una nota esencial a su idea de amor: enamoramiento, entrega, eleccion, amor cortes y perfeccion. Esta recepcion de la fenomenologia del amor de Ortega adquiere una mayor claridad a partir de la consideracion del amor como modo de afectividad propuesta, a su vez, por la fenomenologia de Martin Heidegger. El amor orteguiano, expresion estetica de su filosofia de la razon vital, muestra la preocupacion del pensador espanol por explicar el acontecimiento amoroso a partir de la sintesis entre razon y vida, precisamente en el nucleo de nuestra circunstancia. Esta fenomenologia del amor revelaria, a la postre, al heroe romantico como el unico modo de ser que pudiera contrarrestar el nihilismo al que el espanol hizo frente mediante su filosofia de la vida. EnglishThe article discusses the phenomenology of love in the philosophy of Ortega, especially from his work of the mature period, Studies on Love (1939). Therefore, the writing is organized around five concepts that Ortega would describe an essential note to his idea of love: infatuation, delivery, choice, courtly love, and perfection. This reception of Ortega's phenomenology of love acquires greater clarity from the consideration of love as a mode of affectivity proposed, in turn, by Martin Heidegger's phenomenology. Ortega's Love, an aesthetic expression of his philosophy of vital reason, shows the Spanish thinker's concern to explain the love event from the synthesis between reason and life, precisely at the core of our circumstance. This species of phenomenology of love would reveal, to the end, the romantic hero as the only way of being that it could counteract the nihilism that the Spanish faced through his philosophy of life.","PeriodicalId":40128,"journal":{"name":"Revista Humanidades","volume":"11 1","pages":"6"},"PeriodicalIF":0.1,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74900503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}