New Data on the Luster Tiles of ʿAbd al-Samad’s Shrine in Natanz, Iran

IF 0.7 2区 艺术学 0 ARCHITECTURE
Muqarnas Pub Date : 2021-12-06 DOI:10.1163/22118993-00381p11
Anaïs Leone
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引用次数: 0

Abstract

This essay offers new data for identifying and reconstructing the original luster tilework decoration of the tomb chamber of the ʿAbd al-Samad shrine in Natanz, central Iran. The decorated complex around the tomb was likely built during the Ilkhanid period. The removal of Ilkhanid-period luster tiles from their original location has left very few buildings with their original decoration. Moreover, the stripping of an important number of monuments led to the arrival of thousands of tiles of unidentified or incomplete provenance in public and private collections. By cross-referencing available information about preserved revetments (e.g., dimensions, inscriptions, provenance, designs) with verifiable data collected at surviving monuments, it is possible to bridge the gap and unite formerly isolated elements. This study formulates new proposals about the luster tilework in the shrine of ʿAbd al-Samad, especially with regard to the complex ensemble of the mihrab. By locating and detailing the different zones of its decorative scheme, the ensemble becomes more coherent as a whole despite its remaining gaps.
伊朗纳坦兹萨马德神庙光泽瓷砖的新数据
本文为鉴定和重建伊朗中部纳坦兹Abd al-Samad神殿墓室的原始光泽瓷砖装饰提供了新的数据。陵墓周围的装饰建筑群可能建于伊尔汗王朝时期。伊尔汗王朝时期的光泽瓷砖从原来的位置被拆除,留下了很少有原始装饰的建筑。此外,大量纪念碑的拆除导致数千块来源不明或不完整的瓷砖进入公共和私人收藏。通过将有关保存的护岸的现有信息(如尺寸、铭文、出处、设计)与在幸存纪念碑收集的可验证数据进行交叉参考,可以弥合差距,将以前孤立的元素结合起来。这项研究提出了关于ʿAbd al-Samad神殿中光泽瓷砖的新建议,特别是关于复杂的米哈拉布合奏。通过定位和详细说明其装饰方案的不同区域,尽管有剩余的间隙,但整体变得更加连贯。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Muqarnas
Muqarnas Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.30
自引率
25.00%
发文量
13
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