{"title":"Aydınid领域的书籍艺术:探索14世纪晚期西方朗姆酒中被忽视的医学手稿","authors":"Cailah Jackson","doi":"10.1163/22118993-00391p05","DOIUrl":null,"url":null,"abstract":"\n It is now well established in scholarship that the Turkmen principalities (beyliks) of late medieval Rum possessed lively, dynamic court cultures and that several of their members were enthusiastic supporters of art and architecture. Recent publications have shown that, like their more famous Ilkhanid and Mamluk contemporaries, several Turkmen princes were avid patrons of the Islamic arts of the book. For the most part, however, scholars have not examined the contributions of the Aydınid principality (1308–1425) to this art form. Before the emergence of Ottoman domination, the Aydınids were one of the most powerful and prosperous local polities, based on the western coast of present-day Turkey in and around Birgi, Ayasuluk (Selçuk), Tire, and İzmir. In an effort to contribute to ongoing discussions concerning the production and patronage of the late medieval arts of the book from Rum, this article analyzes and contextualizes an illuminated manuscript that was produced for Fakhr al-Din ʿIsa ibn Muhammad ibn Aydın (r. ca. 1360–90). This manuscript appears not to have been studied in any depth before. Given the small number of securely identified manuscripts from late fourteenth-century Rum, this material marks an exciting and welcome addition to the corpus.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Arts of the Book in the Aydınid Realm: Exploring a Neglected Medical Manuscript from Late Fourteenth-Century Western Rum\",\"authors\":\"Cailah Jackson\",\"doi\":\"10.1163/22118993-00391p05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n It is now well established in scholarship that the Turkmen principalities (beyliks) of late medieval Rum possessed lively, dynamic court cultures and that several of their members were enthusiastic supporters of art and architecture. Recent publications have shown that, like their more famous Ilkhanid and Mamluk contemporaries, several Turkmen princes were avid patrons of the Islamic arts of the book. For the most part, however, scholars have not examined the contributions of the Aydınid principality (1308–1425) to this art form. Before the emergence of Ottoman domination, the Aydınids were one of the most powerful and prosperous local polities, based on the western coast of present-day Turkey in and around Birgi, Ayasuluk (Selçuk), Tire, and İzmir. In an effort to contribute to ongoing discussions concerning the production and patronage of the late medieval arts of the book from Rum, this article analyzes and contextualizes an illuminated manuscript that was produced for Fakhr al-Din ʿIsa ibn Muhammad ibn Aydın (r. ca. 1360–90). This manuscript appears not to have been studied in any depth before. Given the small number of securely identified manuscripts from late fourteenth-century Rum, this material marks an exciting and welcome addition to the corpus.\",\"PeriodicalId\":39506,\"journal\":{\"name\":\"Muqarnas\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2022-10-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Muqarnas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/22118993-00391p05\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muqarnas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/22118993-00391p05","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
摘要
现在学术界已经确定,中世纪晚期朗姆酒的土库曼公国(beyliks)拥有活泼、充满活力的宫廷文化,其中一些成员是艺术和建筑的热情支持者。最近的出版物表明,与同时代更著名的伊尔汗和马穆鲁克一样,几位土库曼王子也是伊斯兰艺术书籍的狂热赞助人。然而,在很大程度上,学者们并没有研究Aydınid公国(1308-1425)对这种艺术形式的贡献。在奥斯曼帝国统治出现之前,Aydınids是最强大和最繁荣的地方政治之一,以今天土耳其的西海岸为基础,在Birgi, Ayasuluk (seluk), Tire和İzmir及其周围。为了对正在进行的关于中世纪晚期朗姆酒艺术作品的制作和赞助的讨论做出贡献,本文分析了一份为Fakhr al-Din al- Isa ibn Muhammad ibn Aydın(约1360-90年)制作的有插图的手稿,并将其置于背景中。这份手稿以前似乎没有被深入研究过。考虑到14世纪晚期朗姆酒的少量安全鉴定手稿,这一材料标志着语料库的一个令人兴奋和欢迎的补充。
The Arts of the Book in the Aydınid Realm: Exploring a Neglected Medical Manuscript from Late Fourteenth-Century Western Rum
It is now well established in scholarship that the Turkmen principalities (beyliks) of late medieval Rum possessed lively, dynamic court cultures and that several of their members were enthusiastic supporters of art and architecture. Recent publications have shown that, like their more famous Ilkhanid and Mamluk contemporaries, several Turkmen princes were avid patrons of the Islamic arts of the book. For the most part, however, scholars have not examined the contributions of the Aydınid principality (1308–1425) to this art form. Before the emergence of Ottoman domination, the Aydınids were one of the most powerful and prosperous local polities, based on the western coast of present-day Turkey in and around Birgi, Ayasuluk (Selçuk), Tire, and İzmir. In an effort to contribute to ongoing discussions concerning the production and patronage of the late medieval arts of the book from Rum, this article analyzes and contextualizes an illuminated manuscript that was produced for Fakhr al-Din ʿIsa ibn Muhammad ibn Aydın (r. ca. 1360–90). This manuscript appears not to have been studied in any depth before. Given the small number of securely identified manuscripts from late fourteenth-century Rum, this material marks an exciting and welcome addition to the corpus.