Global Hip Hop Studies最新文献_第3页

Hip Hop Versus Rap: The Politics of Droppin’ Knowledge, Patrick Turner (2019) 《嘻哈vs说唱:知识政治》，帕特里克·特纳(2019)

Global Hip Hop Studies Pub Date : 2020-08-01 DOI: 10.1386/ghhs_00025_5

Peter Bearder

引用次数: 0

‘Faut que ça rappe!’: Musical revitalization, social healing and the politics of performance in the Gabonese rap world (2009‐20) “Faut que pada rappe!”:加蓬说唱界的音乐复兴、社会愈合和表演政治(2009 - 20)

Global Hip Hop Studies Pub Date : 2020-08-01 DOI: 10.1386/ghhs_00021_1

Alice Aterianus-Owanga

{"title":"‘Faut que ça rappe!’: Musical revitalization, social healing and the politics of performance in the Gabonese rap world (2009‐20)","authors":"Alice Aterianus-Owanga","doi":"10.1386/ghhs_00021_1","DOIUrl":"https://doi.org/10.1386/ghhs_00021_1","url":null,"abstract":"The aim of this article is to contribute to our understanding of how local rap worlds evolve by describing the successive processes of the decline and revitalization of rap music in Gabon between 2009 and 2020, and by questioning the technologies and mediations employed for that purpose.\u0000 This article considers how these transformations overlap with a history of complex relationships between music and politics, arguing that the revitalization of the rap world was related to a broader attempt at social healing and reconciliation after a violent political conflict. It stems from\u0000 a long-term ethnography study conducted in Libreville and the Gabonese diaspora from 2008 to 2016 and on the analysis of two recent rap projects launched in Libreville: ‘Bwiti Gang Cypher’ and ‘Catalogue Challenge’. Through the analysis of these two performances, I\u0000 highlight how the attempt at revitalization was relying on a complex mix of mediations and technologies, including original hip hop conventions and local healing rituals and how it has allowed for the transformation of divisive conflicts into a cathartic moment of collective listening. This\u0000 article finally proves the double dimension of musical revitalization, one where music rebirth and social healing overlap, and it shows how the embeddedness of music and politics can be permanently transformed through the agency of social actors who develop a creative play between different\u0000 technologies and mediations.","PeriodicalId":395273,"journal":{"name":"Global Hip Hop Studies","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133316220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

‘We [mostly] carry guns for the internet’: Visibility labour, social hacking and chasing digital clout by Black male youth in Chicago’s drill rap scene “我们(大多)是为了互联网而持枪的”:芝加哥钻孔说唱界黑人男性青年的能见度劳动、社交黑客和追逐数字影响力

Global Hip Hop Studies Pub Date : 2020-08-01 DOI: 10.1386/ghhs_00019_1

Jabari Evans

{"title":"‘We [mostly] carry guns for the internet’: Visibility labour, social hacking and chasing digital clout by Black male youth in Chicago’s drill rap scene","authors":"Jabari Evans","doi":"10.1386/ghhs_00019_1","DOIUrl":"https://doi.org/10.1386/ghhs_00019_1","url":null,"abstract":"Much negative attention has been given to the ‘drill’ music genre, a subgenre of gangsta rap that was born in Chicago’s underground hip hop scene in early 2010s. Previous scholarship has highlighted how social media has shifted how gang-affiliated youth in Chicago\u0000 carefully manage their street reputations, communicate with peers and fuel gang rivalries through platformed creation. Yet still, in the context of drill, I argue that social media self-branding practices also provide these youth a way out of containment and sequestration to gain visibility\u0000 in the music industry and empower their neighbourhoods. Based on interviews with drill recording artists and their support workers, I explore the content and character of their work, the centrality of work ethic to their racial identity construction and the way they use social media work to\u0000 build and maintain status, authenticity and cultivate connections with fans, friends and other cultural producers. Bridging traditional theories of urban sociology with emerging new media scholarship, I suggest this group of artists is a representative case of how the digital practices of\u0000 disadvantaged Black youth have typically gone mischaracterized in the literature. This study offers new insights into ‘capping’ as an important tenet to hip hop’s visibility labour on social media and how the ‘always on’ nature of digital labour adds another dimension\u0000 to the typical utilization of street authenticity in narratives of hip hop music. This article concludes by illuminating the many deep contradictions and misconceptions about technological ingenuity, Black youth agency, hip hop culture and street credibility in urban communities.","PeriodicalId":395273,"journal":{"name":"Global Hip Hop Studies","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116559927","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Feudal city walls or global village? It takes a nation of millions to hold us back 封建城墙还是地球村?需要一个拥有数百万人口的国家来阻止我们

Global Hip Hop Studies Pub Date : 2020-08-01 DOI: 10.1386/ghhs_00017_2

Adam Haupt, G. Rollefson

引用次数: 3

Hip-Hop in Africa: Prophets of the City and Dustyfoot Philosophers, Msia Kibona Clark (2018) 《嘻哈在非洲:城市的先知和尘埃之脚的哲学家》，玛西亚·基博纳·克拉克著(2018)

Global Hip Hop Studies Pub Date : 2020-08-01 DOI: 10.1386/ghhs_00024_5

Catherine M. Appert

引用次数: 1

From Hanok to Hanbok: Traditional iconography in Korean hip hop music videos 从韩屋到韩服:韩国嘻哈音乐录影带中的传统图像

Global Hip Hop Studies Pub Date : 2020-08-01 DOI: 10.1386/ghhs_00020_1

CedarBough T. Saeji

{"title":"From Hanok to Hanbok: Traditional iconography in Korean hip hop music videos","authors":"CedarBough T. Saeji","doi":"10.1386/ghhs_00020_1","DOIUrl":"https://doi.org/10.1386/ghhs_00020_1","url":null,"abstract":"Popular culture texts not only entertain us, they shape our understanding of the world and our place in it. This article explores the contradictions and effects of the use of imagined and real Korean settings and traditional iconography in recent videos from Korean hip hop artists with\u0000 a particularly close reading of the rapper Beenzino’s mid-2016 offering ‘January’, additionally informed by Drunken Tiger’s ‘Mantra’, MC Mong’s ‘Fame’ and Agust D’s ‘Daechwita’. The videos each utilize settings that signify\u0000 Koreanness and feature significant symbols of Korea. I investigate what symbols and icons are used to take a foreign genre and imbue it with Koreanness within the music video frame. I find that these videos circulate and re-circulate a limited number of icons of Korea, because the images are\u0000 meant not to portray pre-modern Korea in its complexity, but traditional Korea both as a symbol of national pride and as a (domestic and international) tourist destination wherein the palace is a backdrop and you wear a Hanbok to create a visually striking Instagram post. Operating\u0000 as the king of the music video’s world, the hip hop artist maintains his artistic independence through challenging tradition with juxtaposed elements of the present day.","PeriodicalId":395273,"journal":{"name":"Global Hip Hop Studies","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115845334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Das weisse Album, Haftbefehl, Audio CD, Berlin: Urban and Universal 《美好》专辑，Haftbefehl，音频CD，柏林:城市与环球

Global Hip Hop Studies Pub Date : 2020-08-01 DOI: 10.1386/ghhs_00026_5

Max Tretter

引用次数: 0

‘If I see a black dot, I shoot it on sight!’: Italian rap between anti- and neo-fascisms “如果我看到一个黑点，我就开枪!”:介于反法西斯主义和新法西斯主义之间的意大利说唱

Global Hip Hop Studies Pub Date : 2020-08-01 DOI: 10.1386/ghhs_00022_1

Enrico Zammarchi

{"title":"‘If I see a black dot, I shoot it on sight!’: Italian rap between anti- and neo-fascisms","authors":"Enrico Zammarchi","doi":"10.1386/ghhs_00022_1","DOIUrl":"https://doi.org/10.1386/ghhs_00022_1","url":null,"abstract":"This article explores the connections between anti-fascism and hip hop in Italy between the 1990s and today. In the first part, I look at how several bands affiliated with the posse movement of the early 1990s relied on the network of students and of young people hanging out\u0000 in the centri sociali (squatted centres) to spread their political messages. Picking up the baton from the militant singer-songwriters of the 1970s, Italian posses often mixed rap with other foreign musical influences such as reggae and punk, frequently rapping about the lack of anti-fascist\u0000 activism among the youth and denouncing the gradual abandonment of anti-fascist ideals by members of the parliamentary Left. In the second part of the article, I discuss how, in the late 2000s, a new generation of anti-fascist hip hop artists emerged, with rappers such as Kento and Murubutu\u0000 being among the most influential representatives of a subgenre known as ‘letteraturap’ (literature-rap). Kento and Murubutu’s narrative skills show their opposition to Fascism through the use of fictional characters, using short stories that are rich of metaphors to illustrate\u0000 the importance of resisting to contemporary forms of fascism. Lastly, this article explores the gradual appropriation of hip hop culture by neo-fascist groups such as CasaPound. Understanding hip hop’s potentialities to recruit large numbers of young people, CasaPound organized street\u0000 art conventions on graffiti, and promoted the emergence of hip hop crews like Rome’s Drittarcore. I conclude the article by analysing the efficacy of anti-fascist rap in earlier decades and considering CasaPound’s attempt to appropriate some of hip hop culture’s disciplines,\u0000 ultimately showing not only a general crisis in political ideologies and cultural values, but also the power of neo-fascist movements to manipulate and reinvent subcultural formations to influence the youth.","PeriodicalId":395273,"journal":{"name":"Global Hip Hop Studies","volume":"27 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130796202","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Talking Back, Benny Starr, Charleston Music Hall, Charleston, 22 September 2018 Talking Back, Benny Starr，查尔斯顿音乐厅，查尔斯顿，2018年9月22日

Global Hip Hop Studies Pub Date : 2020-08-01 DOI: 10.1386/ghhs_00027_5

Aisha Gallion

引用次数: 0

Representing Islam: Hip-Hop of the September 11 Generation, Kamaludeen Mohamed Nasir (2020) 代表伊斯兰:9·11一代的嘻哈，卡玛鲁丁·穆罕默德·纳西尔(2020)

Global Hip Hop Studies Pub Date : 2020-08-01 DOI: 10.1386/ghhs_00023_5

J. Jouili

引用次数: 3