Muqarnas最新文献_第5页

Mosque-Building on the Ottoman-Venetian Frontier, circa 1550–1650: The Phenomenon of Square-Tower Minarets Revisited 奥斯曼-威尼斯边境上的清真寺建筑，约1550-1650年：方塔塔楼现象再探

IF 0.4 2区艺术学

Muqarnas Pub Date : 2018-10-03 DOI: 10.1163/22118993_03501p008

Maximilian Hartmuth

引用次数: 0

In Memoriam: Eva Baer (Berlin 1920–Jerusalem 2017) 《追忆似水年华》：伊娃·贝尔（1920年柏林-2017年耶路撒冷）

IF 0.4 2区艺术学

Muqarnas Pub Date : 2018-10-03 DOI: 10.1163/22118993_03501P002

A. Shalem

引用次数: 0

Two Rare Early Abbasid Paint-Decorated Ceramic Bowls from el-Khirba/Nes Ziyyona, Israel 来自以色列el-Khirba/Nes Ziyyona的两个罕见的早期阿巴斯王朝彩绘陶瓷碗

IF 0.4 2区艺术学

Muqarnas Pub Date : 2018-10-03 DOI: 10.1163/22118993_03501P011

I. Taxel, A. Lester, Uzi ʿAd

{"title":"Two Rare Early Abbasid Paint-Decorated Ceramic Bowls from el-Khirba/Nes Ziyyona, Israel","authors":"I. Taxel, A. Lester, Uzi ʿAd","doi":"10.1163/22118993_03501P011","DOIUrl":"https://doi.org/10.1163/22118993_03501P011","url":null,"abstract":"\u0000 This article discusses two near-complete ceramic vessels—a deep, cup-shaped bowl and a shallow bowl/plate—found in recent excavations carried out at the rural site of el-Khirba/Nes Ziyyona in central Israel, in an early Abbasid context dated to the ninth century. The vessels bear unusual painted decorations on their exterior and interior. The decoration of the first bowl consists of alternating pairs of large black and white palm trees and large birds. The second bowl/plate is decorated with eight stylized trees emerging from a central circle, with small circles between them; these motifs were drawn in black over a white-painted surface. These bowls are associated with a local fine ware ceramic group, known as Fine Byzantine (or Fine Islamic) Ware, which originated in the Jerusalem region. However, their decorations reflect stylistic traditions familiar across the Early Islamic Near East and beyond, including from statuary works, illustrated manuscripts, and other ceramics. Altogether, it can be suggested that rural elites in Early Islamic Palestine used luxury ceramics decorated with pan-Islamic patterns as a way of identifying themselves with cosmopolitan, pan-Islamic society.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2018-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47060909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Immigrant Narratives: The Ottoman Sultans’ Portraits in Elisabeth Leitner’s Family Photo Album, circa 1862–72 移民叙事：伊丽莎白·莱特纳家族相册中的奥斯曼苏丹肖像，约1862-72年

IF 0.4 2区艺术学

Muqarnas Pub Date : 2018-10-03 DOI: 10.1163/22118993_03501P009

Nebahat Avcioğlu

{"title":"Immigrant Narratives: The Ottoman Sultans’ Portraits in Elisabeth Leitner’s Family Photo Album, circa 1862–72","authors":"Nebahat Avcioğlu","doi":"10.1163/22118993_03501P009","DOIUrl":"https://doi.org/10.1163/22118993_03501P009","url":null,"abstract":"\u0000 This article is a study of the family photo album of Elisabeth Leitner (ca. 1842?–1908), a Hungarian immigrant in the Ottoman empire. The album contains a complete set of cartes de visite portraits of the Ottoman sultans by the Abdullah Frères. As the only surviving example of such a collection with a known provenance, it provides a rare opportunity for understanding how such images were used in the context of identity formation and social mobility undertaken by a member of the immigrant population. The album, which has never been studied before, is also a fascinating source for investigating the history of Hungarian immigrants in the Ottoman empire who were displaced after the 1848 Revolution. The article approaches the intriguingly autobiographical album by means of a close reading of Elisabeth Leitner’s diaries and unfinished autobiography. My interpretation serves to dismantle notions of a carefree global cosmopolitanism and exposes a historiographical bias that privileges men and their collections of images and ethnographic artifacts over those of women. Elisabeth Leitner’s writings and photographic collection also represent a vast and entirely untapped resource for investigating cultural contacts between Europe and the Ottoman empire in the second half of the nineteenth century.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2018-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47756802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

History Regained: A Modern Artist in Baghdad Encounters a Lost Tradition of Painting 重获历史:一位现代艺术家在巴格达遭遇失落的绘画传统

IF 0.4 2区艺术学

Muqarnas Pub Date : 2018-10-03 DOI: 10.1163/22118993_03501P010

Saleem Al-Bahloly

引用次数: 9

An Unknown Collection of Preliminary Drawings and Extra Illustrations Prepared for The Arabian Antiquities of Spain by James Cavanah Murphy in the Gennadius Library, Athens 詹姆斯·卡瓦纳·墨菲为西班牙阿拉伯古物准备的一份未知的初步图纸和额外插图收藏，雅典Gennadius图书馆

IF 0.4 2区艺术学

Muqarnas Pub Date : 2018-10-03 DOI: 10.1163/22118993_03501P014

L. Mulvin

{"title":"An Unknown Collection of Preliminary Drawings and Extra Illustrations Prepared for The Arabian Antiquities of Spain by James Cavanah Murphy in the Gennadius Library, Athens","authors":"L. Mulvin","doi":"10.1163/22118993_03501P014","DOIUrl":"https://doi.org/10.1163/22118993_03501P014","url":null,"abstract":"\u0000 In the Gennadius Library of the American School of Classical Studies at Athens, Greece, is a heretofore unknown large-format volume that contains many extra illustrations, original drawings, and proofs of plates for The Arabian Antiquities of Spain by James Cavanah Murphy (1760–1814). Based on research conducted between 1802 and 1809, The Arabian Antiquities of Spain features engravings of major monuments of Hispano-Islamic architecture, including the Alhambra, the Great Mosque at Cordoba, and the Generalife at Granada; the work was published posthumously in 1816. Since the Gennadius volume also includes sketches of Islamic monuments from Malaga, Seville, and Xeres, it appears that Murphy originally intended to publish a complete survey of Hispano-Islamic monuments in southern Spain. In the Gennadius volume, grangerized drawings are placed opposite published engravings for comparative purposes; the drawings include notes written by Murphy to the engravers, and several are hand-tinted, which reveal Murphy’s interest in polychromy. This article presents the newly discovered drawings in the Gennadius volume, which adds to our understanding of the monuments depicted in the published plates of Arabian Antiquities, and serves to position Murphy’s pioneering efforts in the context of architectural scholarship, chromolithography, and the book trade in the early nineteenth century.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2018-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48591174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

A Tale of Two Mosques: Marrakesh’s Masjid al-Jamiʿ al-Kutubiyya 两个清真寺的故事:马拉喀什的贾米·库图比亚清真寺

IF 0.4 2区艺术学

Muqarnas Pub Date : 2018-10-03 DOI: 10.1163/22118993_03501P004

Abbey Stockstill

引用次数: 0

Jahanpanah’s Jamiʿ Masjid (Circa 1343): A Reassessment Jahanpanah的Jami清真寺（Circa 1343）：重新评估

IF 0.4 2区艺术学

Muqarnas Pub Date : 2018-10-03 DOI: 10.1163/22118993_03501P005

Yves Porter, Richard Castinel

{"title":"Jahanpanah’s Jamiʿ Masjid (Circa 1343): A Reassessment","authors":"Yves Porter, Richard Castinel","doi":"10.1163/22118993_03501P005","DOIUrl":"https://doi.org/10.1163/22118993_03501P005","url":null,"abstract":"\u0000 The Begumpuri or Jamiʿ (Friday) Masjid of Jahanpanah (Delhi) is an impressive monument built during the Tughluq period, circa 1343. Although often credited to Firuz Shah (1351–88), the mosque was probably ordered by Muhammad Shah Tughluq (1325–51), since it was situated next to his royal palace in the heart of his capital (Jahanpanah). The Begumpuri Masjid represents a particular phase in the sequence of Tughluq architecture, both for its plan and elevation, and for its architectural decoration. It has often been described as a “Persianate” four-iwan mosque, although such a designation seems inappropriate. This article explores the probable patronage of the mosque by Muhammad Tughluq and its siting at the center of Jahanpanah. The plan and elevation of the mosque are detailed, with a discussion on the possible models for the building, together with its vernacular characteristics. We then present a study of the architectural decoration, made in stone, stucco, and turquoise glazed tiles. The peculiar features of the Begumpuri Masjid make it a unique monument celebrating the grandeur of Muhammad Tughluq through its huge and void court, as well as in its mulūk khāna (Royal Loggia).","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2018-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46378314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Adham Ismaʿil’s Arabesque: The Making of Radical Arab Painting in Syria 阿达姆·伊斯玛·伊勒的《阿拉伯风格:激进阿拉伯绘画在叙利亚的创作》

IF 0.4 2区艺术学

Muqarnas Pub Date : 2017-10-07 DOI: 10.1163/22118993_03401P009

A. Lenssen

{"title":"Adham Ismaʿil’s Arabesque: The Making of Radical Arab Painting in Syria","authors":"A. Lenssen","doi":"10.1163/22118993_03401P009","DOIUrl":"https://doi.org/10.1163/22118993_03401P009","url":null,"abstract":"The essay explores how the Syrian artist Adham Ismaʿil (1922–63) linked his modernist painting strategies to the activism of the Baʿth political movement during Syria’s independence decade through a conceptual reworking of the “arabesque”—the rhythmic pattern of unending line and pure color that Orientalist scholars considered a product of the Arab and Muslim episteme and French modernist painters adopted as a fresh compositional device. It draws on a new archive of correspondence, writings, and sketches, supplemented by political memoirs detailing Ismaʿil’s experience of displacement after the 1939 transfer of his native Alexandretta to Turkey, to uncover his efforts to forge new aesthetic unities as a mechanism for Arab activation and rebirth. Ismaʿil and his comrades accorded a radical charge to the concept of vital Arab energy in particular; once manifested in the sensory experience of line and color, it promised to assemble audiences in new collectivities and to help topple the Syrian status quo. The essay thus analyzes Ismaʿil’s radical Arab painting as evidence of not only the complexity of the intellectual debates in the Middle East but also the generative fragmentation of modernist tenets under the (not quite) postwar, postcolonial world order.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":"20 1","pages":"223-258"},"PeriodicalIF":0.4,"publicationDate":"2017-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74441373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

New Light on Shah ʿAbbas and the Construction of Isfahan 对阿巴斯国王和伊斯法罕建设的新认识

IF 0.4 2区艺术学

Muqarnas Pub Date : 2016-11-14 DOI: 10.1163/22118993_03301P007

Charles Melville

引用次数: 6