Global Hip Hop Studies最新文献

{"title":"B-Boy Abstracts\u0000 1","authors":"Jacob Kimvall, Carlos Mare","doi":"10.1386/ghhs_00030_1","DOIUrl":"https://doi.org/10.1386/ghhs_00030_1","url":null,"abstract":"B-Boy Abstracts is an artistic project started in 2005 by artist and scholar Carlos Mare (alias Mare139). The project connects the graffiti/style writing tradition with high-end modernist art history as well as the art of breaking, and where the artist is rethinking breaking\u0000 as a form of abstract art, as sculpture, drawing, painting and graphic prints. The text is an artistic statement by Mare139 on the background of B-Boy Abstracts, and on how he has looked to modernist art history in his quest of finding a language to visualize hip hop’s dance elements.","PeriodicalId":395273,"journal":{"name":"Global Hip Hop Studies","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127738440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Bel-Air and the carceral system : Bel-Air (forthcoming), M. Cooper (dir.) and W. Smith (prod.), USA: Peacock.","authors":"J. D. Burton","doi":"10.1386/ghhs_00040_5","DOIUrl":"https://doi.org/10.1386/ghhs_00040_5","url":null,"abstract":"","PeriodicalId":395273,"journal":{"name":"Global Hip Hop Studies","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116810662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"An aesthetic of (re)appropriation: Remediating practices as history and identity in LA Rebellion film and hip hop sampling","authors":"S. Wilder","doi":"10.1386/ghhs_00032_1","DOIUrl":"https://doi.org/10.1386/ghhs_00032_1","url":null,"abstract":"This article examines remediation practices as forms of Black creativity in films associated with the ‘LA Rebellion’ and in hip hop from its first two decades. As used here, remediation has two meanings. It stands for the use of prior media in subsequent works, be it the\u0000 file footage incorporated by the UCLA-based filmmakers of the ‘LA Rebellion’ (the name given to Black filmmakers who studied and produced films between the late 1960s and 1980s), or the use of sampling and turntable-manipulated breakbeats that defines early hip hop. However, remediation\u0000 is also used here for its potential as a corrective. Although postmodernity’s pastiche is discernible in the remediated elements of texts associated with these separate but contemporaneous movements, there is something specifically Black in the freely appropriated and repurposed prior\u0000 creative work towards transformative ends. Beyond any postmodern effect, these practices reflect specific ideas related to politics, revolution and counter-ideological impulses opposed to the dominant white culture that surrounded these artists, and to which their texts respond. This transformative\u0000 reuse ‐ visual or aural ‐ expresses what Foucault termed ‘counter-history’ and ‘counter-memory’ ‐ revealing subversive texts that complicate and challenge white cultural and historical hegemony.","PeriodicalId":395273,"journal":{"name":"Global Hip Hop Studies","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131592177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Dilla Time: The Life and Afterlife of J Dilla, the Hip-Hop Producer Who Reinvented Rhythm, Dan Charnas (2022)","authors":"Wayne Marshall","doi":"10.1386/ghhs_00038_5","DOIUrl":"https://doi.org/10.1386/ghhs_00038_5","url":null,"abstract":"Review of: Dilla Time: The Life and Afterlife of J Dilla, the Hip-Hop Producer Who Reinvented Rhythm, Dan Charnas (2022)New York: MCD and Farrar, Straus & Giroux, 458 pp.,ISBN 978-0-37413-994-0, h/bk, USD 30.00","PeriodicalId":395273,"journal":{"name":"Global Hip Hop Studies","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130010533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Poetic Resurrection: The Bronx in American Popular Culture, Sina A. Nitzsche (2020)","authors":"Jeffrey Ian Ross","doi":"10.1386/ghhs_00039_5","DOIUrl":"https://doi.org/10.1386/ghhs_00039_5","url":null,"abstract":"Review of: Poetic Resurrection: The Bronx in American Popular Culture, Sina A. Nitzsche (2020)Bielefeld: Transcript, 217 pp.,ISBN 978-3-83765-311-3, p/bk, USD 28.87","PeriodicalId":395273,"journal":{"name":"Global Hip Hop Studies","volume":"2014 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114679650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"‘Doing that music which moves me’: A conversation with Bristol hip hop pioneer, Krissy Kriss","authors":"James McNally, Kriss ‘Krissy Kriss’ Johnson","doi":"10.1386/ghhs_00036_7","DOIUrl":"https://doi.org/10.1386/ghhs_00036_7","url":null,"abstract":"From the early-1980s, the arrival of hip hop in the UK city of Bristol created a wave of new possibilities for multiracial Bristolians. In the medium-term, this would help yield the music popularly termed ‘the Bristol Sound’, exemplified by post-hip hop performers like Tricky\u0000 and Massive Attack ‐ all of whom were part of the city’s early hip hop scene. More immediately, however, Bristol would become home to a vital hip hop party culture, centred on makeshift ‐ and frequently illegal ‐ parties thrown in warehouses, shebeens and small independent\u0000 clubs in and around the city’s storied Black district, St. Paul’s. In this wide-ranging oral history conversation, which broadens the debate on Bristol hip hop and its diasporic sound-making, pioneering Bristol MC, Kriss ‘Krissy Kriss’ Johnson, discusses his memories\u0000 and experiences of hip hop in the city. He provides fresh insights on diasporic Black identities in semi-rural contexts; the historic textures of teenage Black popular culture in Bristol in the 1970s‐80s; the political realities of early-Thatcherism; the resurgence of British street\u0000 racism in the 1970s; the psychogeography of Bristol neighbourhoods and historic change in St. Paul’s; the historically grounded appeals of hip hop culture as a site of affirmative teenage Black identity and possibility; the lived experience of Bristol’s DIY hip hop party culture.\u0000 In doing this, Johnson offers a historically important Black perspective on a scene that has often been glossed by journalists and academics alike in terms of its utopian polyculturalism. By prioritizing his response as a young Black person in the historical particularities of his lived context,\u0000 the conversation moves beyond the priorities of such accounts to provide a nuanced appreciation of Bristol’s hip hop movement in the city’s complex race and class geography. The account, moreover, recentres hip hop in the history of this party scene, which journalists have typically\u0000 viewed from the prism of an overdetermined hybridity seen as peculiar to the city.","PeriodicalId":395273,"journal":{"name":"Global Hip Hop Studies","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132018077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Articulations of displacement and dissonance from Compton: Kendrick Lamar in the twenty-first century","authors":"James G. Cantres","doi":"10.1386/ghhs_00035_1","DOIUrl":"https://doi.org/10.1386/ghhs_00035_1","url":null,"abstract":"Kendrick Lamar’s lyrics and subject matter often require repeated listens that reveal perspectives ranging from his upbringing in Compton, his parents’ migration from Chicago to California and broader questions of identity, place, displacement, belonging and home. A self-described\u0000 Southern California ‘80s baby’, Lamar’s music nevertheless imagines Black self-identification in a broader and global sense. His work reflects rootlessness among continental and diasporic Africans across time and space. Utilizing approaches of British Cultural Studies and\u0000 African diaspora studies, this article analyses Lamar’s critically acclaimed album To Pimp a Butterfly (2015). The pursuit of home as a response to the unbound nature of diasporic existence ‐ connected to histories of transatlantic slavery, the Middle Passage and\u0000 the plantation enterprise in the United States, the Caribbean and South America ‐ reverberates for Lamar as an African American millennial yet also situate him within a continuum of Afro-Atlantic artistic innovators. In places as varied as Chicago, Compton, Jamaica, South Africa and\u0000 London, Black people reckon with the meanings of home and Lamar offers his unique Afro-diasporic perspective. Lamar’s ruminations on intra-national migrations within the United States allow for a theorization of various iterations of home that include specific communities, families,\u0000 cities, nations, gangs and the comforts of a bottle of vodka. Lamar’s lyrical confessions embrace identification as process, a brilliant and probing strategy that references histories of movement in the United States as well as ethnic tensions in South Africa, post-independence political\u0000 economic realities in Jamaica and the history of migration from the Caribbean to metropolitan Britain. I suggest that Lamar introduces a particularized twenty-first-century Black racialized humanism where his own position vacillates between predator and victim. Who Lamar is and who he is said\u0000 or seen to be recurs and reflects the specific conditions he and contemporary diasporans negotiate across the globe.","PeriodicalId":395273,"journal":{"name":"Global Hip Hop Studies","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122481113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Holland’s hip hop hitting the books: The state and status of Dutch hip hop studies","authors":"Aafje de Roest","doi":"10.1386/ghhs_00034_1","DOIUrl":"https://doi.org/10.1386/ghhs_00034_1","url":null,"abstract":"With peak numbers on Spotify and doing well on the charts, Dutch rap/hip hop music has captured the attention of Dutch audiences in recent years. Its current commercial success and immense popularity have sparked academic interest, resulting in studies that analyse Dutch Neerlandophone\u0000 rap/hip hop music in the local context of the Netherlands ‐ paying attention to its specific political and cultural characteristics. In this review article, the author outlines the current state of Dutch hip hop studies, identifying its prominent research themes. By uniting the research\u0000 field on paper, the author aims to permanently put it on the map and encourage further hip hop research in the Dutch context in the future.","PeriodicalId":395273,"journal":{"name":"Global Hip Hop Studies","volume":"223 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113958998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Hamilton, Lin-Manuel Miranda, The Public Theater, New York City, 20 January 2015","authors":"B. Heidelberg","doi":"10.1386/ghhs_00028_5","DOIUrl":"https://doi.org/10.1386/ghhs_00028_5","url":null,"abstract":"","PeriodicalId":395273,"journal":{"name":"Global Hip Hop Studies","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126001709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MF DOOM, 13 July 1971‐31 October 2020","authors":"Jacob Kimvall","doi":"10.1386/ghhs_00018_1","DOIUrl":"https://doi.org/10.1386/ghhs_00018_1","url":null,"abstract":"","PeriodicalId":395273,"journal":{"name":"Global Hip Hop Studies","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128433425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}