Immigrant Narratives: The Ottoman Sultans’ Portraits in Elisabeth Leitner’s Family Photo Album, circa 1862–72

IF 0.7 2区 艺术学 0 ARCHITECTURE
Nebahat Avcioğlu
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引用次数: 2

Abstract

This article is a study of the family photo album of Elisabeth Leitner (ca. 1842?–1908), a Hungarian immigrant in the Ottoman empire. The album contains a complete set of cartes de visite portraits of the Ottoman sultans by the Abdullah Frères. As the only surviving example of such a collection with a known provenance, it provides a rare opportunity for understanding how such images were used in the context of identity formation and social mobility undertaken by a member of the immigrant population. The album, which has never been studied before, is also a fascinating source for investigating the history of Hungarian immigrants in the Ottoman empire who were displaced after the 1848 Revolution. The article approaches the intriguingly autobiographical album by means of a close reading of Elisabeth Leitner’s diaries and unfinished autobiography. My interpretation serves to dismantle notions of a carefree global cosmopolitanism and exposes a historiographical bias that privileges men and their collections of images and ethnographic artifacts over those of women. Elisabeth Leitner’s writings and photographic collection also represent a vast and entirely untapped resource for investigating cultural contacts between Europe and the Ottoman empire in the second half of the nineteenth century.
移民叙事:伊丽莎白·莱特纳家族相册中的奥斯曼苏丹肖像,约1862-72年
本文研究了奥斯曼帝国时期的匈牙利移民Elisabeth Leitner(约1842?–1908)的家庭相册。该相册包含一整套阿卜杜拉·弗雷雷斯(Abdullah Frères)的奥斯曼苏丹访问肖像。作为已知来源的此类藏品中唯一幸存的例子,它提供了一个难得的机会来了解这些图像是如何在移民群体成员的身份形成和社会流动背景下使用的。这本专辑以前从未被研究过,也是调查1848年革命后流离失所的奥斯曼帝国匈牙利移民历史的一个引人入胜的来源。本文通过仔细阅读伊丽莎白·莱特纳的日记和未完成的自传来探讨这本有趣的自传专辑。我的解释有助于打破无忧无虑的全球世界主义的概念,并揭露了一种历史偏见,这种偏见使男性及其图像和民族志文物收藏的特权高于女性。Elisabeth Leitner的作品和摄影收藏也代表了一个巨大的、完全未开发的资源,用于调查19世纪下半叶欧洲与奥斯曼帝国之间的文化接触。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Muqarnas
Muqarnas Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.30
自引率
25.00%
发文量
13
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