{"title":"Sculpted Muqarnas: The Five Capitals in the Alhambra as a Case Study for the Proportions of Western Profiles","authors":"Ignacio Ferrer Pérez-Blanco, Marie Zufferey","doi":"10.1163/22118993-00381p12","DOIUrl":null,"url":null,"abstract":"\nIn the Alhambra of the Nasrid era (1230–1492), a transformed type of capital emerged that incorporated muqarnas to materialize the transition from the column to the abacus. Although the Alhambra contains the most muqarnas compositions from the Occident (Iberian Peninsula), the present understanding of “Western” muqarnas is based upon two carpentry manuscripts from the 1630s, from different authors on each side of the Atlantic (López de Arenas and Fray Andrés de San Miguel). In this research, the proportions of the muqarnas profiles from each manuscript are studied and compared to each other to articulate the formal consequences of their differences. By sculpting four examples of muqarnas capitals in the Alhambra, this study assesses whether the results correspond to the information provided in the manuscripts. The particularities that arise from these simple muqarnas capitals shed light on the proportions of the Alhambra muqarnas, generate new profiles that are distinct from those of the manuscripts, and establish geometrical relationships that have hitherto been unclear. These observations offer a basis for future tests on other muqarnas compositions in Nasrid palaces, therefore advancing the definition of the formal language of the Alhambra muqarnas.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":" ","pages":""},"PeriodicalIF":0.7000,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muqarnas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/22118993-00381p12","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 1
Abstract
In the Alhambra of the Nasrid era (1230–1492), a transformed type of capital emerged that incorporated muqarnas to materialize the transition from the column to the abacus. Although the Alhambra contains the most muqarnas compositions from the Occident (Iberian Peninsula), the present understanding of “Western” muqarnas is based upon two carpentry manuscripts from the 1630s, from different authors on each side of the Atlantic (López de Arenas and Fray Andrés de San Miguel). In this research, the proportions of the muqarnas profiles from each manuscript are studied and compared to each other to articulate the formal consequences of their differences. By sculpting four examples of muqarnas capitals in the Alhambra, this study assesses whether the results correspond to the information provided in the manuscripts. The particularities that arise from these simple muqarnas capitals shed light on the proportions of the Alhambra muqarnas, generate new profiles that are distinct from those of the manuscripts, and establish geometrical relationships that have hitherto been unclear. These observations offer a basis for future tests on other muqarnas compositions in Nasrid palaces, therefore advancing the definition of the formal language of the Alhambra muqarnas.
在纳斯里德时代(1230-1492)的阿尔罕布拉,出现了一种改造后的资本,它将muqarnas纳入其中,实现了从柱式到算盘式的过渡。虽然阿尔罕布拉宫包含了来自西方(伊比利亚半岛)的大部分muqarnas作品,但目前对“西方”muqarnas的理解是基于17世纪30年代的两份木匠手稿,来自大西洋两岸的不同作者(López de Arenas和Fray andr de San Miguel)。在本研究中,研究了每个手稿中muqarnas剖面的比例,并相互比较,以阐明其差异的正式后果。通过在阿尔罕布拉宫雕刻四个穆卡纳斯首都的例子,本研究评估了结果是否与手稿中提供的信息相对应。从这些简单的穆卡纳大写字母中产生的特殊性揭示了阿尔罕布拉穆卡纳的比例,产生了与手稿不同的新轮廓,并建立了迄今为止尚不清楚的几何关系。这些观察结果为未来对纳斯里德宫殿中其他穆卡纳斯作品的测试提供了基础,因此推进了阿尔罕布拉穆卡纳斯正式语言的定义。