{"title":"B-Boy文摘","authors":"Jacob Kimvall, Carlos Mare","doi":"10.1386/ghhs_00030_1","DOIUrl":null,"url":null,"abstract":"B-Boy Abstracts is an artistic project started in 2005 by artist and scholar Carlos Mare (alias Mare139). The project connects the graffiti/style writing tradition with high-end modernist art history as well as the art of breaking, and where the artist is rethinking breaking\n as a form of abstract art, as sculpture, drawing, painting and graphic prints. The text is an artistic statement by Mare139 on the background of B-Boy Abstracts, and on how he has looked to modernist art history in his quest of finding a language to visualize hip hop’s dance elements.","PeriodicalId":395273,"journal":{"name":"Global Hip Hop Studies","volume":"25 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"B-Boy Abstracts\\n 1\",\"authors\":\"Jacob Kimvall, Carlos Mare\",\"doi\":\"10.1386/ghhs_00030_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"B-Boy Abstracts is an artistic project started in 2005 by artist and scholar Carlos Mare (alias Mare139). The project connects the graffiti/style writing tradition with high-end modernist art history as well as the art of breaking, and where the artist is rethinking breaking\\n as a form of abstract art, as sculpture, drawing, painting and graphic prints. The text is an artistic statement by Mare139 on the background of B-Boy Abstracts, and on how he has looked to modernist art history in his quest of finding a language to visualize hip hop’s dance elements.\",\"PeriodicalId\":395273,\"journal\":{\"name\":\"Global Hip Hop Studies\",\"volume\":\"25 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Global Hip Hop Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/ghhs_00030_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Global Hip Hop Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/ghhs_00030_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
B-Boy Abstracts is an artistic project started in 2005 by artist and scholar Carlos Mare (alias Mare139). The project connects the graffiti/style writing tradition with high-end modernist art history as well as the art of breaking, and where the artist is rethinking breaking
as a form of abstract art, as sculpture, drawing, painting and graphic prints. The text is an artistic statement by Mare139 on the background of B-Boy Abstracts, and on how he has looked to modernist art history in his quest of finding a language to visualize hip hop’s dance elements.