Muqarnas最新文献_第6页

The Uzun Hasan Mosque in Tabriz: New Perspectives on a Tabrizi Ceramic Tile Workshop 大不里士的Uzun Hasan清真寺:大不里士瓷砖作坊的新视角

IF 0.4 2区艺术学

Muqarnas Pub Date : 2016-11-14 DOI: 10.1163/22118993_03301P004

Sandra Aube

引用次数: 4

Arabesques, Unicorns and Invisible Masters. The Art Historian's Gaze as symptomatic Action? 阿拉伯图案，独角兽和隐形大师。艺术史学家的凝视是一种有症状的行为?

IF 0.4 2区艺术学

Muqarnas Pub Date : 2015-08-27 DOI: 10.1163/22118993-00321P11

Eva-Maria Troelenberg

引用次数: 1

Visible and invisible bodies: The architectural patronage of Shajar al-Durr 可见和不可见的身体:Shajar al-Durr的建筑赞助

IF 0.4 2区艺术学

Muqarnas Pub Date : 2015-08-27 DOI: 10.1163/22118993-00321P05

D. Ruggles

{"title":"Visible and invisible bodies: The architectural patronage of Shajar al-Durr","authors":"D. Ruggles","doi":"10.1163/22118993-00321P05","DOIUrl":"https://doi.org/10.1163/22118993-00321P05","url":null,"abstract":"Whereas reliance on official texts such as chronicles often leads modern historians to overlook women, the built works of female patrons can provide a valuable historical source because they stand publicly for female patrons who were themselves unseen. Indeed, it is difficult to imagine Damascus and Cairo without the visually prominent tombs and pious foundations of the otherwise invisible Fatimid and Ayyubid women. Among the latter was Shajar al-Durr, a Turkic concubine who rose from slavery to become the legitimate sultan of Egypt in 1250. Her short reign and subsequent marriage ended violently with her death in 1257, but in that space of time she made architectural innovations that ultimately inspired lasting changes in Cairo’s urban fabric. Shajar al-Durr’s impact as architectural patron was as pivotal as her political role: the tomb that she added to her husband’s madrasa led to his permanent and highly visible presence in central Cairo, an innovation that was followed in the endowed complexes of the Mamluks. In her own more modest tomb, she chose not monumentality but iconography, representing herself pictorially in dazzling mosaic, a daring gesture in a world where female propriety meant invisibility.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":"51 1","pages":"63-78"},"PeriodicalIF":0.4,"publicationDate":"2015-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88258714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Reflections on Thirty Years of Muqarnas 穆卡尔纳斯三十年的反思

IF 0.4 2区艺术学

Muqarnas Pub Date : 2014-01-29 DOI: 10.1163/22118993-0301P0002

G. Neci̇poğlu

引用次数: 1

THE ILLUSTRATIONS OF THE MAQĀMĀT AND THE SHADOW PLAY maqĀmĀt和皮影戏的插图

IF 0.4 2区艺术学

Muqarnas Pub Date : 2011-01-01 DOI: 10.1163/22118993-90000172

Alain George

引用次数: 2

THE EMPEROR’S GRIEF: TWO MUGHAL TOMBS 皇帝的悲伤:两座莫卧儿墓

IF 0.4 2区艺术学

Muqarnas Pub Date : 2008-01-01 DOI: 10.1163/EJ.9789004173279.I-396.60

A. Welch

引用次数: 1

FORMALISM AND THE ACADEMIC FOUNDATION OF TURKISH ART IN THE EARLY TWENTIETH CENTURY 形式主义与二十世纪初土耳其艺术的学术基础

IF 0.4 2区艺术学

Muqarnas Pub Date : 2007-01-01 DOI: 10.1163/EJ.9789004163201.I-310.13

Oya Pancaroǧlu

引用次数: 12

Brick, Timber, and Stone: Building Materials and the Construction of Islamic Architectural History in Gujarat 砖、木材和石头:古吉拉特邦的建筑材料和伊斯兰建筑历史

IF 0.4 2区艺术学

Muqarnas Pub Date : 2006-03-22 DOI: 10.1163/22118993-90000100

E. Lambourn

引用次数: 2

The Italian Colonial Appropriation of Indigenous North African Architecture in the 1930’s 20世纪30年代意大利殖民时期对北非本土建筑的挪用

IF 0.4 2区艺术学

Muqarnas Pub Date : 2002-03-22 DOI: 10.1163/22118993_01901009

Brian L. McLaren

引用次数: 5

SPLASH AND SPECTACLE: THE OBSESSION WITH FOUNTAINS IN EIGHTEENTH-CENTURY ISTANBUL 水花与奇观:18世纪伊斯坦布尔对喷泉的痴迷

IF 0.4 2区艺术学

Muqarnas Pub Date : 2002-01-01 DOI: 10.1163/22118993-90000031

Shirine Hamadeh

{"title":"SPLASH AND SPECTACLE: THE OBSESSION WITH FOUNTAINS IN EIGHTEENTH-CENTURY ISTANBUL","authors":"Shirine Hamadeh","doi":"10.1163/22118993-90000031","DOIUrl":"https://doi.org/10.1163/22118993-90000031","url":null,"abstract":"This verse, composed by the court poet Vaslf Bey at the close of the eighteenth century, belongs to a large body of popular Ottoman lore centering on fountains. Here an anxious mother warns her unwed daughter of the dangers that lurk on a trip to the fountain, a necessary daily routine for ordinary people at that time,2 but also one that provided a pretext for men and women to meet and, in this mother's mind, thereby an opportunity to get into mischief. In one of the traditional Nasreddin Hoca stories, the central character slaps his daughter before she even goes to the fountain in anticipation of the dangers the errand invokes. When asked about his reasons the Hoca explains, \"What's the use of slapping her after the jar breaks?\" Vasif's verse also reminds us that this was a time when fountains were ceasing to be innocuous little structures and were instead celebrated as objects of architectural splendor and as focal elements in a flourishing culture of middle class recreation. These \"minor\" edifices are seldom regarded by modern architectural historians as anything more than necessary appendages to more imposing structures such as mosques and madrasas, 3 but in the eighteenth century, they were a central feature of visual and literary representations of Istanbul. As buildings, they turned into the most lavish of public monuments and became a predominant obsession among an expanding number of rich patrons.","PeriodicalId":39506,"journal":{"name":"Muqarnas","volume":"1 1","pages":"123-148"},"PeriodicalIF":0.4,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73875899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 12