Muqarnas最新文献_第2页

Building Burhanpur: The Process of Constructing a Mughal City 建造布尔罕普尔：莫卧儿城市的建设过程

IF 0.4 2区艺术学

Muqarnas Pub Date : 2022-10-07 DOI: 10.1163/22118993-00391p06

Rachel Hirsch

引用次数: 0

Patrons, Painters, Women In Distress: The Changing Fortunes of Nevʿizade Atayi and Üskübi Mehmed Efendi in Early Eighteenth-Century Istanbul 赞助人，画家，处于困境中的妇女:18世纪早期伊斯坦布尔Nev - izade Atayi和Üskübi Mehmed Efendi的命运变化

IF 0.4 2区艺术学

Muqarnas Pub Date : 2022-10-07 DOI: 10.1163/22118993-00391p07

Tülay Artan

引用次数: 0

Images for Instruction: A Multilingual Illustrated Dictionary in Fifteenth-Century Sultanate India 教学图像:15世纪印度苏丹国的多语言插图词典

IF 0.4 2区艺术学

Muqarnas Pub Date : 2021-12-06 DOI: 10.1163/22118993-00381p04

Vivek Gupta

引用次数: 1

Sculpted Muqarnas: The Five Capitals in the Alhambra as a Case Study for the Proportions of Western Profiles 雕刻的穆卡纳斯：阿尔罕布拉的五座首都——西方轮廓比例的个案研究

IF 0.4 2区艺术学

Muqarnas Pub Date : 2021-12-06 DOI: 10.1163/22118993-00381p12

Ignacio Ferrer Pérez-Blanco, Marie Zufferey

{"title":"Sculpted Muqarnas: The Five Capitals in the Alhambra as a Case Study for the Proportions of Western Profiles","authors":"Ignacio Ferrer Pérez-Blanco, Marie Zufferey","doi":"10.1163/22118993-00381p12","DOIUrl":"https://doi.org/10.1163/22118993-00381p12","url":null,"abstract":"\u0000In the Alhambra of the Nasrid era (1230–1492), a transformed type of capital emerged that incorporated muqarnas to materialize the transition from the column to the abacus. Although the Alhambra contains the most muqarnas compositions from the Occident (Iberian Peninsula), the present understanding of “Western” muqarnas is based upon two carpentry manuscripts from the 1630s, from different authors on each side of the Atlantic (López de Arenas and Fray Andrés de San Miguel). In this research, the proportions of the muqarnas profiles from each manuscript are studied and compared to each other to articulate the formal consequences of their differences. By sculpting four examples of muqarnas capitals in the Alhambra, this study assesses whether the results correspond to the information provided in the manuscripts. The particularities that arise from these simple muqarnas capitals shed light on the proportions of the Alhambra muqarnas, generate new profiles that are distinct from those of the manuscripts, and establish geometrical relationships that have hitherto been unclear. These observations offer a basis for future tests on other muqarnas compositions in Nasrid palaces, therefore advancing the definition of the formal language of the Alhambra muqarnas.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48078097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Archaeology and Cultural Policy in Ottoman Tunisia Part II: Muhammad Khaznadar (1871–99) 奥斯曼突尼斯的考古与文化政策第二部分：穆罕默德·哈兹纳达尔（1871–99）

IF 0.4 2区艺术学

Muqarnas Pub Date : 2021-12-06 DOI: 10.1163/22118993-00381p08

Ridha Moumni

{"title":"Archaeology and Cultural Policy in Ottoman Tunisia Part II: Muhammad Khaznadar (1871–99)","authors":"Ridha Moumni","doi":"10.1163/22118993-00381p08","DOIUrl":"https://doi.org/10.1163/22118993-00381p08","url":null,"abstract":"\u0000This article is the second part of a study focusing on Muhammad Khaznadar’s role in the history of archaeology in nineteenth-century Tunisia. Whereas part I traced the meteoric rise of Muhammad Khaznadar as a Tunisian cultural figure, the second part of this inquiry examines Khaznadar’s fall from power and the end of his monopoly over the country’s antiquities. Following the dismissal of his father, Mustafa Khaznadar, as grand vizier in 1873, Muhammad’s artifacts were seized by the bey. The Khaznadar collection then attracted the attention of the new grand vizier, Khayr al-Din (1873–78). Influenced by the activities of Muhammad Khaznadar, Khayr al-Din sought to create a national museum of antiquities. However, this project came to an end with Khayr al-Din’s dismissal and the subsequent arrival of French colonizers, who established the Bardo Museum (then called the Alaoui Museum) in 1888. The historical narrative written by the French colonial authority erased the memory of prominent Tunisian archaeologists and collectors who had been active in the preceding decades. This article seeks to highlight the important contributions of local Tunisians to the development of archaeological research and policies surrounding Tunisian cultural heritage in the nineteenth century.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48359604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Colonial Zaytuna: The Making of a Minaret in French-Occupied Tunisia 殖民地扎伊图纳：在法国占领的突尼斯建造一座尖塔

IF 0.4 2区艺术学

Muqarnas Pub Date : 2021-12-06 DOI: 10.1163/22118993-00381p07

Sihem Lamine

{"title":"Colonial Zaytuna: The Making of a Minaret in French-Occupied Tunisia","authors":"Sihem Lamine","doi":"10.1163/22118993-00381p07","DOIUrl":"https://doi.org/10.1163/22118993-00381p07","url":null,"abstract":"\u0000In March 1892, eleven years after the establishment of the French protectorate in Tunisia, a congregation of ulemas, religious scholars, and students, as well as representatives of the waqf administration (Jamʿiyyat al-Awqāf) gathered in the ṣaḥn of the Zaytuna Mosque to lay the cornerstone of a new minaret. The pre-exiting tower, whose latest major renovations dated from the seventeenth-century Ottoman Muradid times, was deemed hazardous; it was therefore entirely demolished and replaced by a large-scale replica of the nearby Hafsid Kasbah Mosque of Tunis. The new minaret of the Zaytuna Mosque rose in tandem with the Saint Vincent de Paul Cathedral of Tunis, and simultaneously with the nascent French neighborhoods of Tunis outside and along the medina walls. This article explores the intricate and fascinating context of the construction of a monumental minaret in a city that was gradually severing ties with its Ottoman past and surrendering to a newly established colonial rule. It questions the role and aspirations of the French administration in the minaret project, the reasons that led to the revival of the Almohad architectural style in the late nineteenth-century Maghrib, and the legacy left by the re-appropriation of this style in North Africa.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49626045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Kabul, a Forgotten Mughal Capital: Gardens, City, and Court at the Turn of the Sixteenth Century 喀布尔，被遗忘的莫卧儿首都:16世纪之交的花园、城市和宫廷

IF 0.4 2区艺术学

Muqarnas Pub Date : 2021-12-06 DOI: 10.1163/22118993-00381p05

L. Parodi

{"title":"Kabul, a Forgotten Mughal Capital: Gardens, City, and Court at the Turn of the Sixteenth Century","authors":"L. Parodi","doi":"10.1163/22118993-00381p05","DOIUrl":"https://doi.org/10.1163/22118993-00381p05","url":null,"abstract":"\u0000Kabul was the seat of Mughal power during the first half of the sixteenth century, and—it is argued here—provided inspiration for the better-known Mughal metropoles of Hindustan. Sources suggest that the topography of Kabul was already well established, along with its major landmarks, decades before Babur made it the seat of his court in 1504. Among these landmarks were three remarkable royal gardens (all Timurid foundations), which performed complementary functions. The one known today as Bagh-i Babur acquired funerary connotations with the burial of Babur’s mother there in 1505, if not earlier. The Bagh-i Shahrara hosted the governor as well as distinguished guests, including widowed or divorced princesses and imperial visitors. The Chaharbagh was the seat of the court. Its functional units included residential quarters for the ruler and the harem, a courtyard of audience, administrative quarters, and service provisions. In this study, Kabul and its gardens are compared with Mughal counterparts in Hindustan, and (more briefly) with Timurid Herat and Safavid Isfahan. This comparison contributes to an understanding of the unique position occupied by gardens in the Timurid realm and in the courts of their Mughal and Safavid successors.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47772510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Camera, Canvas, and Qibla: Late Ottoman Mobilities and the Fatih Mosque Painting 相机、画布和奇布拉：奥斯曼帝国晚期的军事行动和法提赫清真寺的绘画

IF 0.4 2区艺术学

Muqarnas Pub Date : 2021-12-06 DOI: 10.1163/22118993-00381p09

Sabiha Göloğlu

引用次数: 0

New Data on the Luster Tiles of ʿAbd al-Samad’s Shrine in Natanz, Iran 伊朗纳坦兹萨马德神庙光泽瓷砖的新数据

IF 0.4 2区艺术学

Muqarnas Pub Date : 2021-12-06 DOI: 10.1163/22118993-00381p11

Anaïs Leone

引用次数: 0

Prospective and Retrospective: Le Corbusier’s Twofold Voyage d’Orient 前瞻性与回顾性：勒·柯布西耶的东方之旅