Muqarnas最新文献_第4页

The Illuminations of Mukhlis ibn ʿAbdallah al-Hindi: Identifying Manuscripts from Late Medieval Konya Mukhlis ibnʿAbdallah al-Hindi的启示：识别中世纪晚期Konya的手稿

IF 0.4 2区艺术学

Muqarnas Pub Date : 2019-10-02 DOI: 10.1163/22118993-00361p03

Cailah Jackson

{"title":"The Illuminations of Mukhlis ibn ʿAbdallah al-Hindi: Identifying Manuscripts from Late Medieval Konya","authors":"Cailah Jackson","doi":"10.1163/22118993-00361p03","DOIUrl":"https://doi.org/10.1163/22118993-00361p03","url":null,"abstract":"\u0000 The arts of the book of late medieval Rum (Anatolia) constitute a rich resource for Islamic art historians that remains relatively unknown in the wider scholarship. This complex period saw the disintegration of Seljuk rule and the partial absorption of the region into the Ilkhanid realm. Konya (present-day central Turkey), the former Seljuk capital, was hardly isolated from its better-known neighbors and was evidently an active center for the patronage of the arts of the book. This article contributes to ongoing discussions concerning late medieval Islamic manuscripts by discussing illuminations that were produced by Mukhlis ibn ʿAbdallah al-Hindi in thirteenth-century Konya. One of the two named illuminators active in the city, Mukhlis extensively decorated two manuscripts, both in 677h (1278): a small Qurʾan and a monumental copy of Jalal al-Din Rumi’s Mas̱navī. Both are the initial focus of the article. Following an analysis of these manuscripts, the article presents additional material as possible products of Mukhlis’s hand or of Konya generally, demonstrating both the relative visual distinctiveness of Konya illumination and the need to potentially re-examine works previously attributed to Egypt or Persia.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41751742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

The Blue-and-White Tiles of the Muradiye in Edirne: Architectural Decoration between Tabriz, Damascus, and Cairo 埃迪尔内Muradiye的蓝白瓷砖:大不里士，大马士革和开罗之间的建筑装饰

IF 0.4 2区艺术学

Muqarnas Pub Date : 2019-10-02 DOI: 10.1163/22118993-00361p06

Patricia Blessing

{"title":"The Blue-and-White Tiles of the Muradiye in Edirne: Architectural Decoration between Tabriz, Damascus, and Cairo","authors":"Patricia Blessing","doi":"10.1163/22118993-00361p06","DOIUrl":"https://doi.org/10.1163/22118993-00361p06","url":null,"abstract":"\u0000 In the second quarter of the fifteenth century, a new phenomenon appears in Ottoman architecture: tiles with blue-and-white decoration, associated with tile-makers from Tabriz. These tiles appear most prominently in the Muradiye in Edirne, completed in 839/1435-36. They mark the beginning of an aesthetic shift, away from black-line (or cuerda seca) tiles inspired by Timurid and Aqquyunlu models, toward the blue-and-white tiles and vessels of the so-called Baba Naqqaş style of the late fifteenth and early sixteenth centuries. The mihrāb of the Muradiye features both kinds of tiles, thus illustrating this shift at its early stages. Within the parameters of an international Timurid style, the artistic production of this period (tile-work in particular) has been considered an offshoot of Timurid court patronage in eastern Iran and Central Asia. In the larger context of the fifteenth-century Islamic world, however, related tiles and vessels were also produced in Damascus and Cairo. This article examines the tiles of the Muradiye Mosque within the framework of artistic centers, the movements of motifs, objects, and makers, and their impact on architecture in the fifteenth-century Ottoman empire.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48803930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Before the Mughals: Material Culture of Sultanate North India 莫卧儿王朝之前:北印度苏丹国的物质文化

IF 0.4 2区艺术学

Muqarnas Pub Date : 2019-10-02 DOI: 10.1163/22118993-00361P02

F. Flood

引用次数: 1

Intersections Between the Architect’s Cubit, the Science of Surveying, and Social Practices in CaʿFer Efendi’s Seventeenth-Century Book on Ottoman Architecture CaʿFer Efendi十七世纪奥斯曼建筑书中建筑师立体派、测量科学和社会实践之间的交叉

IF 0.4 2区艺术学

Muqarnas Pub Date : 2019-10-02 DOI: 10.1163/22118993-00361p07

G. Kale

{"title":"Intersections Between the Architect’s Cubit, the Science of Surveying, and Social Practices in CaʿFer Efendi’s Seventeenth-Century Book on Ottoman Architecture","authors":"G. Kale","doi":"10.1163/22118993-00361p07","DOIUrl":"https://doi.org/10.1163/22118993-00361p07","url":null,"abstract":"\u0000 In 1614 Caʿfer Efendi devoted four chapters of his book on architecture to the science of surveying. Caʿfer’s text is the only extant comprehensive book written by a scholar on the relation between architecture and various forms of knowledge. His sections on surveying have attracted little scholarly attention since they were often viewed as ad hoc chapters in a biography of the chief architect Mehmed Agha. An investigation into the intersection between architecture, as represented by the architect’s cubit, the science of surveying, and jurisprudence sheds significant light on how scholars assessed the legitimacy of early modern Ottoman architecture. In this article, I examine the relationship between architectural practices, mathematical knowledge, and social practices by focusing on Caʿfer Efendi’s elaborations on the architect’s cubit, units of measure, and mensuration of areas. These links need to be understood through the cultural and scientific context in which architects and scholars collaborated. I also explore Caʿfer Efendi’s identity, which gave him the tools to discuss such intrinsic connections. When read along with court decrees, and in conjunction with the use of mathematical sciences for civic affairs, this investigation reveals how Ottoman architecture was embedded in the scientific discourses, social practices, and ethical concerns of the early seventeenth century.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43513393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Shah Abuʾl-Maʿali , Mir Sayyid ʿAli, and the Sayyids of Tirmiz: Three Portraits Challenge Akbari Historiography Shah Abuʾl-Maʿali、Mir Sayyid 703 ali和提尔米兹的Sayyids：三幅肖像挑战阿克巴里史学

IF 0.4 2区艺术学

Muqarnas Pub Date : 2018-10-05 DOI: 10.1163/22118993_03501P006

L. Parodi

引用次数: 0

Preliminary Material 初步材料

IF 0.4 2区艺术学

Muqarnas Pub Date : 2018-10-03 DOI: 10.1163/22118993_03501p001

引用次数: 0

A Preliminary Study of a Nineteenth-Century Persian Manuscript on Porcelain Manufacture in the Sipahsalar Library, Tehran 德黑兰Sipahsalar图书馆一份19世纪波斯瓷器制作手稿的初步研究

IF 0.4 2区艺术学