A Scholar, Calligrapher, and Illuminator in Early Fourteenth-Century Cairo: The Illuminated Manuscripts of Ahmad al-Mutatabbib

IF 0.7 2区 艺术学 0 ARCHITECTURE
Muqarnas Pub Date : 2022-10-07 DOI:10.1163/22118993-00391p04
Adeline Laclau
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引用次数: 1

Abstract

Ahmad al-Mutatabbib is one of the few copyists from the Mamluk period to whom several preserved manuscripts can be linked, i.e., five illuminated Qurʾans and a copy of Avicenna’s al-Qānūn fī’l-ṭibb. Among these manuscripts, three are dated and localized and are among the rare illuminated manuscripts of the Mamluk period that mention the name of the city in which they were produced. However, no mention is made of this artist in Mamluk literature. Consequently, I propose to study these manuscripts through the analysis of their writing and illuminations, as well as the Qurʾanic vocalization system explained in three of his Qurʾans. The aim of this article is to shed new light on the place of Ahmad al-Mutatabbib’s works in the illuminated manuscript production of Cairo in the first half of the fourteenth century and to provide new information on the formation and the career of this prolific artist of the Mamluk arts of the book.
14世纪早期开罗的学者、书法家和照明者:Ahmad al-Mutatabbib的照明手稿
艾哈迈德·穆塔塔比卜是马穆鲁克时期为数不多的几个保存下来的手稿可以联系在一起的抄写员之一,即五本照亮的《古兰经》和一本阿维森纳的《古兰记》-ṭibb。在这些手稿中,有三份是年代确定和本地化的,是马穆鲁克时期罕见的有插图的手稿之一,其中提到了它们产生的城市的名称。然而,在马穆鲁克的文学作品中却没有提到这位艺术家。因此,我建议通过分析这些手稿的书写和启示,以及在他的三本《古兰经》中解释的《古兰经发音系统》来研究这些手稿。本文的目的是揭示艾哈迈德·穆塔塔比布的作品在十四世纪上半叶开罗的照明手稿制作中的地位,并为这位多产的马穆鲁克艺术艺术家的形成和职业生涯提供新的信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Muqarnas
Muqarnas Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.30
自引率
25.00%
发文量
13
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