Muqarnas最新文献

The Kutubiyya Mosque of Marrakesh Revisited 重新参观马拉喀什的库图比亚清真寺

IF 0.4 2区艺术学

Muqarnas Pub Date : 2022-10-07 DOI: 10.1163/22118993-00391p11

A. Almagro, Alfonso Jiménez

引用次数: 0

A Mamluk Pen Box Connected to the Thousand and One Nights and the Historian Ibn ʿAbd al-Zahir 与一千零一夜和历史学家伊本·阿布德·扎希尔有关的马穆鲁克笔盒

IF 0.4 2区艺术学

Muqarnas Pub Date : 2022-10-07 DOI: 10.1163/22118993-00391p03

Doris Behrens-Abouseif

引用次数: 0

“Barbarous Magnificence in Glass Cases”: The Imperial Treasury and Ottoman Self-Display at the Topkapı Palace “玻璃盒子里的野蛮壮丽”：托普卡普宫的帝国金库和奥斯曼帝国的自我展示

IF 0.4 2区艺术学

Muqarnas Pub Date : 2022-10-07 DOI: 10.1163/22118993-00391p08

N. Özlü

{"title":"“Barbarous Magnificence in Glass Cases”: The Imperial Treasury and Ottoman Self-Display at the Topkapı Palace","authors":"N. Özlü","doi":"10.1163/22118993-00391p08","DOIUrl":"https://doi.org/10.1163/22118993-00391p08","url":null,"abstract":"\u0000 The Topkapı Palace and its treasures had long been a point of curiosity for Europeans, and when the doors of the Imperial Treasury finally opened for them in the mid-nineteenth century, the visitors—charged with Orientalist preconceptions—oscillate between admiration and disappointment. Capitalizing on the expertise they had gained in representing their artistic and cultural identity in world’s fairs, museums, and exhibitions, the Ottomans developed certain strategies for displaying their imperial heritage in the Topkapı Palace. During the reign of Abdülhamid II (r. 1876–1909), both the procedure for accessing the palace grounds and the tours became standardized, yet a sense of imperial privilege and exclusivity was deliberately maintained. During these choreographed tours, certain “self-Orientalizing” spectacles that mimicked the traditional palace ceremonies were performed for the foreign gaze. Yet the display of the treasury is more than simply a space curated for touristic purposes; the collection bears historic continuities and dynastic references that have been perpetuated as symbols of imperial legitimacy for centuries. Visual and textual sources of the period attest that the display strategies of the Imperial Treasury emphasized the authenticity of the collection and the venerableness of the dynasty by appropriating the Orientalist visual vocabulary.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45474417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Palanquin Thrones of the ʿAlawite Sultans of Morocco 摩洛哥阿拉维派苏丹的王座轿子

IF 0.4 2区艺术学

Muqarnas Pub Date : 2022-10-07 DOI: 10.1163/22118993-00391p12

N. Erzini, Stephen Vernoit

{"title":"The Palanquin Thrones of the ʿAlawite Sultans of Morocco","authors":"N. Erzini, Stephen Vernoit","doi":"10.1163/22118993-00391p12","DOIUrl":"https://doi.org/10.1163/22118993-00391p12","url":null,"abstract":"\u0000 The ceremonies of the ʿAlawite dynasty were often held out of doors, with the monarch appearing on horseback and under a parasol, escorted by a master of ceremonies holding a large baton; a row of saddled horses led by grooms; lancers; ensign bearers; musicians; a horse bearing a copy of the Qurʾan or volumes of the Hadith; and attendants who performed the ritual waving of white cloths. When the sultan conducted annual expeditions to subdue rebellious tribes and extract taxes, he was accompanied by a red-curtained palanquin slung between two mules, a practical necessity in case the monarch was indisposed. Most of these traditions continued the practices of earlier dynasties. However, for the later ʿAlawite period, more detailed descriptions are available, and these indicate that the palanquin also served as a throne. The sultan sat enthroned in the palanquin, which was placed in the royal audience tent facing a parade ground. In a similar fashion, European carriages served as portable thrones for receptions within royal palaces. This essay examines the history and iconography of the Moroccan palanquin throne, along with some associated rituals and insignia. While palanquins have been abandoned by the ruling dynasty and superseded by motor vehicles, a similar iconography survives in religious processions carrying another type of draped box, the cover of a cenotaph from a saint’s tomb.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42060799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Entangled Geographies, Contested Narratives: The Canning Marbles and the Ottoman Response to Antiquity 纠结的地理，有争议的叙述：罐头大理石和奥斯曼帝国对古代的回应

IF 0.4 2区艺术学

Muqarnas Pub Date : 2022-10-07 DOI: 10.1163/22118993-00391p10

Belgi̇n Turan Özkaya

{"title":"Entangled Geographies, Contested Narratives: The Canning Marbles and the Ottoman Response to Antiquity","authors":"Belgi̇n Turan Özkaya","doi":"10.1163/22118993-00391p10","DOIUrl":"https://doi.org/10.1163/22118993-00391p10","url":null,"abstract":"\u0000 The history of archaeology in the nineteenth century has conventionally been studied from the point of view of Europeans, who are credited as the inventors of modern archaeology. Although the blatantly Eurocentric perspective of earlier scholarship has been challenged in recent decades by a proliferation of works on the “source countries” where the bulk of archaeological material originated before being displaced to Europe, the trajectory of European archaeology has not been abandoned as the measure by which to assess emerging sensibilities about antiquity in the nineteenth century. In this essay, I trace the origins of a group of “marbles” from the British Museum, the Canning marbles, and propose to rethink a mid-nineteenth-century Ottoman attempt to establish a museum to house such “marbles” in the light of the Ottoman exhibitionary practices in the longue durée. My aim is to challenge both contemporaneous European narratives on nineteenth-century Ottoman attitudes to antiquity and current scholarship on Ottoman museology that attributes its proper emergence to the last two decades of the century, after the well-known Ottoman polymath Osman Hamdi Bey resumed the directorship of the Müze-i Hümāyūn (Ottoman Imperial Museum).","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47399722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Made in the City of Baghdad? Medieval Textile Production and Pattern Notation Systems of Early Lampas Woven Silks 巴格达制造?中世纪纺织品生产和早期兰帕斯梭织丝绸的图案符号系统

IF 0.4 2区艺术学

Muqarnas Pub Date : 2022-10-07 DOI: 10.1163/22118993-00391p02

Corinne Mühlemann

{"title":"Made in the City of Baghdad? Medieval Textile Production and Pattern Notation Systems of Early Lampas Woven Silks","authors":"Corinne Mühlemann","doi":"10.1163/22118993-00391p02","DOIUrl":"https://doi.org/10.1163/22118993-00391p02","url":null,"abstract":"\u0000 A small Arabic inscription on a fragment of an early lampas woven silk, today preserved in the Museum of Fine Arts in Boston (inv. no. 33.371), states that it was made in the city of Baghdad. But an orthographic error within the Arabic inscription reveals the actual place of manufacture: al-Andalus. I analyze this fragment together with a passage from the ḥisba manual of al-Saqati. Ḥisba manuals contain rules composed by the muḥtasib, the market inspector. Abu ʿAbdallah Muhammad Ibn Abu Muhammad al-Saqati was the market inspector of Málaga in Spain, and his work, the Kitāb fī ādāb al-ḥisba, was compiled at the close of the eleventh and opening of the twelfth centuries, at the same time that the new lampas weaving technology arrived in al-Andalus. Through a discussion of the Arabic terms rasm and bayt and a calculation of a hypothetical standard-sized silk produced in Málaga, I demonstrate the potential of ḥisba manuals to shed light on textile manufacture, loom technology, and the transfer of weaving knowledge and patterns in early twelfth-century al-Andalus. Further, shared terminology between looms, poetry, and music, evident in the term bayt, permits a discussion of rhythm in the making of lampas woven silks and an exploration of the traditions in which weaving knowledge is rooted.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41721365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Arts of the Book in the Aydınid Realm: Exploring a Neglected Medical Manuscript from Late Fourteenth-Century Western Rum Aydınid领域的书籍艺术:探索14世纪晚期西方朗姆酒中被忽视的医学手稿

IF 0.4 2区艺术学

Muqarnas Pub Date : 2022-10-07 DOI: 10.1163/22118993-00391p05

Cailah Jackson

{"title":"The Arts of the Book in the Aydınid Realm: Exploring a Neglected Medical Manuscript from Late Fourteenth-Century Western Rum","authors":"Cailah Jackson","doi":"10.1163/22118993-00391p05","DOIUrl":"https://doi.org/10.1163/22118993-00391p05","url":null,"abstract":"\u0000 It is now well established in scholarship that the Turkmen principalities (beyliks) of late medieval Rum possessed lively, dynamic court cultures and that several of their members were enthusiastic supporters of art and architecture. Recent publications have shown that, like their more famous Ilkhanid and Mamluk contemporaries, several Turkmen princes were avid patrons of the Islamic arts of the book. For the most part, however, scholars have not examined the contributions of the Aydınid principality (1308–1425) to this art form. Before the emergence of Ottoman domination, the Aydınids were one of the most powerful and prosperous local polities, based on the western coast of present-day Turkey in and around Birgi, Ayasuluk (Selçuk), Tire, and İzmir. In an effort to contribute to ongoing discussions concerning the production and patronage of the late medieval arts of the book from Rum, this article analyzes and contextualizes an illuminated manuscript that was produced for Fakhr al-Din ʿIsa ibn Muhammad ibn Aydın (r. ca. 1360–90). This manuscript appears not to have been studied in any depth before. Given the small number of securely identified manuscripts from late fourteenth-century Rum, this material marks an exciting and welcome addition to the corpus.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45079093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Sphero-Conical as Apothecary Vessel: An Argument for Dedicated Use 球锥作为药瓶:专用的论证

IF 0.4 2区艺术学

Muqarnas Pub Date : 2022-10-07 DOI: 10.1163/22118993-00391p13

Courtney Lesoon

引用次数: 0

A Scholar, Calligrapher, and Illuminator in Early Fourteenth-Century Cairo: The Illuminated Manuscripts of Ahmad al-Mutatabbib 14世纪早期开罗的学者、书法家和照明者:Ahmad al-Mutatabbib的照明手稿

IF 0.4 2区艺术学

Muqarnas Pub Date : 2022-10-07 DOI: 10.1163/22118993-00391p04

Adeline Laclau

引用次数: 1

“Angels of the Angels”: Abdüllatif Subhi Paşa’s Coins, Egypt, and History “天使中的天使”：Abdüllatif Subhi Paşa的硬币、埃及和历史

IF 0.4 2区艺术学

Muqarnas Pub Date : 2022-10-07 DOI: 10.1163/22118993-00391p09

Deni̇z Türker

引用次数: 0